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Classical Guitar Festival: Colin Davin & Duo Melis

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by Jarrett Hoffman

The last in a series of split-bill, pre-recorded recitals in this year’s Cleveland International Classical Guitar Festival debuted on June 11, containing excellent performances by Cleveland’s own Colin Davin on the first half, and Duo Melis of Spain and Greece on the second.

The centerpiece of Davin’s program was Leo Brouwer’s Sonata No. 2 for guitar, also known as Sonata del Caminante or “The Wanderer’s Sonata.” Not only does it explore different regions of Brazil, but it also shifts in style frequently, moving among spare beauty, a violent and extended tonality, and bluesy reflectiveness — together, a fascinating world of sound.

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Cleveland International Classical Guitar Festival: Colin Davin & the piece that brought back his spark

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by Jarrett Hoffman

Leo Brouwer’s Sonata del Caminante is a remarkable piece in its own right. But it also has a personal significance to guitarist Colin Davin, who will play it during a virtual recital that airs on YouTube on Friday, June 11 at 7:30 pm as part of the Cleveland International Classical Guitar Festival.

“This piece has meant a lot to me this year because it got me out of my rut,” Davin said during an interview last week. “Like a lot of artists, I had a real valley of motivation. I was still going through the motions — I got the guitar out every day and did some technique work — but I was pretty down.”

On better days, he’d do some sight-reading, and on one of those days, he picked up the score to the Brouwer. “And something just clicked — like, man, this is cool, this is great — and I got the spark back.”

Composed in 2007, the Sonata was dedicated to Odair Assad. “He’s a monster guitarist who can do a lot of stuff that most of us can’t,” Davin said. “So we have Brouwer, who before injuries was quite a virtuoso himself, writing for a great virtuoso. I was kind of like, let’s see if I can hang on.” And he did. “For whatever reason, a lot of Brouwer’s guitar tricks clicked for me pretty quickly.” (He’ll say more about those tricks during a brief talk as part of his program.)

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Armin Kelly talks about taking this year’s International Classical Guitar Festival online

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by Daniel Hathaway

Cleveland International Classical Guitar Festival founder Armin Kelly was planning to celebrate the second decade of the event when the novel coronavirus crashed the party. “The 2020 shutdown was too close to our festival time to put an alternate plan together,” he said in a recent phone conversation. “So we put up one streamed concert, and that was our 20th anniversary season.”

That concert featured perennial festival favorites Jason Vieaux and Colin Davin performing from the audition room of Guitars International, the business Kelly runs out of his house. “It made me very happy to present them, because Jason and Colin had had all of their concerts cancelled and hadn’t been able to perform for anyone for a month or two,” Kelly said. He added that he had more fun than anyone else at his own party. “There was so much excitement behind the scenes. It really touched my heart.” [Read more…]

Music by J.S. Bach’s the choice for the second live stream performance by Vieaux & Davin

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by Daniel Hathaway

Early in June, the Cleveland International Classical Guitar Festival stepped into the in-person performance void with a live-streamed concert by Jason Vieaux and Colin Davin. Building on the success of that performance, festival director Armin Kelly has invited the two artists to broadcast another live concert on Saturday, November 14 at 2:00 pm. This time they will adapt solo violin and cello music by Johann Sebastian Bach for the classical guitar.

Davin will play the Cello Suite No. 6 in D, BWV 1012, and the Violin Partita No. 2 in d, BWV 1004. Vieaux has chosen the Violin Sonata No. 1 in g, BWV 1001, and the Cello Suite No. 1 in G, BWV 1007. You can join the event here for a donation of $10.

I caught up with Vieaux and Davin for a Zoom conversation on Monday afternoon and started by asking them how they had decided on an all-Bach program for next Saturday.

Davin: It was sort of our idea, but Armin Kelly was readily enthusiastic about it. We had talked about another program right after we finished the one in June, and I think I might have suggested all-Bach.

Vieaux: You did.

Davin: We thought that two suites each would make a nice program.

Vieaux: By June 6 we were already three months into this quasi-isolation, pandemic thing, and preparing a half hour of music and sharing a program with a great guitarist seemed like getting a whole concert together. I’ve been practicing three different Bach suites over the last two months trying to decide what to play, and that was just wonderful. It felt like being a musician again. [Read more…]

Colin Davin & Jason Vieaux in a live online recital (June 6)

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by Daniel Hathaway

After weeks of watching online streams of archived concerts and ad hoc performances from quarantined musicians’ living rooms and bedrooms, it was thrilling to be able to advertise, preview, and report on two real-time webcasts last Friday and Saturday that embraced high production values and addressed the persistent issue of how to compensate musicians for online services. Saturday afternoon’s joint recital by Colin Davin and Jason Vieaux was sponsored by the Cleveland International Classical Guitar Festival, whose 2020 iteration, scheduled for that weekend at the Cleveland Institute of Music, vanished in the wake of the pandemic. [Read more…]

CICGF: a live-streamed recital from Jason Vieaux and Colin Davin

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by Jarrett Hoffman and Mike Telin

While the Cleveland International Classical Guitar Festival won’t be happening onsite at the Cleveland Institute of Music as usual, that doesn’t mean you should clear the Festival from your calendar entirely.

