by Mike Telin
Although seventy-six trombones may have led the big parade, when John Faieta brought his one-man show to Trinity Cathedral on Friday, February 28, the trombone virtuoso proved that one trombone — matched with an acoustically pleasing space — is all that is needed to provide a fascinating listening experience.
Under the banner of No Exit Presents, Faieta’s beautifully-constructed program treated the good-sized audience to five musically diverse works that stretched the sound and technical capabilities of the instrument. And a subtle sense of humor imbued his charming and informative stories about each work and how it came to be written.
The program opened with Leonard Bernstein’s Mippy II, a tune the composer wrote as a eulogy for his brother’s beloved dog. It’s a jaunty work with a smooth-talking melody, and Faieta delivered a sparkling performance.
Cleveland Uncommon Sound Project will present the 2024 edition of its Re:Sound festival from Friday to Sunday, May 17-19.
“We kind of wanted to explore the more aesthetically non-traditional approaches to playing our instruments.”
“Creativity is the expression of life, so for me the question is why on earth would you not be creative? Why on earth would you not want to grow?” flutist, composer, improviser, author, teacher, and inventor Robert Dick said during a recent telephone interview. A leader in contemporary flute music, he has redefined the instrument’s musical possibilities. 
As musicians’ tastes change over time, it can be frustrating for them to realize that the instrument they’ve spent years mastering now confines their stylistic breadth. Or does it? In some cases, all that’s needed is a new mindset.
The response to the pandemic from 
“This next one will have all the homosexuals in the room grabbing a vodka cranberry,” composer Buck McDaniel said winkingly to a packed crowd at Mahall’s last Friday night, March 29. “Including me,” he added. It was perfect commentary for the energetic kickoff event of the Cleveland Chamber Symphony’s 6th NEOSonicFest, an evening that celebrated both cocktails and contemporary music.
Cleveland Chamber Symphony launches its sixth NEOSonicFest on Friday, March 29 at 9:00 pm at Mahall’s in Lakewood with a concert in partnership with Fresh Perspectives. Uno Lady (Christa Ebert), a one-woman choir, will create electronic loops, harpist Stephan Haluska will present his own electro-acoustical compositions, and Buck McDaniel and Jacob Kirkwood will present a concert version of their live electro-acoustic score written for Cleveland Public Theatre’s 
When a festival runs for long enough, it becomes interesting to look back and remember that it wasn’t always a staple of the local culture. At one time, it was entirely new.