by Mike Telin
TODAY’S EVENTS:
At 7:00 pm, the Cleveland International Piano Competition gets underway with Round 1, Session 1. Four of the 26 contestants perform 20-minute solo recitals, pre-recorded from around the world. Today’s lineup: Lin Ye (28, China), Stefano Andreatta (29, Italy), Ying Li (23, China) & Honggi Kim (29, South Korea). Click here at start time. Free. Click here to read a preview article.
IN THE NEWS:
When Jeanne Lamon (pictured), founder and longtime artistic director of Tafelmusik, the Toronto Baroque orchestra, passed away on June 20 at the age of 71, she left the world with many exceptional recordings she had made with that stellar ensemble. Writing in the July 6 edition of San Francisco Classical Voice, Nicholas Jones has assembled an annotated playlist in tribute to the violinist who led the ensemble for 33 years. Click here to read “The Essential Jeanne Lamon.”
TODAY’S ALMANAC:
On this date in 1883, Australian American pianist, composer, and folk tune arranger Percy Grainger was born in Melbourne — he became a U.S. Citizen in 1919. Click here to listen to a selection of piano rolls that preserve his performances of his popular works. And in 1939, Spanish composer Fernando Sor died in Paris.
July 8 also marks the world debut of American avant-garde composer and inventor George Antheil in 1900 in Trenton, New Jersey. The young George began learning piano at the age of six. In 1916, he began studying composition with Constantine von Sternberg in Philadelphia. It was there that he was exposed to conceptual art, including Dadaism. Anthiel would later become a pupil of Ernest Bloch. Although Bloch was initially skeptical of Antheil’s talents, calling his compositions “empty” and “pretentious,” his teacher was eventually won over by the young composer’s enthusiasm and energy.
During his lifetime, Antheil composed symphonies, chamber works, film music, and operas. In addition to music, his interests included endocrinology, criminal justice, and military history, and he was co-holder (with actress Hedy Lamarr) of a patent for what today is known as “spread-spectrum technology.”
An excellent writer, at the age of sixteen, Antheil wrote an essay for the Trenton High School Spector titled “A Madman’s Narrative,” which begins “I am not mad. They are all maniacs here; all but me. I, alone am sane; a great composer, yet they tell me I am also mad. Surely, sir, you will not make that mistake. See how calm I am, how measured I talk.” Click here to continue reading. He would pen many articles during his life including his autobiography, Bad Boy of Music.
Although Antheil composed over 300 works, his Ballet mécanique is the most famous. Written in 1924 the work is scored for 16 player pianos playing four separate parts, four bass drums, three xylophones, a tam-tam, seven electric bells, a siren, and three different-sized airplane propellers (high wood, low wood, and metal), as well as two human-played pianos. Click here to read more about that notorious composition and here for a performance by Ensemble Modern, led by Peter Rundel.
