Previews & Features

Classical Guitar Weekend: May 23-25
by Daniel Hathaway

The thirteenth annual Classical Guitar Weekend sponsored by Guitars International and held at the Cleveland Institute of Music, begins a day earlier than usual this year with a master class by Belgian guitarist Raphaella Smits on Thursday, May 23 at 2:00pm and ends with a Saturday evening recital by British-born guitarist Jonathan Leathwood on May 25 at 8:00 pm. Inbetween, lovers of the classical guitar and its music can enjoy recitals by Jason Vieaux and friends, Jiyeon Kim from Korea, Colin Davin from the USA, and Raphaella Smits, interleaved with lectures, panel discussions and exhibits. See the entire schedule here. Following are interviews with four of the featured recitalists.

Classical Guitar Weekend: a conversation with American guitarist Colin Davin
by Mike Telin

Hailed as “the real thing, a player with a virtuoso’s technique, a deeply expressive musicianship, and a probing imagination” by the American Record Guide, guitarist Colin Davin is quickly emerging as one of today’s most dynamic young artists. His recent recital appearances include Alice Tully Hall, the Metropolitan Museum of Art (on historic instruments from the museum's collection), New York Philharmonic Ensembles at Merkin Hall, and venues in Los Angeles, Chicago, Miami, Austin, and Cleveland.
     As an educator, Davin has taught at the Aspen Music Festival as the teaching assistant to Sharon Isbin, and in January 2013, he was a guest artist-faculty at the Afghanistan National Institute of Music in Kabul, Afghanistan.
     On Friday, May 24 beginning at 8:00 pm in Mixon Hall, Colin Davin presents a recital featuring the music of J.S. Bach, Britten, Erin Rogers and Joan Tower. On Saturday, May 25 from 1:00 until 4:00, Mr. Davin will give a master class in CIM Studio 113.
     We spoke to the Bay Village native by telephone from his home in New York and we began by asking him why he chose the two Bach sonatas for his Classical Guitar Weekend recital. >>read on

Classical Guitar Weekend: a conversation with British guitarist Jonathan Leathwood
by Mike Telin

"Jonathan Leathwood is a genius." Writes Therese Wassily Saba of Classical Guitar [UK]. One of the few guitarists to perform on six-string and ten-string guitars, Leathwood’s innovative programs are a mix of modern and traditional works. His recent recital appearances have taken him to Italy, the UK, Germany, Turkey, France, Belgium, Holland, and the United States. On Saturday, May 25 beginning at 8:00 pm in Mixon Hall, Jonathan Leathwood presents a recital featuring the works of J.S. Bach, de Falla, Gerhard, Goss, José, and Lindberg.  Additionally Mr. Leathwood will give a master class on Friday, May 24 from 1:30 until 4:30 in CIM studio 113.
     Equally noted as a teacher and writer on music, Jonathan Leathwood writes and lectures on a range of topics from Bach to Elliott Carter. In 2001 he conceived and edited Guitar Forum, a new scholarly journal for the classical guitar published in the United Kingdom by the European Guitar Teachers’ Association (EGTA UK). Currently he is a lecturer at the University of Denver. >>read on

Classical Guitar Weekend: a conversation with Belgian Guitarist Raphaella Smits
by Daniel Hathaway

Belgian guitarist Raphaella Smits will be making her fourth visit to Cleveland for this year's Classical Guitar Weekend to play a solo recital in Mixon Hall at the Cleveland Institute of Music on Saturday, May 25 at 4:30 and to conduct a master class on Thursday, May 23 at 2:00 pm. A frequent visitor to our shores, Smits has made some 95 solo and educational appearances during her distinguished career, which includes having been the first woman to win Spain's prestigious Certamen Internacional de Guitarra Francisco Tarrega Competition.
     We reached Raphaella Smits via Skype video conference at her home outside Antwerp. Of course I have to ask her first if she admires Rubens's paintings.
     Raphaella Smits: Yes of course. They are everywhere. We are living about ten minutes outside town and we're lucky to have a really huge, beautiful garden. It's spring and all the leaves and flowers are out.
     Daniel Hathaway: I've been reading about how you got started on the guitar, but it would be fun for you to tell us that again in your own words! What first attracted you to the instrument?
     RS: Why not! In the beginning I wasn't attracted to it at all because I didn't even know it existed. But I grew up with a lot of culture. >>read on

