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Cleveland Chamber Collective: “Travelogue” at Disciples (Apr. 12)

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by Kevin McLaughlin

The Cleveland Chamber Collective’s “Travelogue” at Disciples Christian Church on Sunday afternoon April 12 traced a set of journeys — some literal, some inward — across a compact, varied program. What held it together was a shared interest in motion: landscapes, folk traditions, and time itself.

Director Ty Alan Emerson was an amiable emcee, introducing each piece and serving as an efficient stage crew of one. The program’s range — captivating, sometimes far-flung — reflected careful curation, and he deserves praise for bringing it together.

Robert Manno’s Three Scenes from the Mountains, written in 2012 and inspired by the view from his home in the Northern Catskills, opened the afternoon with pastoral charm. In “The Wind on the Water,” flutist Linda White, clarinetist Alix Reinhardt, and pianist Eric Charnofsky conjured the scene, the piano rippling under shifting breezes of flute and clarinet. [Read more…]

Cleveland Chamber Collective: Music of America VII (Jan. 12)

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by Kevin McLaughlin

In a program titled Music of America VII held on Sunday, January 12 at Disciples Christian Church in Cleveland Heights, the Cleveland Chamber Collective presented a concert of attractive and varied new music, inspired by sounds from around the globe —  India to Buenos Aires and Bali to Manhattan.

At two and a half hours, the program might have stood a trimming, but it would be hard to know what to cut — the works and performances by familiar and rising Cleveland professionals were uniformly splendid. Director Ty Alan Emerson served as gracious host as well as stagehand and impresario.

In Reena Esmail’s Blaze, a duo for violin (Emily Cornelius) and tabla (Dylan Moffitt) much of the intensity came from Cornelius’s relationship to Moffitt’s exact playing — we were drawn in by the quietness of Moffitt’s tabla and by Cornelius’s attention to it. The two drifted in and out of sync, with the violinist both captive to and rebelling against the insistent rhythm, even while she conjured enigmatic extremes of darkness and ecstasy.
[Read more…]

Cleveland Chamber Collective: Music of America VI

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by Mike Telin

On Saturday, August 3 at 7:00 pm at Disciples Christian Church, The Cleveland Chamber Collective will present Music of America VI. The program includes works by Caroline Shaw, Missy Mazzoli, Jessie Montgomery, Michael Oesterle, Trevor Kazarian, and Eric Charnofsky. The concert is free.

During a recent telephone conversation Cleveland Chamber Collective director and conductor Ty Alan Emerson said that the Music of America series has evolved over time.

“When we started out, we were calling it American Icons, which was our way to feature music by composers such as Lou Harrison, George Crumb, and Leonard Bernstein. Then we thought, there’s all this other music being made in America that isn’t getting played. So several years ago we started to look at who else is out there and who are we missing.”

Emerson noted that right now, inclusion is the hot button in classical music, and that for several years the ensemble has been trying to find ways to be more inclusive.

[Read more…]

Cleveland Chamber Collective: Ty Alan Emerson’s Oath Breaker (Apr. 28)

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by Kevin McLaughlin

It is one of Cleveland’s persistently good things that outlets for fresh new music — played by some of the area’s best musicians — continue to thrive. On Sunday, April 28, we were reminded of this again at Cleveland Chamber Collective’s presentation of Ty Alan Emerson’s Oath Breaker, a Requiem for chamber ensemble and digital playback at the Pivot Center.

Emerson conducted a distinguished ensemble comprising Linda White, flute, Emily Cornelius, violin, Brian Slawta, viola, Trevor Kazarian, cello, Eric Charnofsky, piano, and Dylan Moffitt, percussion.

Oath Breaker takes the audience on a 60-minute journey of anger, grief, and hope, as a kind of collective PTSD therapy session about the events of January 6 and its subsequent aftermath. The mixture of recorded electronics, live performances, and poetic and prosaic texts helped to conjure in real time the horror of that day.

[Read more…]

Cleveland Chamber Collective to premiere OATH BREAKER, a Requiem

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by Mike Telin 

Like many, composer Ty Alan Emerson watched the events of January 6, 2021 unfold on the national news. “Even though I wasn’t there, I felt that this was an attack on me, my belief in our Constitution, and our democracy,” Emerson said during a telephone conversation, adding that he “needed to do something.”

On Saturday, April 20 at 7:30 pm at Disciples Christian Church, the Cleveland Chamber Collective will present the premiere of Emerson’s OATH BREAKER, a Requiem for chamber ensemble and digital playback. The work aims to take the audience on a 60-minute journey of anger, grief, and hope, while striving to come to grips with the events of January 6 and the subsequent fallout. The program will be repeated on Sunday, April 28 at 3:30 pm at the Pivot Center. Both performances are free.

