ClevelandClassical.com Header
Ad

Moon in the Mirror comes to Cleveland State

by

by Mike Telin

The moon has inspired creativity from the beginning of time. In popular music, this object that orbits the earth has served as fodder for Fly Me to the Moon, made famous by Frank Sinatra, and Pink Floyd’s 1973 album The Dark Side Of The Moon. Classical music references include Arnold Schoenberg’s groundbreaking composition Pierrot lunaire.

On Friday, January 31 at 7:30 pm in Waetjen Auditorium, the Cleveland Contemporary Players Series in collaboration with the Confucius Institute at Cleveland State University will present Moon in the Mirror, with mezzo-soprano Hai-Ting Chinn and pianist Shuai Wang. Produced by Andrew Rindfleisch, the 40-minute operatic monodrama features music by Stephen Dembski, a libretto by Zhang Er and Martine Bellen, stage direction by Christine McBurney, and projection design by Kasumi. The free performance will also include Chen Yi’s Northern Scenes for solo piano.

Moon in the Mirror received a concert version performance by Hai-Ting Chinn and pianist Vicky Chow in October of 2015, and since that time, the creative team has been searching for funding and collaborators to fully stage the 40-minute work. [Read more…]

Clocks in Motion to premiere Rindfleisch percussion quartet at CSU

by

by Jarrett Hoffman

Last month on the podcast The Three Questions with Andy Richter, comedian Jim Gaffigan said he always thinks he’ll be “metaphorically escorted into a room of luxury” after achieving something special, though he’s learned that doesn’t exist. But if you’re a composer interested in writing for percussion, there’s a room that might provide similar validation, and plenty of new ideas.

I’m talking about a 2,000-square-foot warehouse in Edgerton, Wisconsin, where Sean Kleve, music director of the percussion quartet Clocks in Motion, houses a collection of instruments, some of them rare and built by the group. They call the space their “Instrumentarium,” and composers who collaborate with them can go there to survey their wide and varied options.

One of those visitors has been Andrew Rindfleisch, professor of composition at Cleveland State University. His years-long collaboration with Clocks in Motion continues on Monday, September 23 at 8:00 pm, when the ensemble will visit CSU’s Drinko Recital Hall to premiere his Chroma.

[Read more…]

Margaret Scharf, 89

by

Margaret Rickerd Scharf, who co-directed the music program at Old Stone Church in Public Square from 1969-1999 with her husband, Warren, died on Friday, August 1 at the age of 89.

“Maggie” joined Warren on the faculty of the Baldwin Wallace Conservatory in 1993, where he had served as director since 1967, and taught organ there until 2013. The couple met as graduate organ students at the Eastman School of Music (he died in 2014). She also served as Dean of the Cleveland Chapter of the American Guild of Organists, and taught at Cleveland State University.

Services will be held at The Old Stone Church on Saturday, August 10 at 11:00 am, followed by a luncheon. Read an obituary here.

ChamberFest Cleveland 2019: Under the Influence

by

by Mike Telin

Since bursting onto the scene in 2012 with its Big Bang!, ChamberFest Cleveland has established itself as an organization of the highest musical integrity with a seemingly endless number of themed programs. Looking through the archives of this publication, it’s fascinating to see the imaginative and clever way the Festival has reinvented itself each year.

But a closer look reveals that ChamberFest’s mission, “to nurture a deep family-like connection between musicians and audiences of all ages,” has never waned. In summing up the 2016 season, ClevelandClassical.com critic Neil McCalmont noted, “Technical prowess, fierce dedication, and the cultivation of friendships all contribute to ChamberFest’s captivating concerts, which keep audiences coming back season after season.”

Season 8, titled Under the Influence, considers the factors that inspire and influence composers. Cutting-edge pieces by John Adams, John Cage, and Steve Reich will anchor works by other classical composers. Pre-concert talks will be held prior to most concerts and are open to the public. Tickets and subscriptions are on sale now and range in price from $15 to $40. For concert details and additional information, call (216) 471-8887 or visit www.chamberfestcleveland.com.

