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Anna White & Katie Fowler in
Musings of a Singing Mother

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by Daniel Hathaway

When soprano Anna E. White and mezzo-soprano Katie Fowler (left to right) met in the Cleveland Chamber Choir four years ago, they discovered they had one major thing in common. Both were balancing careers as professional vocalists with their responsibilities as mothers with small children at home. Three and a half years later, the two have created Musings of a Singing Mother, a cabaret show that celebrates the joys and complications of their everyday lives.

“The concept of the working mother is not new,” White said in a recent telephone conversation, “but because we have to practice at home and prepare for our rehearsals at night, we can be working on a phrase in an Italian aria and finding ourselves changing a dirty diaper or consoling a crying child in the same room. Those lives exist side by side, and we decided to put them on the stage to show people what we do.”

Having already presented their show in Medina in June, the duo will give it a second performance on Saturday, July 27 at 7:30 pm at the Aurora School of Music, where both serve on the faculty. They’ll be joined by pianist Will Hamilton and cellist Faith Rohde. Admission is free. [Read more…]

Cleveland Chamber Choir: “The Personal Muse” (May 18)

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by David Kulma

The Cleveland Chamber Choir has a bold tagline: “More than Music!” The final program of their fourth season, a collaboration with the Cleveland Composers Guild, clearly reflected this progressive mandate. Pairing living, local composers with works by British and American women, artistic director Scott MacPherson curated a delightful, satisfying evening titled “The Personal Muse” at Fairmount Presbyterian Church on Saturday, May 18. [Read more…]

Cleveland Museum of Art debuts Cenk Ergün’s Formare (May 8)

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by Daniel Hathaway

Cleveland audiences had their first live encounters with the music of Turkish-born composer Cenk Ergün in March of 2016, when the JACK Quartet premiered his commissioned works Sonare and Celare in Gartner Auditorium at the Cleveland Museum of Art. Ergün’s second appearance at the Museum earlier this month came in the form of a Cleveland Foundation Creative Fusion project. On Wednesday evening, May 8, the composer (seated on the pavement above) unveiled his hour-long Formare, turning the Ames Family Atrium into a vast sound installation. [Read more…]

Cleveland Chamber Choir & Cleveland Composers Guild: a conversation with Natsumi Osborn

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by Jarrett Hoffman

Composer Natsumi Osborn remembers the first time she read October Danger, a poem by her friend Anabelle Clark.

“It’s very descriptive and kind of mystical,” Osborn said during a telephone conversation. “It evoked in my head the kinds of images and feelings that I always want to evoke in my music.”

Osborn went on to set that text to music with her choral work Autumn Reflections, for which she won the Cleveland Composers Guild’s 2019 Collegiate Composition Contest. She’s currently finishing up her second year at Oberlin College and Conservatory, where she studies composition with Stephen Hartke, Jesse Jones, and Elizabeth Ogonek.

In two concerts this weekend, the Cleveland Chamber Choir, under the direction of Scott MacPherson, will perform works by members of the Cleveland Composers Guild, including Osborn’s Autumn Reflections, and pieces by American and British women composers — details below.

[Read more…]

Cleveland Museum of Art to present world premiere of Ergün’s Formare

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by Mike Telin

Since its inception in 2008, the Cleveland Foundation’s Creative Fusion program has brought more than 80 international artists to Cleveland for residencies. For the program’s latest edition, the Cleveland Museum of Art (CMA) is partnering with the Foundation in the commissioning of six new works by composers from across the globe under the auspices of the Museum’s Performing Arts Series.

On Wednesday, May 8 at 7:30 pm in the Museum’s Ames Family Atrium, composer Cenk Ergün will present Formare, the second premiere of the series. The work is scored for female choir, children’s choir, harpsichords, and trombones. The hour-long concert is free.

Responding to questions by email, Ergün said that the work’s title, Formare, means “to form” in Latin, and refers both to the formation of sound, and to the positioning of the performers within the space. Ergün will use both the ground level and second-floor allées of the atrium.

