by Mike Telin

The 7:00 pm free performances are on Thursday at Trinity Cathedral, Friday at SPACES, and Saturday at Heights Arts.
No Exit’s Laura King spoke with artistic director/composer Tim Beyer about how the ensemble’s recent Surreality season reshaped their creative trajectory, why it’s important for artists to grapple with the foundational instability of “now,” and how audiences might react when confronted with a work that both mirrors and distorts the world we inhabit.
The interview is reposted with the permission of the ensemble and author.
Laura King: Tim, please talk about how Surreality reshaped your thinking about what a No Exit concert can be, and how An Evocation of Our Current Time has grown out of that evolution.







Reposted with the permission of Oberlin Conservatory

These days, the Danish String Quartet keep their touring schedule simple. Arrive in a new city in the morning, play a concert in the evening, and repeat. That’s not because the group doesn’t like exploring new places — it’s because they’ve got little ones waiting at home.
This isn’t the first time Les Délices has brought puppets to the party. Following up on their 2022 Baroque opera The White Cat, the ensemble will present The Aesop Project in Cleveland and Akron on November 22.