by Daniel Hathaway

Handel’s 1741 oratorio has firmly established itself in the U.S. as a Christmas religious tradition, although it was first performed in Dublin’s Fishamble Street Musick Hall at Easter time, when performances of Italian opera had fallen out of favor in London.
Cleveland Ballet’s productions restored Handel’s most celebrated oratorio to its original context in a theater, with some 50 excellent Blue Water Chamber Orchestra and Cleveland Chamber Choir musicians performing from the orchestra pit under the sensitive direction of CCC’s artistic director Gregory Ristow. [Read more…]




Handel’s Messiah will come to life at Playhouse Square on March 20-21 in a co-production by Cleveland Ballet, BlueWater Chamber Orchestra, and Cleveland Chamber Choir. Gregory Ristow will conduct the live musical forces as the dancers perform the iconic two-hour oratorio, choreographed by Robert Weiss.
Renaissance polyphony can bloom in resonant spaces, but the Donna and James Reid Gallery at the Cleveland Museum of Art presents particular challenges: hard surfaces and a long reverb tend to blur consonants into watercolor. The Cleveland Chamber Choir’s four-voice ensemble met those conditions head-on during its “In Four Voices” program on December 3. What emerged was an evening of consistently beautiful vocal timbre shaped by a group navigating the sonic characteristics of the room.


On Saturday, May 17 at 7:30 pm in Trinity Cathedral, BlueWater Chamber Orchestra and Cleveland Chamber Choir present “I Believe! Knitted Voices of Justice and Faith,” with conductor Daniel Meyer and soprano Katherine Jolly. The program includes Margaret Bonds’ Credo and Mozart’s “Great” Mass in c. Pay-what-you-wish tickets are available at the door and
Since joining the Oberlin Conservatory voice faculty in 2019, soprano Katherine Jolly has kept up with her performing career. But doing so usually takes her outside of Northeast Ohio.