Classical Guitar Weekend: a conversation with Cleveland guitarist Jason Vieaux
by Mike Telin

On Thursday, May 23rd beginning at 8:00 pm in CIM's Mixon Hall, Classical Guitar Weekend kicks off its 2013 edition with a recital by Jason Vieaux that features the music of Paganini, Piazzolla, Ponce, and Sor. Vieaux, who heads the Cleveland Institute of Music’s Guitar department and serves on the faculty at the Curtis Institute of Music in Philadelphia, will be joined by hi CIM colleagues violinist Jinjoo Cho, violist Jeffrey Irvine, and cellist Melissa Kraut.
     On Friday, May 24 beginning at 9:00 am, also in Mixon Hall, Vieaux will lead a master class via Distance Learning. Guitar students from the Cleveland Institute of Music and the Royal Danish Academy of Music will perform on and off site via CIM's innovative Distance Learning audio/video hook up and be coached by Jesper Sivebak, head of the RDAM guitar department.
     Since winning the Guitar Foundation of America’s International Competition at the age of nineteen, Jason Vieaux has earned a reputation for putting his expressive gifts and virtuosity at the service of a remarkably wide range of music. >>read on

Manfred Honeck conducts The Cleveland Orchestra in its four-concert season finale this weekend
by Mike Telin

This weekend The Cleveland Orchestra concludes its 2012-13 Severance Hall season with four concerts beginning on Thursday, May 23 and running through Sunday afternoon, May 26. The performances, under the direction of Manfred Honeck in his Cleveland Orchestra debut, include Tchaikovsky’s Symphony No. 5, Beethoven’s Piano Concerto No. 3 featuring the German-born, London-based pianist, Lars Vogt, and the Cleveland premiere of Swedish composer Rolf Martinsson’s Open Mind. This series also includes a popular KeyBank Friday@7 series concert with a pre-concert performance by saxophonist Bobby Selvaggio and a post-concert party featuring the Brooklyn, N.Y. based funk band MOKAAD.
     Austrian-born conductor Manfred Honeck attended the Academy of Music in Vienna studying violin and viola, and spent more then ten years as a member of the Vienna Philharmonic and the Vienna State Opera Orchestra. Following his decision to pursue a conducting path, Honeck has held positions at the Zurich Opera House, MDR Symphony Orchestra Leipzig, Norwegian National Opera, Staatsoper Stuttgart and the Swedish Radio Symphony Orchestra. Honeck also served as principal guest conductor of the Czech Philharmonic Orchestra from 2008 to 2011, a position he will resume from 2013 to 2016. In North America, Manfred Honeck is most well known as music director of the Pittsburgh Symphony, a post he was appointed to in 2007. >>read on

Quire Cleveland invites Jameson Marvin to conduct a Palestrina Fest on May 25
by Daniel Hathaway

Quire Cleveland will celebrate Memorial Day weekend with an all-Palestrina concert at Historic St. Peter's Church in downtown Cleveland on Saturday evening, May 25. Quire's founders, Ross W. Duffin and Beverly Simmons, have invited a distinguished choral specialist to guest conduct the professional ensemble for the occasion: Jameson Marvin, who retired last year after thirty-two years as director of choral activities at Harvard, including the Harvard Glee Club, the Harvard-Radcliffe Collegium Musicum and the Radcliffe Choral Society (Marvin's last Cleveland appearance was with the Glee Club in March of 2010).
     The Quire Cleveland invitation came about through personal connections, he told us in a phone call from his home in Lexington, MA. “Ross and Bev's son David sang with the Collegium when he was at Harvard. They came to several concerts and really liked what we were doing, especially with Renaissance polyphony. Interestingly, I had met Bev at workshops I offered in the White Mountains of New Hampshire in the summer of 1979 and 1980. The fact that Ross and Bev went to Stanford the same time I did means that we see things similarly, though they've gone much more in depth into musicological areas and I into performance areas. When they came to Cambridge, I would see Ross after concerts and he told me about Quire Cleveland and invited me to come and conduct the group at some convenient time.” >>read on

