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Akron Symphony in “Symphonic Shakespeare” (Oct. 19)

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by Nicholas Stevens

Shakespeare is everywhere these days: not just at the roots of today’s literature, poetry, philosophy, pop culture, and theatre, but as the ultimate canonic figure in the arts. His fame helps keep him famous. Titles of novels riff on the fact that his work remains required reading; Supreme Court justices make headlines for doubting his authorship; tempests in teapots brew when people move his portrait. Classical music, with its piano-adorning composer busts, boasts figures of comparable monumentality. In presenting music on Shakespearean themes and scenarios in a recent concert, however, the Akron Symphony seized a chance to savor works of rarer vintages. [Read more…]

Akron Symphony to open season with an all-Russian program

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by Mike Telin 

When inclement weather forced the cancelation of the Akron Symphony’s January 2019 concert, they were  fortunate that both guest conductor and soloist were available to open the ASO’s 2019-2020 season this weekend. The following preview, originally published in January, has been edited for content. 

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There are certain pieces of music that, no matter when they were written, always sound new. And in the eyes and ears of Alexander Korsantia, Prokofiev’s Piano Concerto No. 3 is one that holds that distinction. “It is an eternally fun concerto,” the pianist said during an interview. “It was written almost one hundred years ago but it still feels like it is aiming to the future.”

On Saturday, September 21 at 8:00 pm in E.J. Thomas Hall, the Georgian-born pianist will perform that concerto with the Akron Symphony under the direction of guest conductor Benjamin Zander. The all-Russian program will also include Glinka’s Overture to Ruslan and Lyudmila, Mussorgsky’s “Dawn on the Moscow River” from Kovantchina, and Tchaikovsky’s Symphony No. 4. Tickets are available online.

[Read more…]

Akron Symphony’s West Side Story: O’Brien gets his shot at Tony

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by Jarrett Hoffman

From the first time he saw West Side Story, Connor Bogart O’Brien knew that Tony was a role he was born to play.

So why did he pass on opportunities to do just that — not once, not twice, but three times?

“I didn’t want my debut as Tony to be for anything less than the biggest, most stellar production,” the Ashtabula native said with a laugh during a recent phone call.

Then, about six years ago, O’Brien found himself right where he wanted to be: in Pearl Studios in Manhattan in the final callbacks for the musical’s national tour. “I’m there with two other Tony’s, and I’m thinking, this is it, now is my chance. And fifteen minutes later, I’m on the street wondering what the heck just happened. I did not get it. So I thought, that’s it, I’m going to get too old to play a teenager, and I’m just not going to be able to do it.”

But the universe — via Akron Symphony music director Christopher Wilkins — smiled on O’Brien. [Read more…]

Akron Symphony: “Verdi & Valkyries” (Nov. 16)

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by Nicholas Stevens

E.J. Thomas Hall looms and soars, cradling audiences in a colossal yet cozy acoustic shell. The mechanism that allows for adjustments in the ceiling height — a system of suspended counterweights — dominates one lobby like a giant’s carillon. The hall hosts performances of all sizes, but truly comes alive when a given theatrical or musical production offers art of comparable scale, scope, and solidity, spanning the spectrum from soft speech to symphonic swells. The Akron Symphony offered just such a program earlier this month. [Read more…]

Akron Symphony & Choruses in Verdi’s Requiem (May 5)

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by Daniel Hathaway

ASO Verdi ChorusThere are two varieties of concert Requiems — the comforting, consoling type (Brahms, Fauré, Duruflé) and the fiery Day of Judgment kind (Mozart, Berlioz, Verdi). The Akron Symphony chose one of the latter to close its season on Saturday, May 5. Led by music director Christopher Wilkins, the Akron Symphony Chorus and the Masterworks Chorale of the Summit Choral Society joined the Orchestra in Verdi’s Requiem, a thrilling choral conflagration that lit up E.J. Thomas Hall. [Read more…]

Akron Symphony tours Planet Earth (March 23)

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by Daniel Hathaway

ASO Planet EarthHearing the Akron Symphony’s “Planet Earth” program on Friday evening, March 23 in E.J. Thomas Hall was like playing around with Google Earth — the fascinating app that lets you zoom around between completely unrelated global destinations from the comfort of your laptop. Music Director Christopher Wilkins crafted an itinerary that visited both poles — Antarctica and the Finnish Arctic — tucking in trips to Rome and the Scottish Hebrides as well. [Read more…]

Akron Symphony to perform music inspired by artworks on November 18

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by Mike Telin

Burchfield Four Seasons“I like to play great music and I consider Mathis to be one of the greatest 20th-century works. And Pictures, especially in the Ravel orchestration, is a classic,” conductor Christopher Wilkins said by telephone. “Like the other two, Burchfield is a wonderful piece with a dazzling orchestration.”

On Saturday, November 18 at 8:00 pm in E.J. Thomas Hall, the Akron Symphony will present three works inspired by masterpieces of art: Eric Benjamin will conduct Morton Gould’s Burchfield Gallery, and Wilkins will lead Paul Hindemith’s Mathis der Maler and Modest Mussorgsky’s Pictures at an Exhibition. Tickets are available online.

The concert will also include projected visual images of the art that inspired the music. “Because showing a single image is a static thing to do, I think it’s more artistically honest to show and talk about the paintings and then perform the work,” Wilkins said. “In all three cases that is what we’re going to do.” [Read more…]

Marie Bucoy-Calavan to make her Akron Symphony conducting debut

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by Mike Telin

M.-Bucoy-Calavan-pic“If you delve into the choral works of Brahms, you will see that everything culminates in his Requiem. It’s what most people think of when you mention his works for chorus and orchestra,” conductor Marie Bucoy-Calavan said during a telephone conversation. “What I like about Gesang der Parzen (‘Song of the Fates’) is that you get the darker side of Brahms along with a little bit of heavy metal. It is very passionate and there are places where it’s harsh and heavy. I enjoy that aspect of it, and I think the chorus does too.”

On Friday, October 6 at 8:00 pm at The University of Akron’s E.J. Thomas Performing Arts Hall, Marie Bucoy-Calavan, who serves as director of the Akron Symphony Chorus and artistic director of the Summit Chorale Society’s Masterworks Chorale, will make her Akron Symphony Orchestra conducting debut when she leads all three ensembles in Brahms’ Gesang der Parzen. [Read more…]

Akron Symphony opens season with “The Slavic Soul” (September 23)

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by Daniel Hathaway

Rymer-TonyMusic by Tchaikovsky, Shostakovich, and Dvořák gave the Akron Symphony audience a window into “The Slavic Soul” in both its Russian and Czech manifestations on Saturday evening, September 23 in E.J. Thomas Hall. At the center of the program was a brilliant performance of Shostakovich’s First Cello Concerto led by Music Director Christopher Wilkins and featuring the young Boston cellist Tony Rymer — although the composer might well have named the work “Concerto for Cello, Horn, and Orchestra,” so prominent a role that brass instrument plays in the piece. [Read more…]

Akron Symphony announces Music Educator of the Year and new App

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Steven Cocchiola, orchestra director at the Brecksville-Broadview high school, has claimed the first Akron Symphony Music Educator of the Year Award. A versatile leader, Cocchiola conducts the school’s Concert Orchestra, String Orchestra, Chamber Orchestra, and 7th & 8th grade orchestras beside his directorial duties and music theory classes. He is also on the artistic staff of the Summit Choral Society. [Read more…]

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