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ChamberFest: catching up with pianist Andrius Žlabys

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by Jarrett Hoffman

“As I get older I’m really enjoying situations where the audience is five feet away from you and you can feel everyone’s energy,” clarinetist Franklin Cohen told us in March. That month ChamberFest Cleveland, which he co-directs with his daughter Diana Cohen, launched its House Concert Series.

To Lithuanian-born pianist Andrius Žlabys, what’s interesting about house concerts is that they are always unique. “There’s much more variety than with regular concerts, from room size to pianos,” he said from New Haven, Connecticut during a telephone conversation last week. “As a pianist, of course I get to meet new instruments all the time, so it’s always an adventure.”

The third and final event in ChamberFest’s House Concert Series takes place on Thursday, May 16 at 7:30 pm in the home of Mark and Sue Hollingsworth in Shaker Heights — the address will be printed on your receipt after you purchase a ticket.

[Read more…]

Cleveland Chamber Choir & Cleveland Composers Guild: a conversation with Natsumi Osborn

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by Jarrett Hoffman

Composer Natsumi Osborn remembers the first time she read October Danger, a poem by her friend Anabelle Clark.

“It’s very descriptive and kind of mystical,” Osborn said during a telephone conversation. “It evoked in my head the kinds of images and feelings that I always want to evoke in my music.”

Osborn went on to set that text to music with her choral work Autumn Reflections, for which she won the Cleveland Composers Guild’s 2019 Collegiate Composition Contest. She’s currently finishing up her second year at Oberlin College and Conservatory, where she studies composition with Stephen Hartke, Jesse Jones, and Elizabeth Ogonek.

In two concerts this weekend, the Cleveland Chamber Choir, under the direction of Scott MacPherson, will perform works by members of the Cleveland Composers Guild, including Osborn’s Autumn Reflections, and pieces by American and British women composers — details below.

[Read more…]

CityMusic: cellist Amit Peled, Saint-Saëns, and basketball

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by Jarrett Hoffman

Israeli cellist Amit Peled is a warm person, a deep thinker, and a big Cavaliers fan — all equally important aspects of any great artist’s personality.

Next week, from May 15-19, Peled and guest conductor Mélisse Brunet will make their debuts with CityMusic Cleveland in five free concerts around the area to conclude the ensemble’s 15th season.

The title “Hidden Gems” certainly describes three of the four works on the program: Fanny Mendelssohn’s Overture in C, Saint-Saëns’s Symphony No. 2, and Kodály’s Dances of Galánta.

Not so for Saint-Saëns’s First Cello Concerto. “It’s a piece that we all play as teenagers — one of the first we encounter as quote-unquote serious cellists,” Peled told me during a trip to Europe, where he was to perform in Romania and Austria. For him, the Saint-Saëns was also one of the first concertos he performed with orchestra. “I will never forget the feeling of that first chord, and after that the explosion of emotion and the mastery of cello writing,” he said.

[Read more…]

Cleveland Orchestra Youth Orchestra: a conversation with Vinay Parameswaran

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by Jarrett Hoffman

My first opportunity to talk to Vinay Parameswaran came in the form of a phone call last week, but I already had an impression of what his players in the Cleveland Orchestra Youth Orchestra think of him. In November, violinist Célina Béthoux told me how she had gifted him an origami conductor.

“Last season, some of the seniors gave me thank-you notes, which was also really nice,” Parameswaran told me. “But origami was a new one for me.”

Of course, there are other, more official signs that his tenure has been well received. In February, halfway through his second year, The Cleveland Orchestra extended his contract as Assistant Conductor and COYO Music Director through 2020-2021.

Heading into his latest performance with the younger orchestra on Friday, May 10 at 8:00 pm at Severance Hall — with music by Bartók, Bruch, and Shostakovich — Parameswaran said he continues to enjoy what he does. “One of the best parts of my job is working with COYO every weekend.” [Read more…]

Akron Symphony’s West Side Story: O’Brien gets his shot at Tony

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by Jarrett Hoffman

From the first time he saw West Side Story, Connor Bogart O’Brien knew that Tony was a role he was born to play.

So why did he pass on opportunities to do just that — not once, not twice, but three times?

“I didn’t want my debut as Tony to be for anything less than the biggest, most stellar production,” the Ashtabula native said with a laugh during a recent phone call.

Then, about six years ago, O’Brien found himself right where he wanted to be: in Pearl Studios in Manhattan in the final callbacks for the musical’s national tour. “I’m there with two other Tony’s, and I’m thinking, this is it, now is my chance. And fifteen minutes later, I’m on the street wondering what the heck just happened. I did not get it. So I thought, that’s it, I’m going to get too old to play a teenager, and I’m just not going to be able to do it.”

