By Kevin McLaughlin

Between them, the saxophonists covered much of the instrument’s extended family, from baritone sax upward, switching horns as the repertoire required. For the first half, Marsalis stayed with the soprano — Coltrane’s instrument — which, in Marsalis’ hands, had a sweet, veiled quality that especially suited the program’s opening music.
Marsalis is widely known as a jazz musician, but he has long been at ease in classical repertoire as well — an aspect of his playing documented early on, as in his 1986 album Romances for Saxophone.


