No Exit

No Exit: a clarinet and five flutes at Appletree Books on June 15

by Jarrett Hoffman

Clarinetist Gunnar Owen Hirthe + flutist Hong-Da Chin = quite the duo.

Combining Chinese traditional music with contemporary repertoire, their upcoming concert — presented by No Exit on Friday, June 15 at 7:00 pm at Appletree Books — will include three duets (one of them by Hong-Da), six solo works, and six instruments (the two likely suspects, in addition to four Chinese flutes).

Let’s start with the bookends of the program. Giacinto Scelsi’s Ko-Lho and David Liptak’s Duo meld together the sounds of the clarinet and Western flute to fascinating effect, treating the instruments almost like conjoined twins.

Hearing an all-Scelsi program at Bowling Green State University is what first drew Hirthe to that composer. “I was really struck by how simple and powerful his music is,” the No Exit clarinetist, Flint Institute of Music faculty member, and BGSU doctoral candidate said during a recent telephone conversation. [Read more…]

No Exit’s Nicholas Underhill: solo piano at Heights Arts (June 2)

by Alice Koeninger

Nicholas Underhill’s solo piano recital at Heights Arts on Saturday, June 2 featured a complex program by 20th- and 21st-century composers who seemed to be attempting to dismantle tonality. A member of No Exit, Underhill played eight compositions that he worked on for over a year. The concert was part of the ensemble’s summer series.

[Read more…]

No Exit and Patchwork combine at SPACES (Apr. 27)

by David Kulma

Surrounded by eclectic new art in Ohio City’s SPACES gallery, No Exit and Patchwork came together on Friday, April 27 to sound the musical cutting edge. With half the works from 2018 and most of the composers under 40, this night was a cross section of current trends in the world of new classical music. [Read more…]

No Exit and Patchwork to become “partners in crime”

by Mike Telin

NSF-Patchwork On Friday, April 27 at SPACES, the adventuresome new music ensemble No Exit and the pioneering saxophone and drum set duo Patchwork (left) will celebrate spring with an evening of premieres. The concert will include works by Derrik Balogh, Victoria Cheah, Osnat Netzer, Christopher Stark, and Evan Ziporyn. The program will be repeated on Monday, April 30 at Cleveland State University’s Drinko Auditorium and on Saturday, May 5 at Heights Arts. All three concerts begin at 8:00 pm and are free of charge.

“We’re excited to be able to premiere Christopher Stark’s Ved sjøen (‘By the Sea’),” No Exit artistic director Timothy Beyer said by telephone. “It’s an evocative rumination inspired by the time he recently spent living in Norway. He’s phenomenal and in my mind, one of those composers that everyone should know. I met Chris many years ago when we were both composers in residence at a festival in Salt Lake City. We hit it off, and we’re honored and pleased that he wrote something for us.”

[Read more…]

NEOSonicFest: No Exit at Heights Arts (April 6)

by David Kulma

This year’s NEOSonicFest — the new music festival presented by the Cleveland Chamber Symphony — held its second concert on Friday, April 6th with a program by the venturesome ensemble No Exit at Heights Arts. The musicians of No Exit and two guest trumpeters were in top form for this potpourri of chamber music. [Read more…]

NEOSonicFest 2018 to present five concerts April 5 through 11

by Mike Telin

CCS-Y&EC-040614 Since 2014, the Grammy Award-winning Cleveland Chamber Symphony has sponsored NEOSonicFest, a festival of new music performed by musicians from Northeast Ohio and beyond. The 2018 festival will run from April 5 through 11 (see below for concert dates and times).

Clarinetist Carol Robinson and trumpeter Nate Wooley will kick things off by performing selections from Éliane Radigue’s Occam Ocean on April 5 at MOCA. The composer describes her work as “an ongoing acoustic work with influences ranging from electromagnetic waves, to William of Ockham’s philosophies, to science fiction mythologies.”

