by Kevin McLaughlin
The Cleveland Chamber Collective’s “Travelogue” at Disciples Christian Church on Sunday afternoon April 12 traced a set of journeys — some literal, some inward — across a compact, varied program. What held it together was a shared interest in motion: landscapes, folk traditions, and time itself.
Director Ty Alan Emerson was an amiable emcee, introducing each piece and serving as an efficient stage crew of one. The program’s range — captivating, sometimes far-flung — reflected careful curation, and he deserves praise for bringing it together.
Robert Manno’s Three Scenes from the Mountains, written in 2012 and inspired by the view from his home in the Northern Catskills, opened the afternoon with pastoral charm. In “The Wind on the Water,” flutist Linda White, clarinetist Alix Reinhardt, and pianist Eric Charnofsky conjured the scene, the piano rippling under shifting breezes of flute and clarinet. [Read more…]
It is one of Cleveland’s persistently good things that outlets for fresh new music — played by some of the area’s best musicians — continue to thrive. On Sunday, April 28, we were reminded of this again at Cleveland Chamber Collective’s presentation of Ty Alan Emerson’s 
When the Cleveland Composers Guild added the requirement of writing a vocal piece to its collegiate composition contest in 2019 and generated only a single entry — impressive as that piece was — the idea was born for dedicating an entire year to vocal music.
After a year with no shortage of pre-recorded performances, watching musicians play together live and unmasked — even through a computer screen — feels like a breath of fresh air.