by Peter Feher
The Akron Symphony is ready to stage a full opera in some upcoming season, judging by the spectacular success of the orchestra’s performance of Verdi’s Requiem on May 10 at E.J. Thomas Hall.
All of the elements essential for a winning production were present. A sense of drama, a compelling cast of vocal soloists, and a stage packed with extra choristers and instrumentalists made the evening feel like a thoroughly theatrical event. It was a grand way for the Symphony to conclude its 2024-25 concert year.
That a sacred piece should seem so lavish and entertaining is the glorious crux of Verdi’s Requiem. Classical composers going as far back as the 15th century have set the Latin Mass for the dead with a certain creative flourish and delight in excess, but Verdi’s contribution represents the operatic peak of the tradition.
His realization was always intended for a concertgoing audience. The work was first conceived in 1868 as part of a tribute to the late leading opera composer Gioachino Rossini but only completed in 1873 following the death of Italian writer and politician Alessandro Manzoni.
When Amer Hasan introduced himself to the Akron Symphony in 2019, he did so with the opening movement of Mozart’s Clarinet Concerto. “ It was the first piece that I played for Maestro Wilkins in my audition, behind the screen,” Hasan recalled in a recent interview. “So the first three minutes of the concerto is not only the first music I associate with auditions, but also with the Akron Symphony.”
“Welcome to Mahler’s 2nd,” read the program leaflet I was handed while entering E.J. Thomas Hall on March 1. “You’re in for an emotional rollercoaster — big drama, quiet reflection, and an ending that will shake the walls (and maybe your soul).”
The subtitle of William Grant Still’s Symphony No. 4, “Autochthonous,” made for a little vocabulary lesson at the Akron Symphony last weekend.
Just before the Akron Symphony began their October 19 concert with Charles Ives’ The Unanswered Question, the audience was suddenly presented with a question of their own. Why were the musicians leaving the stage right after tuning?
The Akron Symphony pulled off an exceptional concert at E.J. Thomas Hall on January 13 that would have stretched any other ensemble to its limit.