The always creative No Exit will return to the Festival on April 6 at Heights Arts. The ensemble was founded by composer Timothy Beyer as an outlet for the commissioning and performance of contemporary avant-garde concert music. No Exit is committed to promoting the works of living composers, particularly the music of young and emerging artists who haven’t yet received either the opportunities or exposure of their better-known counterparts. (Works by Leo Ornstein, Ty Emerson, Per Nørgård, James Praznik, Andrew Rindfleisch & Tristan Murail).

[Read more…]

No Exit and Zeitgeist at SPACES (January 14)

by Mike Telin

No Exit kicked off the new year with a series of concerts that also marked the contemporary music group’s third collaboration with the excellent St. Paul-based ensemble Zeitgeist. I attended the performance on Sunday, January 14 at SPACES. [Read more…]

No Exit and Zeitgeist continue their collaboration this weekend

by Mike Telin

no exit_zeitgeist 2018 poster “We’re starting off the new year with a bang,” No Exit artistic director Tim Beyer said during a telephone conversation. This weekend No Exit will continue their collaboration with the St. Paul-based new music ensemble Zeitgeist. “The two ensembles will once again be sharing a stage in a series of concerts that is sure to be an unforgettable musical experience.” The series kicks off on Friday, January 12 with a 7:00 pm concert at Wolfs Gallery. The ensembles will perform at 8:00 pm on Saturday the 13th at Heights Arts and at 12:00 pm on Sunday the 14th at SPACES.

“This is our first time at Wolfs Gallery and they’re pulling out all the stops. Hors d’oeuvres will be served at 6:30 pm and there will also be valet parking,” Beyer said. “It will be nice to introduce people to Wolfs’ extraordinary space and exquisite collection of paintings and sculpture while enjoying an intimate evening of music. We love playing at Heights Arts and SPACES, so this is going to be an incredible series of concerts. As always, the performances are free and open to the public.”

[Read more…]

Save the dates for some January concert highlights

by Daniel Hathaway

Classical music begins stirring from its long holiday nap during the first two weeks of January, revving up from adagio to allegro by mid-month.

The Westminster Choir — the flagship ensemble of Westminster Choir College, now part of New Jersey’s Rider University, will make a stop at the Church of the Covenant in University Circle on Saturday, January 6 at 7:30 pm during its winter tour. Joe Miller will conduct the ensemble in Frank Martin’s Mass for Double Choir (1926), György Ligeti’s Lux Aeterna (1966), and music by Joel Phillips, Tim Brent, Edward C. Bairstow, Ailo Alcala and Randall Thompson.

Franz Welser-Möst and The Cleveland Orchestra will make a big splash the weekend of January 11 with Gustav Mahler’s Symphony No. 9 and a new work by Austrian composer Johannes Maria Staud. Stromab (“Downstream”) is inspired by what Staud calls “one of the finest horror stories of all time,” Algernon Blackwood’s The Willows, a tale of two young people who canoe down the Danube and discover a lonely island where weird things swirl around them. Mahler 9, the composer’s last symphony, has been described by Herbert von Karajan as “music coming from another world, from eternity.” There are performances on Thursday the 11th at 7:30 pm and on Friday and Saturday the 12th and 13th at 8:00 pm.

Another major work will be featured the following week when soprano Golda Schultz, tenor Maximilian Schmidt, and baritone Thomas Hampson join Welser-Möst, The Cleveland Orchestra, and the Cleveland Orchestra Chorus in Haydn’s The Seasons. Performances are scheduled for Thursday, January 18 at 7:30 and Saturday, January 20 at 8:00 pm. In between, Welser-Möst and the Orchestra will play all-Beethoven on Friday, January 19 at 8:00 pm — Symphonies 1 and 3 and the Overture to The Creatures of Prometheus. [Read more…]

No Exit at SPACES Gallery (Sept. 30)

by Mike Telin

The inventive new music ensemble No Exit launched their ninth concert season with three identical concerts featuring world premieres by Ohio composers. I attended the September 30 performance at the acoustically pleasing SPACES Gallery. The evening was defined by works that creatively explored the use of layered rhythms, ranging from the violent to the enchanting, that were deftly performed by the seven-member ensemble. [Read more…]