by Mike Telin

The performance, which is part of the Duo’s 10th Anniversary tour, will feature works by Jason Charney, Hong-Da Chin, Erin Rogers, and Osnat Netzer.
In an interview with No Exit’s Laura King, Even said that Charney’s Interstittch is one of their earlier commissions and the most melodic, rock-inflected piece on the program.
She added that the other three works are drawn from their debut album, released in May 2020 by New Focus Recordings. “You’ll hear some similar sounds in these pieces — the term “extended technique” seems almost antiquated when multi-phonics, slap tonguing, and superball mallets are now as much a part of the basic vocabulary of our instruments as major scales and drum rudiments are… but each of the composers we worked with use those sounds in their own unique voice and syntax. Hong-Da Chin’s …time was not passing… it was turning in a circle… is a musical reflection on the cyclical nature of humanity’s path through history. Erin Rogers is a saxophonist herself, and Fast Love has a lot of the eclectic, noisy, improvisatory playing for which she’s known.




There’s a fascinating and colorful gray area between jazz and contemporary classical music, as evidenced by this past summer’s album
The show must go on!
On their recent, self-titled debut album, the Cleveland-based duo
Although saxophonist Noa Even has spearheaded many commissioning projects for her duos Ogni Suono and Patchwork, she had not commissioned one for herself. That was until events surrounding the 2016 presidential election got her thinking about how humans connect to one another.



