by Mike Telin
The 2025 edition of The Cleveland Orchestra’s Jack, Joseph, and Morton Mandel Opera and Humanities Festival has adopted “Reconciliation” as its theme.
No opera treats the power of forgiveness and reconciliation better than Leoš Janáček’s Jenůfa. Set in a rural Moravian village, its intense drama centers around Jenůfa, who gives birth to an illegitimate child, and her stepmother the Kostelnička (the church sacristan), who kills the baby in order to protect Jenůfa’s honor and, more importantly, her future.
On Saturday, May 17 at 7:00 pm in Mandel Concert Hall at Severance Music Center, Franz Welser-Möst will lead The Cleveland Orchestra in Janáček’s 1904 opera based on Gabriela Preissová’s play Její pastorkyňa (Her Stepdaughter).
The cast features sopranos Latonia Moore (Jenůfa) and Nina Stemme (Kostelnička) and tenors Samuel Levine (Laca) and Miles Mykkanen (Števa). The production will be repeated on Thursday, May 22 at 7:00 pm and Sunday, May 25 at 3:00 pm. Tickets are available online.
On Saturday, May 17 at 7:30 pm in Trinity Cathedral, BlueWater Chamber Orchestra and Cleveland Chamber Choir present “I Believe! Knitted Voices of Justice and Faith,” with conductor Daniel Meyer and soprano Katherine Jolly. The program includes Margaret Bonds’ Credo and Mozart’s “Great” Mass in c. Pay-what-you-wish tickets are available at the door and 
Since 1983, the 
Since joining the Oberlin Conservatory voice faculty in 2019, soprano Katherine Jolly has kept up with her performing career. But doing so usually takes her outside of Northeast Ohio.
“I’ve been compelled by mid-century American modern music for some time,” pianist Geoffrey Burleson said during a Zoom conversation. “I’ve recorded all of Roy Harris’ piano music and Vincent Persichetti’s twelve piano sonatas. I recently played some of Irving Fine’s music at Mills College under the auspices of Other Minds. I’m always saddened when people dismiss the mid-century neoclassic style. I just love it, and I’m doing all that I can to revive it.”