Patti Austin with The Cleveland Orchestra

(May 18)
by Guytano Parks
     The evening shimmered, both musically and visually as the Grammy Award-winning singer Patti Austin took to the Severance Hall Stage in The Music of Ella and Ellington with The Cleveland Orchestra conducted by James Feddeck on Saturday, May 18. Miss Austin made an elegant entrance in a bejeweled silver grey gown which fit right in with Severance Hall's luxuriously opulent decor. “Look at that ceiling, did you ever see anything quite as beautiful?... my house would look so great with that ceiling,” she said with an upward gaze. Her stage manner and banter immediately endeared her to the audience. And her voice was in particularly fine form, distinctively rich and colorful, ranging from the seductive and smoky to the vibrantly clear.
     Feddeck and the orchestra opened the concert with a vigorous and exciting account of Bernstein's Overture to West Side Story. Biting brass and driving rhythms were energized by the percussion section while lush strings and colorful woodwinds imparted character and atmosphere to one of musical theatre's most beloved scores. >>read on

Cleveland Pops Orchestra and Chorus at Severance Hall (May 17)
by Daniel Hathaway
     The troops were out in force for Cleveland POPS' thirteenth annual Armed Forces Salute at Severance Hall on Friday, May 17 — not the Army, Navy, Air Force, Marines and Coast Guard who were honored in a medley of official songs, but in addition to the orchestra and its new Cleveland POPS Chorus, the evening featured a Joint Veterans Honor Guard, the Gates Keystone Club Police Pipes and Drums, the Mutual Gifts Gospel Choir (employees of Medical Mutual, who sponsored the evening) and a celebrity narrator, former Cavs star Austin Carr, aka “Mr. Cavalier.” All these participants were masterfully deployed and led by POPS conductor Carl Topilow, chorus master William Zurkey and gospel choir leader Jimmy L. Wilcher, Jr. in an evening of rousing patriotic and military-inspired music that brought the spirit of the Fourth of July indoors a few weeks early. >>read on

Akron Baroque “Goes Rococo” at First Congregational Church (May 16)
by Daniel Hathaway
     Short symphonies by Michael Haydn, his older brother Joseph Haydn, and J.S. Bach's youngest son, Johann Christian Bach, were the Rococo entries on the final concert of Akron Baroque Chamber Orchestra's season on Thursday, May 16 under the direction of Guy Victor Bordo, but the 17-member professional ensemble, founded by Amy Barlowe, also recalled its central mission with a Vivaldi concerto starring the violin-bass duo of Amber and Maximilian Dimoff. (Amber is a member of Akron Baroque; her husband is principal bass of The Cleveland Orchestra).
     Presented in the fine acoustical ambiance of the sanctuary of First Congregational Church with its elegant, wrap-around balcony, the 90-minute concert followed solidly in the tradition the ensemble has established: attractive and accessible music masterfully played on modern instruments with a nod to historical performance practice but without any self-conscious fussiness. >>read on

Recording review
Ensemble HD — Live at The Happy Dog
by Mike Telin
     Today, May 15, 2013 is here and so marks the official release of the highly anticipated recording Ensemble HD – Live at The Happy Dog. So much has happened since June 23, 2010 when Cleveland Orchestra principal flutist Joshua Smith and Happy Dog proprietor Sean Watterson decided to take the plunge by bringing live “classical” music to a venue more known for presenting local rock and polka bands. But what this album celebrates most is the shared vision and philosophy of creating something that would put a new face on classical music which Smith and Watterson brought to a reality.
     In the album's informative liner notes, Charles Michener insightfully writes
     “Yet, perhaps what ails classical music has less to do with the audience, the nature of the music or the people who play it, then it does with the places and the manner in which it is usually played.” Michener suggests, “What if one could experience Beethoven and Bartok in a setting other then a shrine-like auditorium…? What if the players arrived not in formal evening dress but as people who look and act just like the rest of us? What if you could enjoy Beethoven and Bartok in a casual public watering hole on an ordinary urban street while chatting with your companion, ordering food and drink, and even glancing occasionally at a TV monitor where an NBA or NFL game is in progress.”  >>read on

Cleveland Orchestra Youth Orchestra with cellist Hannah Moses (May 12)
by Guytano Parks
     “Over 1,300 students have been members of the Cleveland Orchestra Youth Orchestra during the past twenty-seven seasons, representing a remarkable group of talented young people. For some, their interest in music has carried them forward into careers as educators and performers. For others, music continues as an important part of their lives and careers in business, the arts, and community service.”
     So read the printed program from the Cleveland Orchestra Youth Orchestra's final concert of the season at Severance Hall. It describes in advance the thirty-nine graduating seniors who were congratulated with individual descriptions of the next step in their musical journeys. Among them is Hannah Moses, winner of the orchestra's 2013 concerto competition and soloist in Dvorak's Cello Concerto in B minor.
     Miss Moses, a member of COYO since 2007, is a senior in CIM's Young Artist Program studying with Richard Weiss of The Cleveland Orchestra. Winner of many scholarship and concerto competitions, she will continue her studies at CIM, majoring in cello performance. >>read on

