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BlueWater begins the season’s “Musical Metamorphosis” at the Church of the Covenant (Oct. 3)

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by Stephanie Manning

The theme for the BlueWater Chamber Orchestra’s current season — “Musical Metamorphosis” — was realized in miniature during the opening concert on October 3.

Although individually titled “Awakening,” the program at the Church of the Covenant played with the idea of metamorphosis more than anything else, both between and within its pieces. Led by music director Daniel Meyer, the concert weaved through Baroque, contemporary, and Indian classical traditions skillfully, though not always seamlessly.

The best example of metamorphosis contained within a piece arrived in the middle of the program, with Lukas Foss’ Renaissance Concerto and flute soloist Anthony Trionfo — the undeniable star of the evening. [Read more…]

Cleveland Chamber Collective: “Travelogue” at Disciples (Apr. 12)

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by Kevin McLaughlin

The Cleveland Chamber Collective’s “Travelogue” at Disciples Christian Church on Sunday afternoon April 12 traced a set of journeys — some literal, some inward — across a compact, varied program. What held it together was a shared interest in motion: landscapes, folk traditions, and time itself.

Director Ty Alan Emerson was an amiable emcee, introducing each piece and serving as an efficient stage crew of one. The program’s range — captivating, sometimes far-flung — reflected careful curation, and he deserves praise for bringing it together.

Robert Manno’s Three Scenes from the Mountains, written in 2012 and inspired by the view from his home in the Northern Catskills, opened the afternoon with pastoral charm. In “The Wind on the Water,” flutist Linda White, clarinetist Alix Reinhardt, and pianist Eric Charnofsky conjured the scene, the piano rippling under shifting breezes of flute and clarinet. [Read more…]

Cleveland Chamber Collective: Music of America VII (Jan. 12)

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by Kevin McLaughlin

In a program titled Music of America VII held on Sunday, January 12 at Disciples Christian Church in Cleveland Heights, the Cleveland Chamber Collective presented a concert of attractive and varied new music, inspired by sounds from around the globe —  India to Buenos Aires and Bali to Manhattan.

At two and a half hours, the program might have stood a trimming, but it would be hard to know what to cut — the works and performances by familiar and rising Cleveland professionals were uniformly splendid. Director Ty Alan Emerson served as gracious host as well as stagehand and impresario.

In Reena Esmail’s Blaze, a duo for violin (Emily Cornelius) and tabla (Dylan Moffitt) much of the intensity came from Cornelius’s relationship to Moffitt’s exact playing — we were drawn in by the quietness of Moffitt’s tabla and by Cornelius’s attention to it. The two drifted in and out of sync, with the violinist both captive to and rebelling against the insistent rhythm, even while she conjured enigmatic extremes of darkness and ecstasy.
[Read more…]

Cleveland Classical Guitar Society: Showcase Concert (Sept. 14)

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by Kevin McLaughlin

The Cleveland Classical Guitar Society kicked off its new season at the Maltz Performing Arts Center on Saturday, September 14 with its “2024 Showcase,” highlighting outstanding Cleveland talent and a rising star.

As is customary, an alumnus of CCGS’ Citizens Leadership Academy began the evening. Damien Goggans gave a superb and poised performance, evidence of his own talent and bestowing reflected glory on the educational arm of CCGS.

Goggans, who is a classical guitar performance major at Oberlin Conservatory, has already enjoyed triumphs at Severance Music Center and on national television and radio. Selecting three of Thomas Flippin’s 14 Études on the Music of Black Americans to play (III. “Don’t Let Nobody Turn You ’Round,” XIII. “Wake Up, Jacob,” and XII. “Don’t Be Weary, Traveler”), he sang the three spiritual melodies with an easy and clear voice before playing the etudes on guitar alone. Goggans’ guitar playing was an extension of his singing voice: sensitive, technically secure, and dignified. [Read more…]

Cleveland Chamber Collective: Music of America VI

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by Mike Telin

On Saturday, August 3 at 7:00 pm at Disciples Christian Church, The Cleveland Chamber Collective will present Music of America VI. The program includes works by Caroline Shaw, Missy Mazzoli, Jessie Montgomery, Michael Oesterle, Trevor Kazarian, and Eric Charnofsky. The concert is free.

During a recent telephone conversation Cleveland Chamber Collective director and conductor Ty Alan Emerson said that the Music of America series has evolved over time.

“When we started out, we were calling it American Icons, which was our way to feature music by composers such as Lou Harrison, George Crumb, and Leonard Bernstein. Then we thought, there’s all this other music being made in America that isn’t getting played. So several years ago we started to look at who else is out there and who are we missing.”

