by Rory O’Donoghue
“This next one will have all the homosexuals in the room grabbing a vodka cranberry,” composer Buck McDaniel said winkingly to a packed crowd at Mahall’s last Friday night, March 29. “Including me,” he added. It was perfect commentary for the energetic kickoff event of the Cleveland Chamber Symphony’s 6th NEOSonicFest, an evening that celebrated both cocktails and contemporary music.
by Mike Telin
Cleveland Chamber Symphony launches its sixth NEOSonicFest on Friday, March 29 at 9:00 pm at Mahall’s in Lakewood with a concert in partnership with Fresh Perspectives. Uno Lady (Christa Ebert), a one-woman choir, will create electronic loops, harpist Stephan Haluska will present his own electro-acoustical compositions, and Buck McDaniel and Jacob Kirkwood will present a concert version of their live electro-acoustic score written for Cleveland Public Theatre’s Fire on the Water, a meditation on the 50th anniversary of the burning of the Cuyahoga River. The evening will also feature “signature cocktails” available for purchase. Tickets go for $7.
In a recent conference call, Fresh Perspective’s Devin Hinzo said that when they were looking for a venue to present McDaniel’s and Kirkwood’s piece, they immediately thought of Mahall’s. “They support local and emerging musicians as well as music that doesn’t fit any particular genre, so it seemed like a natural fit.”
by Jarrett Hoffman
When a festival runs for long enough, it becomes interesting to look back and remember that it wasn’t always a staple of the local culture. At one time, it was entirely new.
“Last weekend,” Daniel Hathaway wrote in April of 2014, the Cleveland Chamber Symphony “burst suddenly into bloom like a crocus after a long winter with the first of two concerts anchoring its promising new enterprise, NEOSonicFest…”
Back then, music director Steven Smith had been thinking for years about how to keep the name and activities of the Cleveland Chamber Symphony alive, as Mike Telin reported in our very first preview of NEOSonicFest. The retirement of the orchestra’s founder, Edwin London, and the end of its residency at Cleveland State University had slowed the group’s momentum.
by David Kulma
The Magalen in Slavic Village was full of the musically adventurous for the strangely fantastic second installment of the Re:Sound New Music Festival on Friday, June 8. [Read more…]
by Mike Telin
A year and a half ago, saxophonist Noa Even and cellist Sophie Benn got together to discuss ways to promote new music in Cleveland. They soon brought drummer Stephen Klunk and Bop Stop manager Gabe Pollack into the conversation, and the idea of starting a new music festival in the city was born. Beginning on June 7 and running through June 10, the inaugural Re:Sound Festival of new music will feature twenty-seven musical acts across seven concerts at five venues.
“An aspect of the festival we like to emphasize is just how new the music is,” Noa Even said during a telephone conversation. “All of it is from 2000 or later, so it’s truly a showcase of what people are creating today, improvised and composed. ‘New music’ encompasses so many styles and influences, and hopefully the Festival will capture that diversity.”
The performers were chosen from a pool of over 100 applicants who responded to the organizing committee’s call for proposals. Those included soloists and existing chamber music ensembles ranging from duos to sextets, as well as composer/performers and experimental artists.
by Mike Telin
If you’ve ever tried to define the term “contemporary classical music” in clear and decisive language, chances are that you’ve found it impossible. Modernism, post-modernism, spectral music, polystylism, historicism, neo-romanticism, new simplicity, and new complexity, as well as minimalism and post-minimalism — encountering these categories might leave you throwing up your hands in frustration. Honestly, the best way to understand the breadth of contemporary classical music is to experience it live — as often as possible. [Read more…]
by Mike Telin
NEOSonicFest 2017 continues this week with four concerts that celebrate the breadth of Cleveland’s new music scene.
On Wednesday, March 22 at 7:00 pm in Baldwin Wallace Conservatory’s Gamble Auditorium, the Cleveland Chamber Symphony, under the direction of Steven Smith, will present its annual Young and Emerging Composers concert.
Coordinated by composer and BW faculty member Clint Needham, the Young and Emerging program has been part of CCS’s mission since its founding in 1980. In an interview with this publication, Smith told Jeremy Reynolds, “It’s rare for young composers to have the opportunity for a professional orchestra to perform their works. The seven pieces are all very different in their ideas about sound — some are more traditional, while others are more experimental.” [Read more…]
by Jeremy Reynolds
For the past three years, the Cleveland Chamber Symphony has sponsored NEOSonicFest, a new music festival that spotlights musicians and groups in Northeast Ohio. The festival begins on Friday, March 17 and runs through Sunday, March 26 (see below for concert dates and times).
“There’s always been an incredibly active new music scene in Cleveland,” said Steven Smith, music director of the Grammy Award-winning Cleveland Chamber Symphony. “Cleveland is unique in terms of the high level of its artistic institutions for a city of its size, and it’s been that way for a very long time.” New to the 2017 roster are the ensembles No Exit, the percussion and saxophone duo Patchwork, and harpist Stephan Haluska. [Read more…]