Church of the Covenant unveils splendid new organ in a day of celebration (May 12)
by Timothy Robson
     In a day of music and celebration on Sunday, May 12, the Church of the Covenant in Cleveland's University Circle formally unveiled and dedicated its brilliant new organ, the Newberry Organ, built by the Richards, Fowkes & Company of Ooltewah, Tennessee. The new organ was tested to its limits in a festival service in the morning featuring multi-choir works with Baroque-style instruments, and three other organs (two small Dutch portative organs as well as the church's large mid-20th-century American Classic organ), followed by a concert in the afternoon by Oberlin Conservatory organ faculty head James David Christie, with a repeat of the multi-choral works from the morning. In between the two major events, the church's director of music, Jonathan Moyer, gave a lecture on the new organ. >>read on

Michael Lynn and Friends in benefit at Cleveland Museum of Art (May 11)
by Daniel Hathaway
     Only six months after receiving a liver transplant at Cleveland Clinic, Michael Lynn gathered a group of friends to present a benefit concert for the program that gave him a new life and restored his career as a performer on the recorder and baroque flute. “A Baroque Musical Conversation” drew a good-sized audience to Gartner Auditorium at the Cleveland Museum of Art on Saturday evening, May 11 for masterful performances of concerted music by Telemann and Handel as well as cameo solo performances of works by Louis Couperin, Handel and Marais.
     Lynn, who is professor of baroque flute and recorder and curator of musical instruments at the Oberlin Conservatory of Music, was forced to give up performing four years ago due to his illness. His near-miraculous recovery was immediately evident in the opening selection, the Vivace from Telemann's Concerto in D for two flutes, violin and cello… >>read on

WCLV's Jubilation! Elizabeth Stuart Church Choir Festival inspires friendly competition at St. John's Cathedral (May 9 & 10)
by Daniel Hathaway
     Though The Ensemble from Federated Church in Chagrin Falls was the ultimate winner of the 2013 Jubilation! Elizabeth Stuart Church Choir Festival jointly sponsored by WCLV, 104.9 FM and the Cathedral of St. John the Evangelist, all six choirs took home a cash prize and a plaque as well as the invaluable experience of appearing with each other in a warmly supportive festival. The well-attended finals were held at St. John's Cathedral on May 9 and 10 and judged by Robert Page, Frank Bianchi and Peter Jarjisian.
     On Thursday evening, the Festival Choir of Gesu Parish in University Heights (27 singers) drew the opening slot. Directed by Joseph Metzinger with instrumental assistance from pianist Julia Russ and violinist James Thompson, the ensemble sang a range of music from repurposed Handel choruses to African Chants, a famous Sistine Chapel motet and a Mozart mass movement. >>read on

Cleveland Orchestra: Handel with Ton Koopman at Severance Hall (May 9)
by Nicholas Jones
     Like most 18th-century composers, Handel wrote much of his music for special occasions, rather than for its own sake. But in the hands of such a master, many of his occasional compositions have transcended the functions for which they were written.
   Such is the case for three Handel works performed by the Cleveland Orchestra Thursday. All of them were written for British royal occasions, but you don't need to be a Brit to appreciate them. Under the guidance of baroque specialist Ton Koopman, the orchestra brought out both the radiance and depth of Handel's music.
     The Water Music must have sounded exciting when played from a barge on the Thames as George I progressed from Whitehall to Chelsea and back again. But I doubt if the music on the waters had the precision and rhythmic energy that it had here in Severance Hall. >>read on

