by Peter Feher

Of course, purists will play up those few transitional bars that Schubert crafted to lead back to the beginning, which would be cut in a straight-through performance. The composer’s overall conception is supposedly lost if the strict symmetry of sonata form isn’t upheld.
Such arguments are no match for pianist Richard Goode, who gave an authoritative account of the work — sans repeat — for the final concert of this season’s Oberlin Artist Recital Series. Goode offered an interpretation borne of age and experience, qualities that were in evidence throughout his solo program on Wednesday evening, April 29, in Finney Chapel.



Reposted with the permission of Oberlin Conservatory
Cleveland Chamber Music Society has recently had to deal with more than its fair share of postponements and cancellations, but when Cuarteto Casals cut short their U.S. Tour last month due to a medical emergency, the Society was lucky to be able to field a replacement.
Since presenting its first concerts in 1878, Oberlin College’s Artist Recital Series — one of the oldest continuing concert series in the United States — has showcased more than 1,000 of the world’s foremost musicians, conductors, orchestras, chamber ensembles, and composers. The stellar list of performers who have graced the stage of historic Finney Chapel includes Dave Brubeck, Alicia de Larrocha, Juan Diego Flórez, Glenn Gould, Denyce Graves, Jascha Heifetz, Vladimir Horowitz, Yo-Yo Ma, and Sergei Rachmaninoff, to name a few.