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Akron Symphony Chorus: a conversation with assistant director Karen Ni Bhroin

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by Daniel Hathaway

Through a lucky series of encounters, Irish conductor Karen Ni Bhroin (pronounced Knee VRIN) found her way first to graduate studies at Kent State University, then to the assistant conductor’s position with the Akron Symphony Chorus, and most recently — the news came down just this morning — to her appointment as assistant conductor with the Winston-Salem Symphony.

In that second capacity, the 29-year-old conductor is preparing the Akron Symphony Chorus for its performance of the Mozart Requiem under Christopher Wilkins on Saturday evening, February 22 at E.J. Thomas Hall.

I reached Ni Bhroin by telephone to ask how that chain of events got started. “I had been freelancing in Dublin for five years after my undergraduate degree at Trinity College, and in 2013 I met Jungho Kim, who was finishing his doctorate at Eastman,” she said. “We were Facebook friends, and he posted in 2018 that he was looking for an assistant at Kent State, and that’s how it all started. I applied and I won the position. [Read more…]

Akron Symphony in “Symphonic Shakespeare” (Oct. 19)

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by Nicholas Stevens

Shakespeare is everywhere these days: not just at the roots of today’s literature, poetry, philosophy, pop culture, and theatre, but as the ultimate canonic figure in the arts. His fame helps keep him famous. Titles of novels riff on the fact that his work remains required reading; Supreme Court justices make headlines for doubting his authorship; tempests in teapots brew when people move his portrait. Classical music, with its piano-adorning composer busts, boasts figures of comparable monumentality. In presenting music on Shakespearean themes and scenarios in a recent concert, however, the Akron Symphony seized a chance to savor works of rarer vintages. [Read more…]

Akron Symphony:
“Symphonic Shakespeare”

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by Jarrett Hoffman

Akron Symphony music director Christopher Wilkins has long had an interest in theater. “I’ve kept my eye out for theater-related projects for years and years and years,” he said during an interview.

One of those projects was Mendelssohn’s incidental music for A Midsummer Night’s Dream interleaved with a significant chunk of Shakespeare’s play, a production ClevelandClassical.com reviewed in 2014. “I’ve also done The Tempest with the complete incidental music by Sibelius,” Wilkins said. “But these next two pieces are knockouts.”

Those would be Shostakovich’s Hamlet Film Suite and William Walton’s Henry V: A Shakespeare Scenario, which make up two-thirds of “Symphonic Shakespeare,” the Orchestra’s program this Saturday, October 19 at 8:00 pm at E.J. Thomas Hall.

[Read more…]

Akron Symphony & Chorus in Beethoven’s “Eroica” & Mass in C (Apr. 6)

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by Nicholas Stevens

Most musicians and music history buffs recount Beethoven’s life as a three-part story of artistic progress, from early indebtedness to precedent, through the heroic rupturing of tradition, then on to strange yet sublime experiments. However, smart concert programming can remind us that this central figure of the classical pantheon, like most artists, tended to zigzag. [Read more…]

Akron Symphony: “Verdi & Valkyries” (Nov. 16)

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by Nicholas Stevens

E.J. Thomas Hall looms and soars, cradling audiences in a colossal yet cozy acoustic shell. The mechanism that allows for adjustments in the ceiling height — a system of suspended counterweights — dominates one lobby like a giant’s carillon. The hall hosts performances of all sizes, but truly comes alive when a given theatrical or musical production offers art of comparable scale, scope, and solidity, spanning the spectrum from soft speech to symphonic swells. The Akron Symphony offered just such a program earlier this month. [Read more…]

Akron Symphony: “Verdi and Valkyries”

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by Jarrett Hoffman

“Verdi and Wagner together represent the pinnacle of the high Romantic age in music, and both were masters of drama,” Akron Symphony music director Christopher Wilkins says in a video on the ASO’s YouTube channel.

Those two composers will find themselves paired in a program titled “Verdi and Valkyries,” to be performed by the Akron Symphony and Chorus on Friday, November 16 at 8:00 pm at E.J. Thomas Hall.

Another pairing: Wilkins and chorus director Marie Bucoy-Calavan, who will trade off conducting duties throughout the evening. Bucoy-Calavan will handle much of the first half, comprising Verdi’s Overture to La forza del destino, the Overture and “Va, pensiero” from Nabucco, the Anvil Chorus from Il Trovatore, and the Ballet and Triumphal March from Aïda.

[Read more…]

Akron Symphony & Choruses in Verdi’s Requiem (May 5)

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by Daniel Hathaway

ASO Verdi ChorusThere are two varieties of concert Requiems — the comforting, consoling type (Brahms, Fauré, Duruflé) and the fiery Day of Judgment kind (Mozart, Berlioz, Verdi). The Akron Symphony chose one of the latter to close its season on Saturday, May 5. Led by music director Christopher Wilkins, the Akron Symphony Chorus and the Masterworks Chorale of the Summit Choral Society joined the Orchestra in Verdi’s Requiem, a thrilling choral conflagration that lit up E.J. Thomas Hall. [Read more…]

Akron Symphony closes season with Verdi’s Requiem on May 5

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by Mike Telin

Wilkins-Christopher“It’s been nineteen years since the Verdi Requiem has been performed in Akron, and we’re pulling out all of the stops, which is the only way to do it,” Akron Symphony music director Christopher Wilkins said during a telephone interview. On Saturday, May 5 at 8:00 pm in E.J. Thomas Hall, Wilkins will lead the ASO, the Akron Symphony Chorus, and the Summit Choral Society Masterworks Chorale along with soprano Dina Kuznetsova, mezzo-soprano Nancy Maultsby, tenor John Pickle, and bass Adam Cioffari in Verdi’s masterpiece. Tickets are available online.

Saturday’s performance will mark the sixth time that the ASO has performed the work since its inaugural season in 1953 — the first was in 1961 under the direction of Evan Whallon. Subsequent performances were led by John MacDonald (1968), Robert Shaw (1978), Alan Balter (1987), and Paul Polivnick (1999).

[Read more…]

Marie Bucoy-Calavan to make her Akron Symphony conducting debut

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by Mike Telin

M.-Bucoy-Calavan-pic“If you delve into the choral works of Brahms, you will see that everything culminates in his Requiem. It’s what most people think of when you mention his works for chorus and orchestra,” conductor Marie Bucoy-Calavan said during a telephone conversation. “What I like about Gesang der Parzen (‘Song of the Fates’) is that you get the darker side of Brahms along with a little bit of heavy metal. It is very passionate and there are places where it’s harsh and heavy. I enjoy that aspect of it, and I think the chorus does too.”

On Friday, October 6 at 8:00 pm at The University of Akron’s E.J. Thomas Performing Arts Hall, Marie Bucoy-Calavan, who serves as director of the Akron Symphony Chorus and artistic director of the Summit Chorale Society’s Masterworks Chorale, will make her Akron Symphony Orchestra conducting debut when she leads all three ensembles in Brahms’ Gesang der Parzen. [Read more…]

Akron Symphony: Mendelssohn’s Elijah at E.J. Thomas Hall (May 5)

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by Daniel Hathaway

ASO ElijahA critical mass of nearly 200 singers joined Christopher Wilkins, the Akron Symphony, and a first-rate quartet of soloists for a resounding performance of Felix Mendelssohn’s Elijah on Saturday evening, May 5 in E.J. Thomas Hall. Commissioned for the 1846 Birmingham Festival following the success of his earlier oratorio St. Paul, Mendelssohn’s concert-length work presents the life of the Hebrew prophet in several dramatic scenes.

[Read more…]

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