Cleveland Chamber Music Society Young Artists Showcase features the Omer Quartet at First Unitarian (May 5)
by Daniel Hathaway
     For the second year in a row, the Cleveland Chamber Music Society has honored the Omer Quartet with a Young Artists Showcase concert at First Unitarian Church in Shaker Heights. Violinists Mason Yu and Erica Tursi, violist Joe LoCicero and cellist Alex Cos, all graduating seniors at the Cleveland Institute of Music (pictured here in Mixon Hall), where they have participated in CIM's Intensive String Quartet Seminar, have spent the season playing outreach concerts in elementary schools with coaching from Annie Fullard of the Cavani Quartet and Peter Salaff of CIM. The Omer Quartet entertained a mid-sized and slightly older audience on Sunday evening, May 5, with two unconventional works by Leos Janacek and Felix Mendelssohn.
     A year ago, the Omer played Mendelssohn's last-composed chamber work for the occasion; this time they went back to the beginning and offered the 18-year-old composer's first work for string quartet, op. 13 in a minor. >>read on

Cleveland Orchestra with Ton Koopman and Paul Yancich at Severance Hall
(May 4)
by Daniel Hathaway
     The first weekend of the third year of Dutch conductor Ton Koopman's productive residency with The Cleveland Orchestra gave Severance Hall audiences a new perspective on three Viennese classical works by Mozart and Haydn, introduced a French baroque descriptive piece by a composer the orchestra has never tackled before, and brought a true novelty to light: a late eighteenth century showpiece starring timpanist Paul Yancich.
     To be precise, only half of The Cleveland Orchestra was playing on the East side of East Boulevard on Saturday evening, May 4 - the rest of the musicians had been involved all week with the two-concert series “California Masterworks” at the Cleveland Museum of Art. For Mozart's Symphony No. 1 in E-flat, the Severance stage was set up for a period-sized ensemble of fifteen violins, six violas, four cellos and four basses, and pairs of oboes and horns. >>read on



















































Cleveland Orchestra offers free tickets on Wagner's 200th Birthday (today!)
To celebrate Wagner's bicentennial on May 22, The Cleveland Orchestra will give away 200 lawn tickets for the orchestra's July 13 concert at Blossom via Facebook. The Orchestra's Facebook page will provide a promotion code that will allow users to obtain 2 free tickets on a first come, first served basis through the Orchestra's website.

Opera Circle seeks male voices for Rigoletto
Opera Circle is still searching for more voices to join its male chorus of Rigoletto by Giuseppe Verdi, which will be performed June 15, 2013 at The Ohio Theatre, Playhouse Square. For complete memorization, rehearsals and performance, each qualified chorister will receive $350.  For questions and schedule, please email or call 216 441 2822.
 
Opera Circle seeks dancers and supers
Opera Circle is looking for dancers and supernumeraries for the opening “ball scene” of its production of Rigoletto by Giuseppe Verdi. It will be performed June 15, 2013 at The Ohio Theatre, Playhouse Square. For information, please email or call 216 441 2822.

CAC invites project proposals for 2014
Cuyahoga Arts & Cuture will hold informational workshops on June 12, 17 and 18 for nonprofit organizations intending to apply for arts and cultural project support for 2014. The Eligibility Check, the first step in the application process, is due on July 2. For more information, visit the CAC website.

Omer Quartet wins Fischoff Competition
The Omer Quartet, made up of four CIM seniors, has won both the 2013 Fischoff National Chamber Competition's Grand Prize and Gold Medal in the Senior String Division. Over the course of three days, 48 ensembles representing more than two dozen countries competed at the University of Notre Dame. Winners were announced on May 12. Quartet members violinists Mason Yu (student of Joel Smirnoff and Ivan Zenaty) and Erica Tursi (student of William Preucil), Joseph Locicero (viola student of Lynne Ramsey) and Alexander Cox (cello student of Melissa Kraut) will participate in a Winner's Tour of the Midwestern United States this fall and present several concerts in Italy's Emiglia Romano Festival in 2014. The Omer has been coached by Peter Salaff and members of the Cavani Quartet and serves as the outreach quartet for the Cleveland Chamber Music Society under the mentorship of Annie Fullard.

Janet Cardiff's Forty-Part Motet at CMA
From May 4 through June 9, the Cleveland Museum of Art will present Janet Cardiff's sound sculpture based on Thomas Tallis's sixteenth-century ceremonial motet, Spem in alium, for eight choirs of five voices each, recorded in Salisbury Cathedral and looped continuously through forty loudspeakers. The work will be presented free in the newly-renovated Italian Baroque gallery. Read more about the installation here.

