by Mike Telin

On Thursday, May 28 at 7:00 pm at Waterloo Arts No Exit will present “Songs, Soundscapes and Sonnets” featuring soprano Anika Kildegaard. The setlist features Robert Honstein’s Sonnets, as well as Annika Socolofsky’s Don’t say a word, and Timothy Beyer’s Malekhamoves. The program will be repeated at 7:00 pm at The Bop Stop (May 29) and Heights Arts (May 30). As always, No Exit concerts are free.
I reached Anika Kildegaard by phone and began by asking her about Hohnstein’s piece.
Anika Kildegaard: This is a work that Robert wrote for No Exit a few years ago. Five of the songs were premiered by soprano Lauren Pearl. I’ll be singing those plus three new ones.





For the past eight months No Exit has been celebrating their 15th anniversary with their most ambitious project to date:
For the recent set of concerts in their season-long celebration of the surreal, No Exit turned to two pivotal events in the history of dadaism for inspiration — the 1920 Festival Dada and the 1923 Soirée du Coeur à Barbe. This program, “Piano Dada,” included works of poetry, theater, and music that were performed at those historic Paris festivals. I attended the performance on March 16 at Heights Arts.
It’s got to be a daunting task to create something even more surreal than what we wake up to every morning in our 21st-century world, but Timothy Beyer and his No Exit new music ensemble are pulling that trick off with élan in their 
During the past couple of years, No Exit has taken the online concert format to a new level. As
As the ongoing climate crisis continues to grow in severity, artists across all disciplines have turned to their work to bring about a call to action for members of society to do better — or perhaps, to remind them that this issue isn’t going to just go away. Brooklyn-based Unheard-of//Ensemble’s artistry takes this idea to a new level, inviting their audiences to fully engage with the music, space, and of course, nature that surrounds them during the evening.
by Mike Telin