by Kevin McLaughlin
It was nice to finally hear one of ChamberFest Cleveland’s “Sacred and Profane” concerts (“Night Moves” on June 28) in a religious setting — Disciples Church in Cleveland Heights — since it helped the “sacred” music resonate (in more ways than one). As the home of the Cleveland Chamber Music Society’s concerts, it’s a well-loved space to experience chamber music.
It turns out, though, you don’t necessarily need a church — or even voices — to convey the spirituality of the opener, Palestrina’s 1572 motet, Dominus Jesus in qua nocte.