Cleveland Classical

Stroud Classical Guitar Competition goes digital, with finals this weekend

by Daniel Hathaway

Among the many best-laid plans that went awry when the coronavirus pandemic came to town was the premiere of James Stroud’s new Classical Guitar Competition, reconfigured for young guitarists ages 14 to 18, and scheduled to make its debut during the Cleveland International Classical Guitar Festival last May at the Cleveland Institute of Music.

The contest goes on this weekend, thanks to digital technology. The four contestants who have advanced so far via preliminary video performances have sent in final round videos for streaming on Friday, October 16. After vetting by a panel of judges, prizes of $10,000, $5,000, $2,500, and $1,000 will be awarded.

Hudson resident James Stroud launched his competition 20 years ago, and decided to change its emphasis and move it to CIM after holding previous contests at the University of Akron and Oberlin. “I always wanted to turn this into a national thing,” he said in a recent telephone conversation. “When I asked a number of guitarists and teachers how I could make the greatest impact, they advised me to concentrate on high school students.

“There are great kids coming up. I knew that Armin Kelly’s Festival at CIM was the best in the country, I love Mixon Hall, and (CIM President) Paul Hogle was super responsive to the idea.” Then the virus hit. When Kelly postponed his 2020 Festival, Stroud decided to move his competition online. [Read on…]

Cleveland Classical Guitar Society:
a debut & a premiere, so to speak

by Jarrett Hoffman

Remote, pre-recorded performances have become an important part of the concert world during the coronavirus pandemic, but we’re all still figuring out how to talk about them.

When the Cleveland Classical Guitar Society presents Bokyung Byun in just such a performance on Saturday, October 17 at 7:30 pm, can we call it her Cleveland debut, even though she’ll be at her home in Los Angeles? And when she brings Theo Chandler’s Six Melodies to listeners’ ears for the first time in the work’s history, can we call it the premiere, even though it won’t be live?

Maybe the particular words don’t matter so much. The fact is, there’s plenty that’s new in this concert.

[Read on…]

Les Délices begins Concert Series with “Bewitched” Oct. 22

by Jarrett Hoffman

There are a couple of reasons why “Bewitched” is a fitting title for the first program in Les Délices’ Concert Series, streaming Thursday, October 22 at 7:30 pm and available on demand until the Closing Reception on Monday, November 2, also at 7:30 — tickets available here.

Not only is Halloween drawing near, and not only will Chicago-based soprano Hannah De Priest sing the roles of two witches in Colin de Blamont’s Circé and Louis-Nicolas Clérambault’s Medée, but in a way, the ensemble hopes to cast a spell with a reenvisioning of the traditional concert format, in particular with the creative use of video and lighting.

In a conference call, I spoke to De Priest and Les Délices director/oboist Debra Nagy about the experience of recording in person at Plymouth Church in Shaker Heights, stepping into the shoes and the vocal cords of those morally ambiguous witches, the role of gender in these stories, favorite Halloween costumes, and one or two possible signature cocktails for the concert.

[Read on…]

Cleveland Orchestra introduces streaming platform “Adella”

by Daniel Hathaway

First came Apple’s Siri (if she didn’t know the answer to a question, she’d helpfully reply, “I can look that up for you on the internet”). Then Amazon’s Alexa offered hands-free connections to the web (“Alexa, play NPR”) — while perhaps also listening in on our conversations.

Now, The Cleveland Orchestra has introduced Adella, named after its founder and first general manager, Adella Prentiss Hugues. She will knowledgeably serve as curator for all of the Orchestra’s digital content. That includes premium items — the In Focus Concert Series and Cleveland Orchestra Showcase — as well as free video from the Orchestra’s archives, expeditions behind the scenes, and “On A Personal Note” podcasts.

Central to Adella’s mission is bringing musicians back to Severance Hall to make music for the Orchestra’s patrons for the first time since the pandemic threw a spanner into the works in March. The In Focus series, which begins this Thursday, October 15, will comprise five, one-hour programs recorded mostly by the Orchestra’s strings, masked and physically distanced on the Severance stage. Wind players will be used sparingly. A few souls will be invited to attend, but most will watch via the stream. [Read on…]

Rocky River Chamber Music Society opens season with Diamond Brass Quintet

by Jarrett Hoffman

After COVID struck, the Rocky River Chamber Music Society was one of the area’s first organizations to set up a live-streamed concert, the Society’s season finale in May.

One of the performers that night was trumpeter and board member Amanda Bekeny, who now brings her Diamond Brass Quintet colleagues to West Shore Unitarian Universalist Church to open the series’ 62nd season on Monday, October 12 at 7:30 pm.

Joining Bekeny will be trumpeter Nina Bell, hornist Greg Hills, trombonist David Mitchell, and tubist J.c. Sherman. Their program, live-streamed only, will include works by J.S. Bach, Victor Ewald, Stravinsky, Eric Ewazen, and Anthony DiLorenzo, and can be accessed on Facebook or YouTube.

Phenomenal player, great teacher, superstar freelancer: those are the words that RRCMS music director Dan McKelway used to describe Bekeny back in May.

I’ll add to that a few adjectives of my own. First, humble — the trumpeter gave a hearty laugh after I shared McKelway’s “superstar” compliment. And second, down-to-earth — after a very short delay at the start of our Zoom call, she explained that she hadn’t had the right TV show on for her 3-year-old. (Apparently, Daniel Tiger’s Neighborhood wasn’t good enough.)

[Read on…]

Three reunions — family, Maryland, and horn — with Nathaniel Silberschlag and MFTWR

by Jarrett Hoffman

You don’t need a deerstalker hat and a pipe to make some interesting observations about Sunday’s program from Music From The Western Reserve, which airs online at 5:00 pm.

First, there are a number of Silberschlags. Second, there are several people from the state of Maryland. Third, there are a lot of horns.

As for those first two points, Cleveland Orchestra principal horn Nathaniel Silberschlag has put together a roster that makes good use of both his family and his hometown. He’s joined by his brother Zachary (principal trumpet in the Hawaii Symphony), their father Jeffrey (a trumpeter who chairs the music department at St. Mary’s College of Maryland), and other musicians from St. Mary’s County, as well as Baltimore.

Then, Silberschlag went a step further and rounded up a gang of fellow horn players from the Kennedy Center Opera House Orchestra, National Symphony, San Francisco Opera, and Metropolitan Opera Orchestra as a way to highlight their particular brand of horns, and to provide a potentially mesmerizing send-off.

[Read on…]

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