by Daniel Hathaway
HAPPENING THIS WEEKEND:

This evening at 7:30, Gregory Ristow (pictured) conducts the Cleveland Chamber Choir in La Fleur de la Renaissance: Chansons, motets, and mass movements from Renaissance France at Trinity Cathedral (repeated on Saturday at First Lutheran in Lorain, The Resonance Project presents Lullabies and Laments with CLE Concierto Baroque ensemble at Forest Hill Church, and Raphael Jiménez leads the Oberlin Orchestra with pianist William Chen in Sergei Rachmaninoff’s Piano Concerto No. 3 and Camille Saint-Saëns Symphony No. 3 in Finney Chapel.
MAY 9 – SATURDAY
Tonight at 7:30, Christopher Wilkins conducts the Akron Symphony and Chorus in Carl Orff’s Carmina Burana, Maurice Ravel’s Bolero, and Margaret Brouwer’s Rhapsody Concerto in E.J. Thomas Hall.
MAY 10 – SUNDAY
Events this Sunday afternoon feature the Cleveland Orchestra Double Bass Quartet (Mark Atherton, Scott Dixon, Derek Zadinsky, and Charles Paul, 2 pm at Beachwood Community Center), The Cleveland Orchestra Youth Orchestra, James Feddeck, conducting, with Grace Berendt, trombone, performing Aaron Copland’s Letter from Home, George Walker’s Icarus in Orbit, Ferdinand David’s Concertino for Trombone and Orchestra, and Antonín Dvořák’s Symphony No. 9 (3 pm in Mandel Concert Hall at Severance Music Center), and Heights Chamber Orchestra, Travis Jürgens, conducting, with trumpeter Lyle Steelman (3:30 at Fairmount Presbyterian Church).
MAY 11 – MONDAY
Rocky River Chamber Music Society presents baritone Edward Vogel with pianist Jenny Parker in A Palace in the Wild: Journeys in British Art Song (7:30 at West Shore Unitarian Universalist Church).
For details of these and other classical music events, please visit the ClevelandClassical.com concert listings.
WEEKEND ALMANAC:
Everybody knows the name Oscar Hammerstein II — the lyricist half of the Broadway creative team Rodgers & Hammerstein — but did you ever wonder about Oscar I?
Born in Stettin, Germany on May 8, 1846, Oscar II’s grandfather was an opera composer and impresario who also founded several opera houses, most notably the Manhattan Opera House in 1906, which engaged in a fierce competition with the Metropolitan Opera.
Oscar I sold both the Manhattan and Philadelphia houses to the Metropolitan in 1910, agreeing not to produce grand opera in New York for the next decade. Along with Elektra, Thaïs, and Salome, he was responsible for the American premiere of Pelléas et Mélisande.
Listen to Erich Leinsdorf’s arrangement of “Preludes and Interludes” from Debussy’s symbolist opera recorded live by The Cleveland Orchestra in Severance Hall in February 1945, shortly before Leinsdorf left the podium to serve in the U.S. Army. The Orchestra presented a production of Pelléas et Mélisande in 2017 staged by Yuval Sharon and conducted by Franz Welser-Möst, both of whom comment on the work in a promotional video.




Part season finale, part album release party, Les Délices’ recent “Starstruck” program celebrated both its past and its future.
In an open letter to Cleveland Chamber Choir patrons, artistic director Gregory Ristow wrote:


