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Splendid Sibelius, Stratospheric Tchaikovsky from the Canton Symphony (June 25)

by Tom Wachunas

“Music begins where the possibilities of language end.” —Sibelius

The first selection on the June 25 “Triumphant Tchaikovsky” program from the Canton Symphony Orchestra (CSO) was Jean Sibelius’ Symphony No. 3 in C Major.

With this work, premiered in 1907, Sibelius offered a bold departure from the explosive emotionalism so prevalent in late-Romantic era music. This symphony was a renewed embrace of Classicism’s purity of form and melody, and one that, oddly enough, left many initial audiences of the day somewhat bewildered. [Read on…]

Tri-C JazzFest finds its groove at Playhouse Square (first of three reviews)

by Jacob Strauss

With food trucks lined up on E. 14th Street by the Strassman Insurance Stage on Euclid, Tri-C JazzFest was hitting its groove on Friday, June 24.

Cats on Holiday, a swamp pop band from Cleveland wearing Hawaiian shirts, was playing on the outdoor stage when I arrived. There was an accordion player with a crawdad printed on the bellows, and a man playing spoons on a washboard, who, in a moment of poetry, said there is redemption and grace and love in carrying pain, and that is why the perseverance of the people of Cleveland is special.

After eating a Po’boy from The Dawg Bowl Cajun food truck, I caught the first half of Brian Culbertson’s show in The Connor Palace Theatre. [Read on…]

ChamberFest Cleveland:
“Timeless Explorations” (June 25)

by Daniel Hathaway

The first piece of business at ChamberFest Cleveland’s June 25 concert in Mixon Hall at the Cleveland Institute of Music was rearranging the order of the program. “Timeless Explorations” was to have begun with a new piece, but probably for practical reasons involving a prepared piano, Yevgeniy Sharlat’s Dumka-22 and Beethoven’s Piano Trio, Op. 70, No. 2 traded places.

Violinist Diana Cohen, cellist Jonathan Swensen, and pianist Andrius Žlabys launched the sixth concert of ChamberFest’s tenth anniversary season with an effervescent performance of Beethoven’s least-performed trio. Bedecked with sparkling runs and ensemble flourishes and set in the gemütlich key of E-flat, the piece made an attractive opener and served as a lovely vehicle for the musicians to express their unassuming virtuosity.

[Read on…]

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