by Jarrett Hoffman
IN THIS EDITION:
•Chamber music at the Aronson Festival, and three opening nights in opera and contemporary music
•Berta Rojas’ guitar is recovered, and the Guitar Society schedules a Community Celebration
•Almanac: Carl Nielsen and the personalities of the Copenhagen Wind Quintet
by Stephanie Manning
Guitarist Berta Rojas’ in-person appearance at the Cleveland Classical Guitar Society, a two-year journey which finally came to fruition on April 2, has not been without some major setbacks. First before her travels, when the pandemic forced Rojas to cancel her trip in March 2020, and second — and most heartbreaking — after her arrival, when her beloved guitar was stolen on April 1st.
But despite her grief, the Paraguayan guitarist determinedly continued with her recital as scheduled. Playing on an instrument she borrowed from Colin Davin, Rojas captivated audience members at Plymouth Church in Shaker Heights with a program that honored two women pioneers of classical guitar: Ida Presti and María Luisa Anido.
by Mike Telin
Although Paraguayan guitarist Berta Rojas was set to make her Cleveland debut on March 14, 2020, the coronavirus had other plans.
In August of that year, Rojas gave a free, pre-recorded online concert for the Cleveland Classical Guitar Society: a program entirely devoted to the music of fellow Paraguayan Agustín Barrios Mangoré.
Now, after a two-year wait, Berta Rojas will make her in-person Cleveland debut on Saturday, April 2 at 7:30 pm at Plymouth Church in Shaker Heights. The program celebrates Argentine guitarist-composer Maria Luisa Anido and French guitarist-composer Ida Presti, both of whom were pioneering virtuosos during a time when concert stages were dominated by men. Tickets are available online. [Read more…]
by Jarrett Hoffman
It’s as if she knew him. Both in her words and in her playing, Paraguayan guitarist Berta Rojas conveys a special warmth and familiarity when it comes to her countryman Agustín Barrios, who was the subject of her virtual recital for the Cleveland Classical Guitar Society on August 15.
by Jarrett Hoffman
Paraguayan guitarist Berta Rojas was set to make her Cleveland debut on March 14 in a presentation by the Cleveland Classical Guitar Society. Then the coronavirus crisis intervened.
Now, Rojas and the Guitar Society have worked out an alternative. On Saturday, August 15 at 7:30 pm, she’ll give a free, pre-recorded online concert, broadcast on YouTube and entirely devoted to the music of Agustín Barrios Mangoré, a fellow Paraguayan who lived from 1885 to 1944.
That programming choice shouldn’t surprise anyone who was looking forward to her concert in March, which would have been all-Barrios during its second half. It also shouldn’t surprise anyone who’s followed Rojas’ career, from her 2008 album Intimate Barrios to her four-year tour, “In the Footsteps of Mangoré,” with clarinetist and saxophonist Paquito D’Rivera.
by Jarrett Hoffman
Guitarist Berta Rojas has made the music of Agustín Barrios Mangoré a focal point of her career, from her 2008 album Intimate Barrios to her four-year tour “In the Footsteps of Mangoré” with clarinetist and saxophonist Paquito D’Rivera.
Rojas will make her Cleveland debut on Saturday, March 14 at 7:30 pm at Plymouth Church in a concert presented by the Cleveland Classical Guitar Society. Her program highlights Barrios, a fellow Paraguayan who lived from 1885 to 1944.
The first half travels from Spain (Federico Moreno Torroba’s Sonatina) to Brazil (Heitor Villa-Lobos’ Prelude No. 4 and Étude No. 4) and England (Lennox Berkeley’s Sonatina, Op. 52, No. 1). And the second half is all Barrios, including two of his Op. 8 Waltzes, the Estudio de Concierto, Las Abejas, Un Sueño en la Floresta, La Catedral, and an arrangement of his Danza Paraguaya in which Rojas will be joined by students of the Guitar Society.
Rojas’ first encounter with the works of that composer came when she was a young guitarist. “I heard the music of Barrios and I fell in love with it,” she said during a recent telephone conversation. [Read more…]