by Daniel Hathaway
Although ChamberFest Cleveland dubbed its third concert “The Independent Spirit,” it might just as aptly have been titled “The Indefatigable Pianist” in honor of Roman Rabinovich. He spent the entire evening at the keyboard on Saturday, June 16 in Mixon Hall, flawlessly spinning out one elegantly articulated phrase after another. [Read more…]
by Mike Telin
Since ChamberFest Cleveland’s inaugural season in 2012, Festival co-artist directors Diana and Franklin Cohen have taken the concept of thematic programming to new heights. (It’s) About Time (2013) explored elements of time as related to the musical experience. Last season’s theme, Cycles: Phases! reflected on the complexity of the human experience at each stage of life.
This season ChamberFest will consider the concept of freedom — an essential ingredient to the creative process. Beginning of June 14 and continuing through June 30, In Search of Freedom will explore the range of freedom in music, with nine concerts in a variety of venues.
In addition to violinist Diana Cohen and clarinetist Franklin Cohen, this year’s roster of returning artists will include violinists Noah Bendix-Balgley, Alexi Kenney, and Amy Schwartz-Moretti, violinist/violist Yura Lee, cellists Julie Albers, Clive Greensmith, and Oliver Herbert, bassist Nathan Farrington, and pianists Zoltán Fejérvári, Roman Rabinovich, and Orion Weiss. Making their ChamberFest debuts are violinist Noah Geller, violists Matthew Lipman and Tanner Menees, cellist Nicholas Canellakis, flutist Lorna McGhee, and singer Amanda Powell.
by Jarrett Hoffman
Friends of fifteen years will come together as duo partners in the next concert on the Arts Renaissance Tremont series. On Sunday, January 21 at 3:00 pm at Pilgrim Congregational Church, clarinetist Franklin Cohen and pianist Zsolt Bognár will play a program that includes art songs by Beethoven and Fauré, two famous sonatas by Poulenc and Brahms, and a rarely-heard sonata by Mieczysław Weinberg. A freewill offering is requested.
“It’s beautiful music and I really look forward to playing it, especially in that church,” Cohen said in a recent conversation. “It’s extraordinary — a beautiful space and a landmark of Cleveland — and it has all Tiffany windows. I’ve always liked playing there.”
by Daniel Hathaway
Classical music begins stirring from its long holiday nap during the first two weeks of January, revving up from adagio to allegro by mid-month.
The Westminster Choir — the flagship ensemble of Westminster Choir College, now part of New Jersey’s Rider University, will make a stop at the Church of the Covenant in University Circle on Saturday, January 6 at 7:30 pm during its winter tour. Joe Miller will conduct the ensemble in Frank Martin’s Mass for Double Choir (1926), György Ligeti’s Lux Aeterna (1966), and music by Joel Phillips, Tim Brent, Edward C. Bairstow, Ailo Alcala and Randall Thompson.
Franz Welser-Möst and The Cleveland Orchestra will make a big splash the weekend of January 11 with Gustav Mahler’s Symphony No. 9 and a new work by Austrian composer Johannes Maria Staud. Stromab (“Downstream”) is inspired by what Staud calls “one of the finest horror stories of all time,” Algernon Blackwood’s The Willows, a tale of two young people who canoe down the Danube and discover a lonely island where weird things swirl around them. Mahler 9, the composer’s last symphony, has been described by Herbert von Karajan as “music coming from another world, from eternity.” There are performances on Thursday the 11th at 7:30 pm and on Friday and Saturday the 12th and 13th at 8:00 pm.
Another major work will be featured the following week when soprano Golda Schultz, tenor Maximilian Schmidt, and baritone Thomas Hampson join Welser-Möst, The Cleveland Orchestra, and the Cleveland Orchestra Chorus in Haydn’s The Seasons. Performances are scheduled for Thursday, January 18 at 7:30 and Saturday, January 20 at 8:00 pm. In between, Welser-Möst and the Orchestra will play all-Beethoven on Friday, January 19 at 8:00 pm — Symphonies 1 and 3 and the Overture to The Creatures of Prometheus. [Read more…]
by Mike Telin
Last weekend ChamberFest Cleveland presented the final three concerts of its 2017 edition. I attended two of the performances which exemplified why the Festival has become a crown jewel in the area’s rich classical music scene. The inventive programming ranged from the almost never heard, to the seldom heard, to music by giants of the repertoire. Above all, the performances of the five works were beyond reproach. [Read more…]
by Joshua Rosner
The audience at Mixon Hall was abuzz with anticipation Thursday night, June 22 for the fifth installment of the sixth season of ChamberFest Cleveland. “Fin de Siècle” (end of century) was a tapestry of compositions with roots in Austria from before and after the First World War. The evening consisted of works by Brahms, Ravel, and Korngold and was designed to showcase pianist Orion Weiss, a Lyndhurst native. [Read more…]
by Mike Telin
ChamberFest Cleveland has done it again and come up with eleven intriguing programs for their sixth season, which will run from June 15 through July 1.
This year, co-artistic directors Franklin and Diana Cohen have put a new spin on the Festival. Cycles: Phases! reflects on the complexity of the human experience at each stage of life.
There will be many familiar faces onstage, as well as a number of performers who are new to the ChamberFest family. As always, programs will be presented in a variety of venues, from the Cleveland Institute of Music’s Mixon Hall and CWRU’s Harkness Chapel to modern, urban settings such as Hingetown’s Transformer Station and the Bop Stop, and Midtown’s Dunham Tavern Museum. Tickets are now on sale. Click here for further information.
by Robert Rollin
On September 28 in Mixon Hall, the Cleveland Institute of Music presented the second Boulez Legacy concert, subtitled “Boulez the Friend and Teacher,” featuring Carolyn Warner and Friends in a program of French, German, and Russian duos and trios that reflected Boulez’s musical interests. [Read more…]
by Mike Telin
On Wednesday, September 28 at 8:00 pm in Mixon Hall at the Cleveland Institute of Music, pianists Carolyn Warner and Daniel Shapiro will join clarinetist Franklin Cohen, saxophonist James Umble, violinists Stephen Warner and Mari Sato, and cellist Brian Thornton in a program titled “Boulez the Friend and Teacher.” The concert is part of CIM’s series celebrating “The Boulez Legacy.”
“This concert completely lives up to its title,” program curator Carolyn Warner said during a recent telephone conversation. Warner, who joined the violin and keyboard sections of The Cleveland Orchestra in 1979 and serves on the CIM faculty, noted that deciding to include the two works by Ravel was a no-brainer. [Read more…]
by Neil McCalmont
“Dad, I think we should have a festival.” Recalling the words of his daughter Diana, Franklin Cohen related how ChamberFest Cleveland first got started. “We loved the way summer music festivals felt like a family,” he explained. “What a great way to reach the core of the average audience member.”
After more than a dozen thrilling concerts, the festival’s fifth season has come to a close. Though the number of artists and performances has grown since its 2012 inception, ChamberFest still holds this mission at its core: “To nurture a deep family-like connection between musicians and audiences of all ages.”
The father-daughter duo of Franklin and Diana Cohen founded and co-direct ChamberFest Cleveland. Diana is concertmaster of the Calgary Philharmonic Orchestra, her father the principal clarinet emeritus of The Cleveland Orchestra. They set out to found a festival — partly inspired by their experiences at the Marlboro Music Festival — with the goal of “great players, great music-making, and great community.” [Read more…]