“The four trombones are divided into pairs and placed on the west and east allées,” Ergün said. “Four of the twelve singers are spread across the north allée, and the other eight, along with three harpsichords and a children’s choir, are positioned evenly across the ground floor. [Read more…]

Cleveland Chamber Choir at First Baptist (March 10)

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by Timothy Robson

In his spoken introduction before the Cleveland Chamber Choir concert on Sunday afternoon, March 10, Charles Edward McGuire characterized the program as very difficult. The statement was true, but director Scott MacPherson and the Choir gave extraordinary and virtuosic performances of unaccompanied music by three masters of choral music — Johannes Brahms, Andrew Rindfleisch, and Benjamin Britten. First Baptist Church of Greater Cleveland was an ideal location, with resonant but not overly reverberent acoustics that flattered the group’s well-blended sound but didn’t muddy the musical textures. [Read more…]

Charles McGuire on Cleveland Chamber Choir’s “March Choral Madness”

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by Daniel Hathaway

Cleveland Chamber Choir’s “March Choral Madness” concerts this weekend won’t feature dueling madrigals vying for slots on basketball-like brackets as they did in 2018. Instead, artistic director Scott MacPherson has chosen an interesting program of works by Johannes Brahms, Andrew Rindfleisch, and Benjamin Britten for the Choir’s mid-season programs on Saturday, March 9 at 7:30 pm at Brecksville Methodist Church and Sunday, March 10 at 3:00 pm at First Baptist in Shaker Heights.

I chatted on the phone recently with Oberlin Conservatory musicology professor Charles Edward McGuire, who will be giving pre-concert lectures 45 minutes before each of this weekend’s performances. What does he plan to tell the audience?

“I’ll be talking about my love for all three of these fantastic composers,” he said, adding that he’s trying to decide how interactive he wants to make the presentations. “You don’t have all the audiovisual aids in a concert venue that you would in a classroom. You have to rely on people’s imagination, slip in the occasional joke, and hope that the handheld microphone works.”

[Read more…]

Dipping into the holidays: chatting with Cleveland Chamber Choir mezzo & managing director Kira McGirr

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by Jarrett Hoffman

One minute, plastic skeletons dangle from rows of porches. Next, the country fixates on turkeys. Then a menagerie of menorahs and evergreens take the scene.

In other words, the last few months can be a lot to handle, even without singing in and managing a choir — or taking care of sick and injured children. “One son has a broken arm, and my other son has pneumonia,” Kira McGirr, Cleveland Chamber Choir mezzo-soprano and the group’s new Managing Director, told me recently over the phone. “So things are a little intense, but they’re both back to school now.”

Speedy recoveries to them. Meanwhile, McGirr and her husband, Oberlin Conservatory musicologist Charles Edward McGuire, will balance caretaking and preparations for the Choir’s first-ever holiday offerings. Their two free concerts led by artistic director Scott MacPherson will take place on Saturday, December 8 at the Church of the Covenant in Cleveland, and Sunday, December 9 at Christ Episcopal Church in Oberlin, both at 7:30 pm. McGuire will talk about the music at 6:45 pm on both dates.

[Read more…]

Cleveland Chamber Choir at Maltz PAC (Sept. 23)

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by Daniel Hathaway

The centennial of the armistice that ended World War I has inspired several concerts this fall. The latest of them was “Remembrance: Music of War, Peace & Comfort,” an affecting performance by Cleveland Chamber Choir on the new Silver Hall Series at the Maltz Performing Arts Center. On Sunday, September 23, in an event that was part concert, part memorial service, Scott MacPherson led his 32-voice chorale in a beautifully curated program of music from six centuries that makes a “universal statement about the suffering that war brings to all people, especially the families of loved ones lost.” [Read more…]

Cleveland Chamber Choir to reflect on war and peace in free concerts this weekend

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by Jarrett Hoffman

It was September of 2001, two weeks after 9/11, when Scott MacPherson was at a concert in Germany, hearing a mystery piece that sounded like it was written for the fall of the twin towers.

“I speak German, so I understood the text and I was literally in tears the whole time,” MacPherson, now founding artistic director of the Cleveland Chamber Choir, told me during a phone interview. “There are all these images of a fire coming down from on high, and of the city once being a beautiful place.”

The name of the piece wasn’t printed in the program — it was a surprise addition to commemorate those lost in the attack — but it turned out to be Wie liegt die Stadt so wüst (“How Desolate Lies the City”) by Rudolf Mauersberger, who died in 1971. The text, from the Lamentations of Jeremiah, tells of the destruction of Jerusalem, while the music was written after the fall of another city: Dresden, firebombed during World War II. “It’s an extremely moving piece,” MacPherson said.

This weekend, MacPherson and his Cleveland Chamber Choir will present that work and eleven others as part of “Remembrance: War, Peace, and Comfort.” [Read more…]

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