Jonathan Swensen Archives - Cleveland Classical

ChamberFest Cleveland: Color X Expanse (June 24)

June 29, 2022 by Daniel Hathaway

by Daniel Hathaway.

At the Cultural Arts Center at Disciples Church on Friday, June 24, the repertoire was indeed both colorful and expansive as the excellent musicians of ChamberFest Cleveland explored works ranging from the sentimental (Fritz Kreisler’s Three Pieces for Piano Trio) to the evanescent (Gabriel Fauré’s Piano Quintet No. 1), from the stark and compact (George Walker’s Piano Sonata No. 5) to the delightfully verbose (Zoltán Kodály’s Duo for Violin and Cello, Op. 7).

Violinist chamberf raised the curtain with three light pieces arranged by a virtuoso violinist famous for his encores. Kreisler’s takes on The Old Refrain, Farewell to Cucullain (a.k.a. Londonderry Air or Oh Danny Boy), and Miniature Viennese March worked equally well as preludial bon-bons. [Read more…]

ChamberFest Cleveland: Zooming with cellist & rising star Jonathan Swensen

June 22, 2022 by Daniel Hathaway

by Mike Telin

When looking at cellist Jonathan Swensen’s Facebook page, you can’t help but think that he is one busy guy. And one who has a good time doing what he does.

“I’m enjoying the traveling and the discovery that come with this life,” he said over Zoom. “Every audience and every hall has its special charm. I love experiencing different cultures. But it’s funny because I can go to so many places where I don’t speak anyone’s language, and be able to share something that comes from the heart. Something which any listener can understand, and that is very nice.”

Leading up to Swensen’s ChamberFest Cleveland debut on Thursday, June 23 at 7:30 pm at the Cleveland Institute of Music’s Mixon Hall, I reached him at his home in Copenhagen. [Read more…]

ChamberFest Cleveland: Color X Expanse (June 24)

by Daniel Hathaway.

Cleveland Opera Theater:
La Casa de Bernarda Alba (June 10)

by Peter Feher

Cleveland Opera Theater saw the payoff of several years’ work when La Casa de Bernarda Alba premiered earlier this month. The production, fully realized on the mainstage at Baldwin Wallace University’s Kleist Center for Art and Drama from June 9-12, didn’t just spring out of nowhere. The company nurtured the piece through its New Opera Works Festival beginning in 2017 with a series of public readings of the source material.

And Federico García Lorca’s 1936 play is a good place to start. La Casa de Bernarda Alba makes for highly effective theater in that the simplest elements (a chair, a door, an offstage character) generate all the drama. Even in this operatic adaptation, Scott Skiba’s direction and Jeff Herrmann’s set design emphasized the essentials and communicated much of the action silently.

[Read on…]

Ohio Light Opera: Rodgers & Hammerstein’s Cinderella (June 18)

by Jacob Strauss

In youth, everybody has dreams of becoming someone larger than they are, to drastically change the circumstance of their life. It is a story as old as drama itself and has been told continuously through thousands of generations by all people. The story is about hope in a wish, about dreams coming true not through fate or destiny, but by acting on the few opportunities we have in life.

Rodgers & Hammerstein’s Cinderella was originally produced for television in 1957 — seven years after the animated Disney film was released — and starred Julie Andrews. According to the Rodgers & Hammerstein website, it was viewed by over 100 million people. [Read on…]

Ohio Light Opera: Hello, Dolly! (June 23)

by Daniel Hathaway

On June 23, Ohio Light Opera rang up the curtain on the second production of its 43rd season in Freedlander Theatre at The College of Wooster. Following on the heels of Rodgers & Hammerstein’s Cinderella, the company’s first-ever staging of Hello, Dolly! continued the inclusion of Broadway in OLO’s repertoire.

The story line has its origin in an 1855 play and an 1842 farce that Thornton Wilder mined for his 1938 play The Merchant of Yonkers. When that turned out to be a flop, in 1954 Wilder made the crucial decision to re-center the show around the character of the legendary marriage broker Dolly Gallagher Levi and renamed it The Matchmaker. [Read on…]

Signum Quartet at ENCORE (June 10)

by Jacob Strauss

On Friday, June 10 the Signum Quartet, coming all the way from Germany to ENCORE at Gilmour Academy, played an eclectic program spanning the era of Schubert to rock classics by Led Zeppelin and Radiohead. The theme of this concert was war and politics, and the programming illustrated the revolutionary nature of the music.

The Dodero Center for the Performing Arts at the Gilmore Academy in Gates Mills is one feature of an impressive campus. The auditorium is shallow, the stage is deep, and the ensemble played without a shell. Throughout the program, the sound, especially in instruments’ lower registers, tended to disappear. [Read on…]

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