by Jarrett Hoffman
Last month on the podcast The Three Questions with Andy Richter, comedian Jim Gaffigan said he always thinks he’ll be “metaphorically escorted into a room of luxury” after achieving something special, though he’s learned that doesn’t exist. But if you’re a composer interested in writing for percussion, there’s a room that might provide similar validation, and plenty of new ideas.
I’m talking about a 2,000-square-foot warehouse in Edgerton, Wisconsin, where Sean Kleve, music director of the percussion quartet Clocks in Motion, houses a collection of instruments, some of them rare and built by the group. They call the space their “Instrumentarium,” and composers who collaborate with them can go there to survey their wide and varied options.
One of those visitors has been Andrew Rindfleisch, professor of composition at Cleveland State University. His years-long collaboration with Clocks in Motion continues on Monday, September 23 at 8:00 pm, when the ensemble will visit CSU’s Drinko Recital Hall to premiere his Chroma.
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