Jane Berkner, Author at Cleveland Classical

BlueWater Chamber Orchestra at Plymouth Church (May 13)

May 16, 2017 by Jane Berkner

by Jane Berkner

BlueWater Chamber Orchestra is a jewel in the local arts scene’s crown. It’s always a treat to hear these highly talented regional musicians, and their concert under the direction of guest conductor Thomas Hong at Plymouth Church on May 13 was no exception. Titled “Flying High,” the program included two works with bird themes. [Read more…]

Singers Companye: Always Something Sings at Faith Lutheran, Fairlawn (November 13)

November 17, 2016 by Jane Berkner

by Jane Berkner

Attending the Singers Companye concert on Sunday afternoon, November 13 at Faith Lutheran Church in Akron turned out to be a healing balm at the end of a bruising week. Contained within the program of choral works was a logical arc connecting its poetry to our current experience. [Read more…]

Orpheus Chamber Orchestra makes its Blossom debut (August 27)

August 30, 2016 by Jane Berkner

by Jane Berkner

The dark, threatening cloud over Blossom Music Center on Saturday evening, August 27 delivered a thunderstorm right at the appointed concert hour. Fortunately for the large audience gathered to hear the conductorless Orpheus Chamber Orchestra play four of J.S. Bach’s celebrated Brandenburg Concerti, it blew over rather quickly. Waiting an extra ten minutes for the thunder to subside was not a huge concession, especially given that this was the much-anticipated debut of Orpheus at Blossom. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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