by Peter Feher
From the podium, Herbert Blomstedt is always proving that there are new insights to be found in even the most well-trod pieces.
The 94-year-old Swedish American conductor, whose big American post was with the San Francisco Symphony several decades ago, returned to Blossom Music Center on Sunday, August 1, with the kind of austere program only he can pull off.
by Daniel Hathaway
Italian-born composer Ferruccio Busoni, who died in 1924, is mostly known for his rather extravagant elaborations of J.S. Bach’s keyboard works and for a notorious piano concerto that scarcely anyone has ever heard live. Cleveland Orchestra audiences had that rare opportunity twice last weekend, thanks to pianist Garrick Ohlsson — and to the Orchestra’s music director laureate Christoph von Dohnányi, who originally engaged Ohlsson to play it in Cleveland in 1989 and to record it for Telarc. [Read more…]
by Mike Telin
When was the last time you attended a performance of Ferruccio Busoni’s Piano Concerto? If your answer is never, you’re not alone. The five-movement work lasts around 70 minutes and is scored for full orchestra and male chorus, making it one of the largest works in the piano concerto canon.
On Thursday, February 7 at 7:30 pm, Garrick Ohlsson will return to the Severance Hall stage for a performance of Busoni’s monumental Concerto with The Cleveland Orchestra under the direction of Alan Gilbert. The evening will also include Haydn’s Symphony No. 100 (“Military”). The program will be repeated on Saturday, February 9 at 8:00 pm. Tickets are available online.
Ohlsson has a long history with this Concerto and with The Cleveland Orchestra — he toured and recorded the piece with Christoph von Dohnányi — but his first introduction to Busoni’s music can be traced back to his teenage years in White Plains, New York. “My first teacher was a student of a Busoni student,” the pianist said by telephone from Boston. “So I grew up knowing about Busoni and his music. By the time I was eleven I was playing some of his pieces.” [Read more…]
by Timothy Robson
Spanish conductor Gustavo Gimeno made his American debut on Saturday evening at Blossom, but he is far from an orchestral neophyte. Gimeno has come under the tutelage of Mariss Jansons and Claudio Abbado, and in the 2015-16 season he will become chief conductor of the Luxembourg Philharmonic Orchestra.
He seems to be working his way up the ladder through engagements with European regional orchestras, so this “one-off” debut concert with The Cleveland Orchestra — undoubtedly with very limited rehearsal time — put him under a laser light in three masterworks: Beethoven’s Leonore Overture No. 2 and Piano Concerto No. 5, “Emperor,” with the esteemed Garrick Ohlsson as soloist, and Dvořák’s Symphony No. 8. [Read more…]
by Daniel Hathaway
Originally planned for November of 2012 (when Hurricane Sandy intervened) then rescheduled for February of 2013 (when the artist fell ill), pianist Garrick Ohlsson’s recital on the Oberlin Artist Recital Series finally became a reality on Tuesday evening, February 10. It was well worth the wait. [Read more…]
by Mike Telin
After winning the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has gone on to establish a reputation as a musician of magisterial interpretive and technical prowess. The celebrated pianist is certainly no stranger to area audiences: in addition to his frequent appearances as soloist with The Cleveland Orchestra, he has also presented recitals for Akron’s Tuesday Musical Series, collaborated with the Takács Quartet for the Cleveland Chamber Music Society, and performed a benefit concert for ChamberFest Cleveland. Still, there is one Northeast Ohio series that has eluded him — the Oberlin Artist Recital Series.
Two and a half years ago, in an interview with ClevelandClassical.com, Ohlsson said that he looked forward to making his debut on the Oberlin Artists Recital Series on November 1, 2012. “I did play in Oberlin once on a run-out with The Cleveland Orchestra. It was one of those go out, try the piano, play the concert and go back to Cleveland. This will be a more profound experience because I will get to practice in the Chapel. So that’s exciting.”