Emerson said that he chose the frame of a requiem because the work is about emotional and spiritual processes, and writing it helped him work through the events and manage their emotional impact.

[Read more…]

Cleveland Jazz Orchestra celebrates Rhapsody in Blue alongside more ‘20s music & four premieres

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by Jarrett Hoffman

The Cleveland Jazz Orchestra is taking an intriguing approach to the 100th anniversary of Rhapsody in Blue. This weekend’s program will feature the Gershwin classic alongside more music from the 1920s — not to mention four world premieres by Aidan Plank and Brad Wagner of the CJO, and Margi Griebling-Haigh and Ty Alan Emerson of the Cleveland Composers Guild.

At the piano in the Gershwin will be the Orchestra’s own Jackie Warren. At the podium will be Cleveland Pops Orchestra music director Carl Topilow. And joining the CJO will be string players from the Cleveland Pops, BlueWater Chamber Orchestra, CityMusic Cleveland, and Case Western Reserve University.

Performances take place Friday, March 15 at 7:30 pm at the Maltz Performing Arts Center and Saturday, March 16 at 8:00 pm at BLU Jazz+. [Read more…]

Cleveland Composers Guild at Fairmount Presbyterian (Jan. 21)

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by Sicily Xiao

On January 21, a serene Sunday afternoon, the Cleveland Composers Guild curated the second concert of its 2023-2024 season at Fairmount Presbyterian Church. The program, dedicated to cutting edge chamber music compositions, included the 1st prize winner of the Guild’s 11th Collegiate Composition Contest.

The concert began with Ty Alan Emerson’s Pan Songs played by percussionist Dylan Moffitt on a version of the modern steelpan which avoided precise tuning, resulting in a distinctive harmonic and spatial system. The emphasis on sound, color, and rhythm beautifully showcased Emerson’s concepts. In the second movement, Moffitt traded mallets for brushes, more commonly used in jazz, adding a layer of flexibility to the timbral palette.

[Read more…]

Cleveland Chamber Collective & Inlet Dance Theatre: Caliban Ascendant (Aug. 29)

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by Peter Feher

Shakespeare in the park got an update over the weekend when the musicians of the Cleveland Chamber Collective partnered with Inlet Dance Theatre for a modern take on The Tempest. The collaborative result, Caliban Ascendant, premiered to an enthusiastic audience at Cain Park’s Evans Amphitheater on August 29.

The story was kept simple, though the performances were anything but. Ty Alan Emerson — who composed the score, adapted the story with friend and colleague Joshua Legg, and conducted Sunday’s premiere — didn’t skimp on the musical demands.

[Read more…]

Cleveland Chamber Collective and Inlet Dance Theater at Cain Park 

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by Mike Telin

In her article Four Qualities of Classic Literature, MJ Booklover says that

A great writer has something specific to say, or perhaps, more typically, a big question to ask about the nature of the world as it was in the times of that writer. But a great work also observes truths about the human condition as it occurs in any age. 

Perhaps no writer has captured the timeless truths of the human condition more profoundly than William Shakespeare, and nowhere as persuasively as in The Tempest, the inspiration for Ty Alan Emerson’s new ballet, Caliban Ascendant.

“This project started about eight years ago when I was working with a friend of mine, Josh Legg,” Emerson (pictured below) said during a telephone conversation. “He’s a choreographer and a wonderful person. We wanted to collaborate on a project so we started talking about what we’d like to do. I had seen many productions of Shakespeare’s The Tempest. I saw one at Bowling Green that was really fun — they actually put a gamelan onstage and Caliban was played by a two-person puppet. So I thought, ‘I’d like to dig into that.’”

On Sunday, August 29 at 8:00 pm at Cain Park Amphitheater, the Cleveland Chamber Music Collective in partnership with Inlet Dance Theatre will present the world premiere of Caliban Ascendant. The ballet is based on a story developed by Joshua Legg and Ty Alan Emerson and features music by Emerson and choreography by Bill Wade in collaboration with Dominic Moore-Dunson, Kevin Parker, Emily Stonecipher, and Katie Wilber. [Read more…]

Margi Griebling-Haigh’s The White Trout: a chamber opera in one act on YouTube

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by Daniel Hathaway

Commissioned by Peter Gallagher in 2012, premiered in 2013 at the convention of the International Society of Bassists, and revised in 2019, Margi Griebling-Haigh’s 25-minute chamber opera, The White Trout, was released in mid-November on YouTube.

The piece embellishes an Irish folk tale from County Mayo as told by Samuel Lover and collected by William Butler Yeats. Predictably fantastical, the story centers around a beautiful woman whose fiancé, a king’s son, is murdered and thrown into a lake. The grieving bride eventually disappears (the work of fairies?) about the time villagers notice a strange white trout in the water. [Read more…]

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