[Read more…]

“The Notorious RBG in Song” at CSU’s Drinko Hall (Apr. 18)

by

by David Kulma

Justice Ruth Bader Ginsburg is an unlikely folk hero. Her law career has spanned six decades, with more than 25 years on the Supreme Court. Now 86, she has written a notable series of blistering dissents. This has endeared her to a younger generation on her side of the political fence, and earned her an unexpected nickname: Notorious RBG.

[Read more…]

THE LONG VIEW: A Portrait of Ruth Bader Ginsburg

by

by Mike Telin

“Fight for the things that you care about, but do it in a way that will lead others to join you.”

— Justice Ruth Bader Ginsburg, aka Notorious RBG

On Thursday, April 18 at 7:00 pm in Cleveland State University’s Drinko Recital Hall, pianist Angelin Chang, soprano Patrice Michaels, and classical music producer James Ginsburg will present Michaels’ THE LONG VIEW: A Portrait of Ruth Bader Ginsburg in Nine Songs. The cycle serves as the centerpiece of this one-act, 75-minute dramatic concert which also includes works by Vivian Fung, Stacy Garrop, Lee Hoiby, Lori Laitman, and John Musto as well as projection designs by Yee Eun Nam. A Question & Answer session will follow the performance. Admission is free and open to the public.

This nine-song cycle by Michaels (daughter-in-law of RBG) brings to light many aspects of Justice Ginsburg’s personal and professional life through letters, remembrances, conversations, and court opinions. The cycle has been recorded by Michaels for Cedille Records, the Chicago-based label of James Ginsburg (son of RBG). The album Notorious RBG in Song is available from Cedille.

[Read more…]

No Exit remembers composer Ladislav Kubik

by

by Jarrett Hoffman

How should we remember someone after they pass away?

Czech-American composer Ladislav Kubik died in 2017, and many of the obituaries written for him described an impressive career — from his Guggenheim fellowship to first prizes in several major competitions and a 26-year teaching post at Florida State University.

One short article included below went in a different direction. You got the sense from reading it that this writer really knew Kubik, and that his loss was personal.

The writer was Tim Beyer, director of No Exit. And that new music ensemble will give the premiere of Kubik’s 2017 Nocturnes in three free concerts next week devoted to the composer’s works. Nocturnes, a No Exit commission, turned out to be Kubik’s last completed piece.

[Read more…]

No Exit: Cleveland Composers Series

by

by Mike Telin

Since its founding, the inimitable new music ensemble No Exit has regularly given a voice to area composers, and the ensemble will continue that tradition with its upcoming Cleveland Composers Series. The program spotlights five new works by composers who are recognized for their singular and distinctive voices.

On Friday, November 30 at 8:00 pm at Cleveland State University’s Drinko Hall, No Exit will be joined by special guest Patchwork Duo — Noa Even, saxophone, and Stephen Klunk, drum set. The evening will include works by James Praznik, Colin Holter, Hong-Da Chin, Ty Emerson, and Timothy Beyer. The program will be repeated on Saturday, December 8 at 3:00 pm at the Bop Stop and Friday, December 14 at 8:00 pm at SPACES. As always, the concerts are free.

“For a long time, composers have sought inspiration from finding connections between music and other mediums of art,” No Exit artistic director Timothy Beyer said during a telephone conversation. “This series of concerts features a few works that fit that bill.”

[Read more…]

A concert of thought-provoking music at Cleveland State University (Sept. 17)

by

by Mike Telin

Music can be a powerful tool for the expression of social discourse. Sometimes it is subtle. Other times it is overt and unapologetic. Such was the case with Andrew Rindfleisch’s American Monster, which received its premiere on September 17 in Drinko Hall at Cleveland State University. The concert was presented as part of No Exit’s season-opening series of concerts and CSU’s Cleveland Contemporary Players Artist in Residency Series.

[Read more…]

Cleveland Philharmonic + National Marionette Theatre + Double Digit Piano Duo (Oct. 13)

by

by David Kulma

The Cleveland Philharmonic put on a smilingly fun family concert on Saturday, October 13 at Cleveland State University’s Waetjen Auditorium. Music Director Victor Liva was joined by multiple guests to bring off shining versions of works by Prokofiev and Saint-Saëns alongside a Grieg orchestral chestnut.

[Read more…]

Follow ClevelandClassical.com

Support ClevelandClassical.com

Media Partner

Media Partner

Contact us