Emerson noted that right now, inclusion is the hot button in classical music, and that for several years the ensemble has been trying to find ways to be more inclusive.

[Read more…]

Cleveland Chamber Collective: Ty Alan Emerson’s Oath Breaker (Apr. 28)

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by Kevin McLaughlin

It is one of Cleveland’s persistently good things that outlets for fresh new music — played by some of the area’s best musicians — continue to thrive. On Sunday, April 28, we were reminded of this again at Cleveland Chamber Collective’s presentation of Ty Alan Emerson’s Oath Breaker, a Requiem for chamber ensemble and digital playback at the Pivot Center.

Emerson conducted a distinguished ensemble comprising Linda White, flute, Emily Cornelius, violin, Brian Slawta, viola, Trevor Kazarian, cello, Eric Charnofsky, piano, and Dylan Moffitt, percussion.

Oath Breaker takes the audience on a 60-minute journey of anger, grief, and hope, as a kind of collective PTSD therapy session about the events of January 6 and its subsequent aftermath. The mixture of recorded electronics, live performances, and poetic and prosaic texts helped to conjure in real time the horror of that day.

[Read more…]

Cleveland Classical Guitar Society: Zidur Guitar Duo (Feb. 24)

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by Kevin McLaughlin

Hermelindo Ruiz and Samuel Diz, constituents of the Zidur Guitar Duo, made their Cleveland debut on Saturday, February 24, endearing themselves to the crowd at the Maltz Performing Arts Center with an attractive program and winning personalities — two young virtuosos from out of town you’d like to meet afterwards over tapas and beer.

Ruiz, a native Puerto Rican, and Diz, Spanish-born, delighted in sharing music from their respective countries, including works by Egúrbida, Gottschalk, Rodrigo, Vide, and Acosta, plus two by Ruiz himself. While other guitarists might have been inclined to flashier repertoire, Ruiz and Diz chose milder stuff, perhaps ambassadors of a gentler sort.

[Read more…]

Music, Sports, and Ancient Greece festival: Oberlin faculty recital (Oct. 10)

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by Jarrett Hoffman

To open the academic calendar in recent years, Oberlin Conservatory violin professor Sibbi Bernhardsson has organized interdisciplinary festivals centered around intriguing themes. That continued earlier this month with “Music, Sports, and the Enduring Influence of Ancient Greece,” a topic that was examined through a variety of events, musical and otherwise, over the course of two days. I caught the tail-end of the festival via live stream: the fourth and final faculty recital in Warner Concert Hall on the evening of October 10.

The program was fresh and eclectic, featuring several works by lesser-known composers, and spanning from traditional classical to contemporary music and jazz — not to mention poetry.

[Read more…]

Cleveland Chamber Collective and Inlet Dance Theater at Cain Park 

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by Mike Telin

In her article Four Qualities of Classic Literature, MJ Booklover says that

A great writer has something specific to say, or perhaps, more typically, a big question to ask about the nature of the world as it was in the times of that writer. But a great work also observes truths about the human condition as it occurs in any age. 

Perhaps no writer has captured the timeless truths of the human condition more profoundly than William Shakespeare, and nowhere as persuasively as in The Tempest, the inspiration for Ty Alan Emerson’s new ballet, Caliban Ascendant.

“This project started about eight years ago when I was working with a friend of mine, Josh Legg,” Emerson (pictured below) said during a telephone conversation. “He’s a choreographer and a wonderful person. We wanted to collaborate on a project so we started talking about what we’d like to do. I had seen many productions of Shakespeare’s The Tempest. I saw one at Bowling Green that was really fun — they actually put a gamelan onstage and Caliban was played by a two-person puppet. So I thought, ‘I’d like to dig into that.’”

On Sunday, August 29 at 8:00 pm at Cain Park Amphitheater, the Cleveland Chamber Music Collective in partnership with Inlet Dance Theatre will present the world premiere of Caliban Ascendant. The ballet is based on a story developed by Joshua Legg and Ty Alan Emerson and features music by Emerson and choreography by Bill Wade in collaboration with Dominic Moore-Dunson, Kevin Parker, Emily Stonecipher, and Katie Wilber. [Read more…]

Cleveland Trombone Seminar: Mark Lancaster Lusk (June 20)

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by Nicholas Stevens

Last week, as part of the seventh annual Cleveland Trombone Seminar, a concert by Mark Lancaster Lusk took listeners into the heart of the brass player’s world: a region dominated by vocal music, modernist explorations, and jazz.

[Read more…]

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