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CIPC for Young Artists: hear the future now

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by Mike Telin

We all know the names of the superstar pianists who regularly grace the stages of the world’s famous concert halls. But what they have in common is that they were all once young musicians honing their skills in hopes of having a career that would lead them to those renowned venues.

Beginning on Friday, July 24 and continuing through Saturday, August 1, you can hear thirteen superstars in the making when Piano Cleveland presents the 2026 edition of Cleveland International Piano Competition for Young Artists. All sessions will be held at the Cleveland Institute of Music. To view a list of contestants, jury members, the complete schedule, and to purchase tickets, click here.

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Kohlberg joins Verona Quartet for Chamber Music Society concert (Apr. 28)

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by Daniel Hathaway

Most often, ensembles hosted by the Cleveland Chamber Music Society are on tour and get picked up and dropped off at Cleveland Hopkins Airport. But for their April 28 performance at the Cleveland Museum of Art, the Verona Quartet were able to avoid all the vagaries of modern air travel — TSA searches, lost luggage, hassles over transporting cellos, and the inevitable flight delays.

Based at Oberlin Conservatory, where the Verona are the resident quartet, they were only 45 minutes away by car from the concert venue, where they joined pianist Yaron Kohlberg in a fascinating program of works by Alessandro Scarlatti, Phillip Glass, Leoš Janaček, and Antonín Dvořák — not your usual three-course string quartet menu.

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Cleveland International Piano Competition (CIPC) Semi-Finalist Jonathan Mamora in residency at The University of Akron

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by Mike Telin

When the Cleveland International Piano Competition set out to plan its 50th anniversary in 2024, CIPC president Yaron Kohlberg knew that some changes needed to be made.

“A lot has changed in the classical music world during the past 50 years,” Kohlberg said in an interview prior to that year’s competition. He added that the changes that were made were designed to create more and better ways for CIPC to serve the contestants, the audience, and the community at large.

One of the many alterations that Kohlberg and his team implemented was in the Competition’s prize structure, which featured a new artist development program that was open to all contestants. The program offers mentorship opportunities with leading pianists, faculty, and innovators in the classical music world, and short courses in personal branding and social media, fundraising, artist finances, and similar topics, offered in partnership with Young Concert Artists. It also included residencies at Northeast Ohio universities.

From February 18 through 28, pianist Jonathan Mamora will serve as artist-in-residence at The University of Akron School of Performing Arts. During his residency, he will present workshops, deliver lectures, and give a free public recital. These events are made possible through a partnership with Piano Cleveland and The Kulas Foundation.

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ChamberFest Cleveland & Piano Cleveland partnership brings James (Zijian) Wei back to town

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by Mike Telin

Not only did James (Zijian) Wei win First Prize at the 2024 Cleveland International Piano Competition, he also won four special prizes, one of which was the ChamberFest Cleveland Prize. That prize was awarded for the first time during the 2024 CIPC and was the result of a new partnership between Piano Cleveland and ChamberFest Cleveland.

How did that partnership come about? “Yaron Kohlberg is one of my old friends from Israel, and ChamberFest has been wanting to collaborate with the Piano Competition for a long time,” pianist and ChamberFest co-artistic director Roman Rabinovich said during a Zoom conversation.

“We’re always exploring opportunities to bring our winners back to Cleveland and create partnerships with local organizations,” Piano Cleveland artistic director Yaron Kohlberg said by phone, “and ChamberFest is a natural fit.” [Read more…]

CIPC Finalists share their thoughts on the 2024 Cleveland International Piano Competition

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by Mike Telin & Daniel Hathaway

“I’m so happy. It’s very nice that all the work has been recognized and appreciated.” — Giuseppe Guarrera (32, Italy), fourth prize.

“It’s amazing. Honestly, when I came to the competition I had zero expectations for what was going to happen.” — Maxim Lando (21, USA), third prize.

“It feels really great.” — Evren Ozel (25, USA), second prize.

“It’s a dream come true.” — James (Zijian) Wei (25, China), first prize.

