by Daniel Hathaway

In an open letter to Cleveland Chamber Choir patrons, artistic director Gregory Ristow wrote:

“Our upcoming concert, La Fleur de la Renaissance, celebrates the new approach to harmony that emerged in the 1400s in the northern reaches of the French empire…To my ears, this is where Western classical choral singing as we know it began. To return to this music is to come back to the source, to explore consonance and dissonance in their purest forms, to delight in how these composers wrote glorious melodies for each part of the ensemble, while also allowing them to come together to form beautifully resonant sonorities.”

On Friday, May 8 at Trinity Cathedral, Cleveland, and Saturday, May 9 at First Lutheran Church in Lorain, the Cleveland Chamber Choir will present “The Flower of the Renaissance,” a compendium of works by six composers in the form of a Roman Catholic Mass that explore this new style. Both performances begin at 7:30.

The program also demonstrates the popular practice among Renaissance composers of embedding pre-existing material in new pieces, something that would come to be regarded as plagiarism in modern times, but were meant as tributes back in the day. Ristow has constructed his imaginary mass from movements of the forty-some Renaissance works based on the mysterious secular song, L’Homme armé. [Read on…]