But the universe — via Akron Symphony music director Christopher Wilkins — smiled on O’Brien. [Read more…]

Daniel Meyer to lead his first BlueWater concert as Artistic Director

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by Jarrett Hoffman

“We’re definitely talking about some return visits and some more intensive work together.”

That’s what conductor Daniel Meyer told me over the phone in early April after I asked him about further engagements with BlueWater Chamber Orchestra in the seasons to come.

And I can only assume that he was winking when he said it. Less than two weeks later, on April 22, Meyer was announced as the ensemble’s new Artistic Director and Conductor, succeeding founder Carlton Woods, who passed away in 2017.

He will lead his first concert as Music Director on Saturday, May 4 at 7:30 pm at Plymouth Church in Shaker Heights (more on that program in a bit). He already knows the players well, having appeared as guest conductor with BlueWater several times over the past few seasons.

And he seems to genuinely love the orchestra. “I took to them right away,” he told me. [Read more…]

Chagrin Arts: fusing art and music with bassoonist Barry Stees

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by Jarrett Hoffman

Inside every artist’s brain is a region where the words of their mentors float around like balloons, even years or decades later. During a recent phone call, bassoonist Barry Stees looked back on one such piece of advice from the late K. David Van Hoesen, his former teacher at the Eastman School of Music.

“He was always encouraging us to read literature, view art, and take in other forms of culture to fill in the context behind the music we were learning,” said Stees, who serves as assistant principal bassoon in The Cleveland Orchestra.

That stuck with him. And now, he’s developed a concert program themed around music and the visual art and artists that inspired it. He’ll bring that to life with pianist Randall Fusco, oboist Cynthia Watson Sperl, and the Callisto Quartet at Chagrin Falls United Methodist Church this Friday, April 26 at 7:30 pm as part of the Chagrin Arts series. Visual art will be displayed on the walls, and shown on projections.

[Read more…]

David Krakauer, klezmer, and Jewish identity

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by Jarrett Hoffman

By age 30, clarinetist David Krakauer began to feel that he was missing something in his life. He had already developed a high-level career as a chamber musician, including winning the Naumburg Award with the Aspen Wind Quintet. But he found himself thinking of the jazz playing he had left behind in his early twenties.

“There was this moment where I thought, wow, I kind of threw the baby out with the bathwater,” Krakauer told me during a recent phone call. “I wanted to get back to improvising and playing ‘off the page.’”

He took an interest in klezmer music, “almost as a hobby,” he said, and started doing small gigs at Jewish community centers. “I was suddenly learning all about the Jewishness that I hadn’t really known I had. There was a shock of recognition in playing that music — I thought, this sounds like the strong Yiddish accent of my grandmother. I felt like I had come home in a way.”

[Read more…]

Tuesday Musical: Lara Downes, Bernstein, and women composers

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by Jarrett Hoffman

Pianist Lara Downes will bring together two recent projects, one devoted to Leonard Bernstein, the other celebrating women composers, when she visits E.J. Thomas Hall in Akron on Thursday, April 18 at 7:30 pm as part of Tuesday Musical’s Fuze Series.

Bernstein’s own works, new arrangements of his pieces, and works that were dedicated to him by John Corigliano, Lukas Foss, and Michael Abels will make up the first half of the program — mostly taken from Downes’ 2018 album For Lenny.

Next is The Answer is: Yes, a recent Bernstein-inspired piece by Tuesday Musical composer-in-residence Gregg Kallor, premiered in October. New to this performance is a dance aspect — Downes will collaborate with the Miller South Dance Ensemble, directed by Ashley Watts, and comprising students from Miller South School for the Visual and Performing Arts in Akron.

[Read more…]

No Exit remembers composer Ladislav Kubik

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by Jarrett Hoffman

How should we remember someone after they pass away?

Czech-American composer Ladislav Kubik died in 2017, and many of the obituaries written for him described an impressive career — from his Guggenheim fellowship to first prizes in several major competitions and a 26-year teaching post at Florida State University.

One short article included below went in a different direction. You got the sense from reading it that this writer really knew Kubik, and that his loss was personal.

The writer was Tim Beyer, director of No Exit. And that new music ensemble will give the premiere of Kubik’s 2017 Nocturnes in three free concerts next week devoted to the composer’s works. Nocturnes, a No Exit commission, turned out to be Kubik’s last completed piece.

[Read more…]

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