Cleveland Orchestra announces chorus auditions
The Cleveland Orchestra Chorus, Robert Porco, director, will hold auditions on May 20 and 21 both for the COC's 2013-2014 Severance Hall season and for this summer's Blossom Festival Chorus. The Cleveland Orchestra Youth Chorus, Lisa Wong, director, will audition new members in grades 9-12 on May 4, June 1 or 2. The Cleveland Orchestra Children's Chorus, Ann Usher, director, is open to students in grades 6-8, and will hear new singers on May 20, June 3 and June 8. Details about audition requirements and how to schedule an appointment are available here.

Hoopes among winners of Cleveland Arts Prize
Violinist Chad Hoopes is the sole classical musician to be honored by the Cleveland Arts Prize this year, having received the 2013 Emerging Artist Award. Hoopes and other winners will be honored in a ceremony on June 27 in Gartner Auditorium of the Cleveland Museum of Art. Hoopes is in his final year of high school and studies with Joel Smirnoff at the Cleveland Institute of Music.

BlueWater Chamber Orchestra with Neil Mueller and harpsichordist

Kenneth Cooper (May 4)
by Mike Telin
     While associate conductor Neil Mueller aptly chose to title last weekend's BlueWater Chamber Orchestra concert Baroque Reverberations, Mueller could have also appropriately named it “the many sides of Kenneth Cooper.” On Saturday, May 4th in Plymouth Church, the celebrated American harpsichordist and conductor returned to Cleveland for the first time since he was featured in multiple concerts with the Ohio Chamber Orchestra several years ago — and hopefully a return visit will not take nearly as long. Even better if that visit would reunite him with Mueller and the talented BlueWater players.
     The concert featured music of the early 18th century, Handel’s Concerto No. 15 in d minor for harpsichord and strings, with Cooper in the role of soloist, and Bach’s Orchestra Suite No. 3 in D, where he displayed his astute continuo playing skills. Music from the 20th century also made an appearance with de Falla’s Concerto for harpsichord, flute, oboe, clarinet, violin and cello. Here Cooper became a virtuoso chamber musician. >>read on

Cleveland Orchestra & CMA collaborate for “California Masterworks” (May 1 & 3) with a John Cage chaser afterwards
by Mike Telin & Daniel Hathaway
     “Go West, young man, go West,” was the much quoted advice probably misatributed to Horace Greeley, and for many during the Westward Expansion, the ultimate destination was California.
     Last week, in their second collaboration in Gartner Auditorium, The Cleveland Orchestra and the Cleveland Museum of Art's VIVA! & Gala Performing Arts Series presented “California Masterworks”, a two-concert series that drew on six seminal works by Henry Cowell, Dane Rudhyar, Lou Harrison, John Adams, James Tenney and Terry Riley to create a retrospective of music created by Californians — either born or raised there (Cowell, Harrison and Riley) or moved there to spend extended periods of time (Adams, Rudhyar and Tenney) but all of whom are linked by “common threads — different threads”, “bumping the classical tradition slightly off its axis” and offering “not so much a glimpse of the fringe as of the future,” as the Museum's Tom Welch wrote in his extensive introduction in the program book >>read on.

Dana New Music Festival XIX: Concert 4 at St. Columba Cathedral, Youngstown (May 1)
by Daniel Hathaway
     Youngstown State University's Dana New Music Festival XIX held its ultimate concert at St. Columba Cathedral on Wednesday evening, May 1, featuring new works by faculty, student and community composers, a couple of not-so-new-music selections by French and American composers and several Polish pieces performed by four members of the Sobieski family (left) who had also been featured at a noontime concert at the Butler Institute of American Art. The Festival Orchestra was conducted by composition professor Robert Rollin and other performances featured members of the Dana Composers Ensemble (directed by Gwneth Rollin). The two-hour concert, played without intermission, offered an intriguing buffet of musical styles.
     Youngstown composer Richard Zacharias's All Right, Time to Go, ironically opened the evening with intriguing back-and-forth monologues between violin (Natalie Sahyoun) and piano (Alison Morris) who only later joined in dialogue. Both in the opening work and in Zacharias's Duo Two (a first performance), the pairs of instrumentalists seemed to be trying to start up a conversation but communication proved difficult. Duo Two was distinguished by strong horn playing from Stephen Klein, with the fine assistance of pianist Maria Fesz. >>read on



Staff

Daniel Hathaway, founder & editor
Mike Telin, executive editor

James Flood
J.D. Goddard
Jarrett Hoffman
Nicholas Jones
Guytano Parks
Timothy Robson
Robert & Gwyneth Rollin
Jacob Street
Alexandra Vago
Tom Wachunas