On Saturday, June 6 at 2:00 pm (Eastern Time), CICGF will offer a live-streamed concert featuring two mainstays of the Festival: Jason Vieaux and Colin Davin, who co-head the guitar department at CIM in addition to sharing numerous honors between them as performers. Tickets are $10 each and can be purchased online, with all proceeds directly benefiting the artists.

ClevelandClassical.com’s Jarrett Hoffman reached Colin Davin by Zoom to talk about his half of the program: Pedro Elías Gutiérrez’s Alma Llanera (arranged by Alirio Diaz), Leo Brouwer’s El Decameron Negro, Radamés Gnattali’s Brasiliana No. 13, Agustín Barrios Mangoré’s Julia Florida, and Fernando Bustamante Misionera (arranged by Jorge Morel).

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CD Review — Davin-Levin Duo: Banter

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by Jarrett Hoffman

Aware of the limited repertoire that exists for their combination of instruments, guitarist Colin Davin and harpist Emily Levin got creative. The debut album from the Davin-Levin Duo, Banter, released on April 7 on Iris Records, includes their own arrangements of music by Ravel, de Falla, and Glass, as well as commissioned works by Will Stackpole and Dylan Mattingly.

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A guide to staying home and streaming videos of concerts

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by Jarrett Hoffman

Live streams, re-broadcasts, digital archives, and YouTube channels — here are some videos of performances to keep you occupied during social distancing.

Beginning locally, some performances are still taking place via live stream, without an audience. On Thursday, March 19 at 4:30 pm, Oberlin Conservatory will stream a faculty and guest concert from Stull Recital Hall. Flutist Alexa Still, cellist Mihai Tetel, and pianist Evan Hines come together in Heitor Villa-Lobos’ Assobio a Játo (“Jet Whistle”) and Valerie Coleman’s 2019 Amazonia.

Piano Cleveland, the presenting organization of the Cleveland International Piano Competition, has announced a new weekly series called The Quarantine Concerts, to be streamed every Thursday at 7:30 pm from Steinway Piano Gallery Cleveland. The first concert, on March 19, will feature pianist Yaron Kohlberg as well as the piano duo of Natsumi Shibagaki and Irwin Shung. Online audience members have the opportunity to offer their support directly to these artists by donating to Piano Cleveland’s Musicians’ Fund.

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Music from The Western Reserve: classical guitarist Colin Davin (Oct. 6)

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by Nicholas Stevens

Any classical musician can play familiar favorites or venture into best-kept secrets, but some instrumentalists are predisposed to a healthy mix. Classical guitarists, with their ability to transcribe almost anything, often highlight famous names while also drawing from a canon dominated by 20th-century Spanish and Latin American composers. They also play new music. Last weekend, Colin Davin converted the sunset light of an autumnal early evening into music with a well-curated program that included all of the above.

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Two days, two guitarists: Feuillâtre and Davin to visit Guitar Society, Western Reserve 

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by Jarrett Hoffman

This weekend gives concertgoers the chance to hear one guitarist from France who will be making his Cleveland debut, and another from Bay Village who in the past several years, as he told me over the phone, has been re-solidifying his identity as a Clevelander.

Paris-based Raphaël Feuillâtre is in the midst of a victory lap following his Grand Prize at the 2018 Guitar Foundation of America International Concert Artists Competition. One stop on his 7-month, 50-city tour will be Plymouth Church in Shaker Heights on Saturday, October 5 at 7:30 pm, when he’ll bring works by Mangoré, Llobet, Rameau, Brouwer, Assad, Villa-Lobos, Scriabin, and Rachmaninoff to the Cleveland Classical Guitar Society’s International Series.

Co-head of the guitar faculty at the Cleveland Institute of Music and a frequent recitalist, Colin Davin is a name that needs little introduction around here. His recital on Sunday, October 6 at 5:00 pm at Christ Church Episcopal in Hudson as part of Music from The Western Reserve will include works by Ponce, Tower, Brouwer, and J.S. Bach.

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