by Kevin McLaughlin
The second program of ChamberFest Cleveland’s 2025 season, titled “Reflections,” offered a varied but carefully sequenced triptych, was presented on June 13 at Church of the Saviour in Cleveland Heights. Works by Arvo Pärt, Anton Arensky, and Camille Saint-Saëns captivated with a blend of suspended time, remembrance, and fervent sweep.
Pärt’s Spiegel im Spiegel (“Mirror[s] in the Mirror”) was a remarkable opener, drawing violinist Gabrielle Després and pianist Michael Stephen Brown into a meditative dialogue and listeners into a quasi-hypnotic state. Després’s playing was austere and strangely luminous — testaments to her musical imagination and steady bow arm. She beautifully shaped each phrase — sharpening the listeners’ focus and slowing the collective pulse. Brown’s piano triads resonated with bell-like purity, so finely braided with Després’s lines that the effect was clairvoyant. As each violin note faded, the piano gently cued the next — gestures mirroring one another like eternal reflections in glass.
Not only did James (Zijian) Wei win First Prize at the 2024 Cleveland International Piano Competition, he also won four special prizes, one of which was the ChamberFest Cleveland Prize. That prize was awarded for the first time during the 2024 CIPC and was the result of a new partnership between Piano Cleveland and ChamberFest Cleveland.
Hearing the Beatles’ “Eleanor Rigby” was not on my ChamberFest Cleveland bingo card. But Brandon Ridenour had other ideas.