Music on Tap at Trinity Lutheran Church

November 12, 2009 by ccadmin

“Music on Tap” at Trinity Lutheran Church, Cleveland, on October 10. ClevelandClassical.com’s editor and publisher, Daniel Hathaway at the historic Beckerath organ. Held the second Saturday of the month, “Music on Tap” includes informal organ concerts, West Side Market bratwursts for sale and free beer samples from Great Lakes Brewing Co. Proceeds benefit the organ restoration fund.

Trinity’s Beckerath organ is a historical landmark. Built by Rudolph von Beckerath in 1956, it is the first large modern pipe organ in North America built on historic Baroque principles.

The next “Music on Tap” is Saturday, November 14 from 1:00 – 4:00 pm. Organists Nathan Carterette (1:00 pm) Brian Wentzel (1:45 pm) and Graham Schultz (2:30 pm) will perform. 2031 West 30th Street (at Lorain).

Photos: Sam Hubish

About ccadmin

Daniel Hathaway launched ClevelandClassical.com in September of 2008 after completing a 31 year tenure as music director of Trinity Cathedral, Cleveland and artistic director of Music & Performing Arts at Trinity, where he founded Trinity Chamber Orchestra. During those years, he also served as music director of The Great Lakes Theatre Festival, and assistant chorus master of Cleveland Opera.
Educated at Harvard College, Princeton University and the Episcopal Divinity School, Hathaway studied orchestral conducting at Tanglewood with Leon Barzin and Leonard Bernstein. As a concert organist, he has played recitals in the U.S. cathedrals of St. John the Divine, New York, Washington, Kansas City and Topeka, in the U.K. cathedrals of Chester, Edinburgh, Norwich & Winchester, and in France, Germany, Austria & Sweden.

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

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by Stephanie Manning

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The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

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