On Sunday afternoon following the concerto round with The Cleveland Orchestra on Friday and Saturday, we had the opportunity to meet with the four finalists in the atrium of the Cleveland Museum of Art to get their impressions about the innovations in this year’s Cleveland International Piano Competition, which is celebrating its 50th anniversary, and how it felt to be a prizewinner.

In an interview with this publication, Piano Cleveland president Yaron Kohlberg said that “A lot has changed in the classical music world during the past 50 years,” and that this year’s competition is all about creating more and better ways for it to serve the contestants, and the audience. [Read more…]

Cleveland International Piano Competition: 50 years on, the future is grand

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by Mike Telin

What began in 1975 as the Casadesus International Piano Competition has gone on to become a premier event in the piano competition world. This year marks the 50th anniversary of what is now the Cleveland International Piano Competition. And so the 2024 edition has taken on a new look and a renewed purpose.

“A lot has changed in the classical music world during the past 50 years,” CIPC president Yaron Kohlberg said during a recent Zoom call, adding that this year’s competition is all about creating more and better ways for it to serve the contestants, the audience, and the community at large. [Read more…]

ChamberFest Cleveland: a four-course meal during “Innocence and Experience” (June 26)

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by Stephanie Manning

ChamberFest Cleveland’s June 26 concert had stiffer competition than usual, with The Cleveland Orchestra simultaneously performing for Wade Oval Wednesdays right down the street. But you wouldn’t have known it from the packed house that filled Mixon Hall that evening at the Cleveland Institute of Music.

The program, titled “Innocence and Experience,” marked the long-awaited festival debut of guitarist Jason Vieaux. (Although the venue was no doubt familiar to him — he’s taught at CIM since 1997.) Vieaux and his fellow musicians kicked off the program with Luigi Boccherini’s Guitar Quintet No. 4 in D, a lively piece with the subtitle “Fandango.”

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ChamberFest Cleveland: Lost in Paradise (June 21)

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by Kevin McLaughlin

The theme of the June 21 ChamberFest concert may have been “Paradise Lost,” but the performances and repertoire were of such high caliber, there was nowhere you would rather have found yourself.

A joyful noise opened the concert. J.S. Bach’s Jauchzet Gott in allen Landen featured soprano Sarah Shafer and trumpeter Brandon Ridenour in a sparkling account of the cantata Bach liked so much that he designated it as suitable for performance “in ogni tempo” — at any time.

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ChamberFest Cleveland: “Rite of Spring” on the summer solstice (June 20)

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by Kevin McLaughlin

On June 20, the day when the two warm seasons join, ChamberFest Cleveland put on a program that was more about springtime than summer.

Titled “Rite of Spring” — for Stravinsky’s ballet and the stem-winder of an arrangement for two pianists and two percussionists that ended the concert — tonight’s program was distinctly light in mood, including silly songs by Bernstein and P.D.Q. Bach, a couple of tearjerkers by Dvořák and Kurt Weill, and dance music by HK Gruber and Martinů.

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Piano Cleveland: CIPC for Young Artists Concerto Final Round (July 15)

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by Daniel Hathaway

The last hurdle to be cleared on the way to the awarding of prizes in Piano Cleveland’s Competition for Young Artists brought the finalists to the stage of Gartner Auditorium at the Cleveland Museum of Art on Saturday, July 15 to play concerto movements with the Canton Symphony Orchestra, led by Steven Byess.

Six items were on the docket: the three Junior Division players chose the opening movements of concertos by Beethoven, Mozart, and Grieg, while the three Seniors each chose Chopin, with only one repetition. Piano Cleveland president Yaron Kohlberg emceed the proceedings. I watched the well-produced webcast.

Concertos, which occupy a singular position in the orchestral ecosystem, are often performed with only a read-through beforehand, which means that both the soloist and the orchestra have to show up well-prepared. But anything can happen in the heat of battle — and adjustments have to be made on the spot with intelligence and sensitivity. [Read more…]

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