However, hurricane Sandy had other ideas and forced the cancellation of that performance. His recital was rescheduled for February 12, 2013 — then, unfortunately, due to illness, the pianist was forced to withdraw.
by Daniel Hathaway
Not every wind that blows into Cleveland from the North is a bone-chilling polar vortex. The boreal breeze that accompanied the 80-degree weather on Thursday evening, May 8, was a refreshing one that brought Finnish conductor (and newly reappointed Minnesota Orchestra music director) Osmo Vänskä to Severance Hall with striking symphonies by his countrymen Aulis Sallinen and Jan Sibelius in hand. The Grieg concerto, featuring frequent guest pianist Garrick Ohlsson, added another Scandinavian voice to the evening.
Sallinen’s Symphony No. 1, written in 1970-1971, was a late but fascinating addition to the program. In one movement over the course of fifteen minutes, the composer obsesses in a highly organized way with the note F-sharp and its related key of F-sharp minor. Beginning statically with a viola solo (Robert Vernon) joined by second violin (Stephen Rose) that devolve into a persistent motive over cello and bass recitative-like lines, the initially cool mode grows warmer and crests with an entry by the brass into a climax topped off by a catchy rhythm on the wood block. [Read more…]
by Daniel Hathaway
Referring in a recent interview to the Brahms-Haydn-Brahms program the Takács String Quartet cooked up for their March 19 Cleveland Chamber Music Society concert with Garrick Ohlsson (and repeated the following evening at Lincoln Center), violist Geraldine Walther exclaimed, “Who would have thunk it! But it actually does work and it’s a really satisfying concert to hear.”
The unusually large crowd in Plymouth Church last Tuesday evening agreed enthusiastically with that assessment as the Takács and their distinguished piano colleague dug deeply into the structure and substance of Brahms’s Quartet in a, op. 51, no. 2, Piano Quintet in f, op. 34 and Haydn’s Quartet in B-flat, op. 76, no. 4, sculpting performances that rank among the most distinguished and compelling of the CCMS season to date.
The two Brahms works are fascinatingly dissimilar — the quartet lyrical but abstract, the quintet craggy and visceral. The Haydn — especially in the magical hands and bows of the Takács — provided a delicious entremet and made for just about as much fun as you could possibly have at a chamber music concert. [Read more…]
by Daniel Hathaway
The Takács String Quartet, originally formed in Budapest in 1975 and since 1986 in residence at the University of Colorado at Boulder, will return to the Cleveland Chamber Music Society series on Tuesday, March 19 at 7:30 at Plymouth Church in Shaker Heights.
Pianist Garrick Ohlssohn will be the special guest for Brahms’s Piano Quintet in f, op. 34. Also on the program are Brahms’s Quartet in a, op. 51, no. 2 and Haydn’s Quartet in B-flat, op. 76, no. 4.
Compared to other long-standing groups, the membership of the Takács Quartet has been remarkably stable over its 38-year history. British violinist Edward Dusinberre took over the driver’s seat in 1993 and another British musician, Roger Tapping, replaced the original violist in 1994. Tapping was succeeded in 2005 by Geraldine Walther, who left her post as principal violist of the San Francisco Symphony to join the quartet. We spoke with Walther by phone in San Juan, Puerto Rico. [Read more…]
by Mike Telin
Note: this performance was eventually cancelled due to illness.
Performance agreements between artists and presenters usually contain a cancellation clause that addresses “acts of God.” And the rescheduling is usually contingent on finding a date that is agreeable to both the artist and presenter. Luckily for Northeast Ohio audiences, when hurricane Sandy forced the cancellation of pianist Garrick Ohlsson’s Oberlin Artist Recital Series debut, his performance was quickly rescheduled.
On Tuesday, February 12 at 8:00 pm in Finney Chapel, Garrick Ohlsson will make his debut on the Oberlin Artist Recital Series. Ohlsson’s program includes Brahms’s Rhapsodies, op. 79, Liszt’s Fantasia on Ad Nos, Ad salutarem undam, S. 259, Scriabin’s Two Pieces, op. 57, Étrangeté, op. 63, no. 2 & Vers la Flamme, op. 72 and Chopin’s Fantasy, op. 49 and Scherzo, op. 31 (all original tickets will be honored). [Read more…]