by Daniel Hathaway
Referring in a recent interview to the Brahms-Haydn-Brahms program the Takács String Quartet cooked up for their March 19 Cleveland Chamber Music Society concert with Garrick Ohlsson (and repeated the following evening at Lincoln Center), violist Geraldine Walther exclaimed, “Who would have thunk it! But it actually does work and it’s a really satisfying concert to hear.”
The unusually large crowd in Plymouth Church last Tuesday evening agreed enthusiastically with that assessment as the Takács and their distinguished piano colleague dug deeply into the structure and substance of Brahms’s Quartet in a, op. 51, no. 2, Piano Quintet in f, op. 34 and Haydn’s Quartet in B-flat, op. 76, no. 4, sculpting performances that rank among the most distinguished and compelling of the CCMS season to date.
The two Brahms works are fascinatingly dissimilar — the quartet lyrical but abstract, the quintet craggy and visceral. The Haydn — especially in the magical hands and bows of the Takács — provided a delicious entremet and made for just about as much fun as you could possibly have at a chamber music concert. [Read more…]