by Mike Telin
Since its founding, the inimitable new music ensemble No Exit has regularly given a voice to area composers, and the ensemble will continue that tradition with its upcoming Cleveland Composers Series. The program spotlights five new works by composers who are recognized for their singular and distinctive voices.
On Friday, November 30 at 8:00 pm at Cleveland State University’s Drinko Hall, No Exit will be joined by special guest Patchwork Duo — Noa Even, saxophone, and Stephen Klunk, drum set. The evening will include works by James Praznik, Colin Holter, Hong-Da Chin, Ty Emerson, and Timothy Beyer. The program will be repeated on Saturday, December 8 at 3:00 pm at the Bop Stop and Friday, December 14 at 8:00 pm at SPACES. As always, the concerts are free.
“For a long time, composers have sought inspiration from finding connections between music and other mediums of art,” No Exit artistic director Timothy Beyer said during a telephone conversation. “This series of concerts features a few works that fit that bill.”
Music can be a powerful tool for the expression of social discourse. Sometimes it is subtle. Other times it is overt and unapologetic. Such was the case with Andrew Rindfleisch’s 
The Cleveland Philharmonic put on a smilingly fun family concert on Saturday, October 13 at Cleveland State University’s Waetjen Auditorium. Music Director Victor Liva was joined by multiple guests to bring off shining versions of works by Prokofiev and Saint-Saëns alongside a Grieg orchestral chestnut.
Last week, as part of the seventh annual Cleveland Trombone Seminar, a concert by Mark Lancaster Lusk took listeners into the heart of the brass player’s world: a region dominated by vocal music, modernist explorations, and jazz.
From June 16-24, the Cleveland Trombone Seminar, spearheaded by Cleveland Orchestra assistant principal trombone Shachar Israel, will feature a series of performances by faculty and students in Drinko Hall at Cleveland State University. CTS is a week-long seminar for young trombonists designed to further their professional education. In addition to master classes, it presents clinics on form and performance anxiety and focuses on optimal progress through correct practice. 
Whisking the listener away on a diverse journey of sounds, the AHA! Festival will present a piano trio from a fellow local summer series, ChamberFest Cleveland. Pianist Roman Rabinovich, cellist Oliver Herbert, and violinist David Bowlin will come together to play gems of the chamber music repertoire by Brahms, Kodály, and 
On Friday, April 27 at SPACES, the adventuresome new music ensemble 
What happens when a flutist, clarinetist, violinist, and cellist come together to play music? They commission composers, because preexisting works for this quartet of instruments are a rarity. And, gratifyingly, based on Monday night’s concert at Drinko Recital Hall — presented as part of Cleveland State University’s Cleveland Contemporary Players Artist in Residency Series — Hub New Music is building a fascinating repertoire and playing it beautifully.
The opportunity for young composers to work directly with professional musicians is crucial to their development. Each year, as part of Cleveland Contemporary Players Artist in Residency Series, students at Cleveland State University are able to work directly with some of the leading artists and ensembles in the world of contemporary classical music. Over the past few years, Andrew Rindfleisch, CSU professor of composition and director of the series, has brought the Slee Sinfonietta, the Jack Quartet, and pianist Jenny Lin to the CSU campus for residencies that have include workshops, master classes and lectures. Additionally, students have the chance to hear their compositions performed by visiting artists. 