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Cleveland Orchestra presents world premiere of poignant, Cleveland-inspired work by Allison Loggins-Hull (May 8)

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by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Composer Allison Loggins-Hull spent the past three years immersing herself in the city of Cleveland as The Cleveland Orchestra’s Daniel R. Lewis Composer Fellow. Drawing on her interactions with residents and community organizations, her valedictory composition, Grit. Grace. Glory., is a sonic celebration of the city she recently called home.

The piece, co-commissioned by the Toronto Symphony, received its world premiere by Franz Welser-Möst and The Cleveland Orchestra on Thursday, May 8, at Severance Music Center. The 22-minute work was the rightful centerpiece of the evening, interposed between symphonies by Mozart and Prokofiev.

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The Cleveland Orchestra: Allison Loggins-Hull’s Grit. Grace. Glory.

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by Mike Telin

When Allison Loggins-Hull was named The Cleveland Orchestra’s Daniel R. Lewis Composer Fellow, she hoped that the three-year fellowship would culminate in a large work informed by the city the Orchestra calls home. And she thought the best way to do that was to get to know its people and community organizations.

“It takes time to do this kind of work in a meaningful way,” she told ClevelandClassical.com during a May 2023 interview. “During my initial visit last fall, which was the first time I was ever in Cleveland, I spent time at museums, the Fatima Family Center, Global Cleveland, Karamu House, Cleveland School for the Arts, and The Baseball Heritage Museum. All of these offered very different tastes of Cleveland in an effort to introduce myself and let people know what I was envisioning.”

On Thursday, May 8 at 7:30 pm at Severance Music Center, under the direction of Franz Welser-Möst, The Cleveland Orchestra will present the world premiere of Loggins-Hull’s Grit. Grace. Glory — a musical story inspired by the people and history of Cleveland. The concert also includes Mozart’s Symphony No. 40 and Sergei Prokofiev’s Symphony No. 4. The program will be repeated on Friday at 11:00 am (no Prokofiev) and Saturday at 8:00 pm. Tickets are available online.

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“Honoring Black Composers” at Karamu House (May 21)

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by Kevin McLaughlin

Sunday afternoon’s audience at Jelliffe Theatre at Karamu House was treated to a thoughtfully curated, well-performed program honoring several 20th- and 21st-century Black composers. Karamu House made for an especially congenial setting, and Allison Loggins-Hull, The Cleveland Orchestra’s 11th Daniel R. Lewis Composer Fellow, was a gracious and thought-provoking host. This was the last event in The Cleveland Orchestra’s Jack, Joseph and Morton Mandel Opera & Humanities Festival.

Loggins-Hull periodically provided notes about the program. She is an elegant and compelling presence onstage, and a passionate spokesperson on behalf of her music as well as that of her fellow composers — notably through the lens of social justice.

Transcribed by the composer from her 2014 violin work, Jessie Montgomery’s Rhapsody No. 1 for solo viola felt like a slice of American fiddle tradition, enhanced by Eliesha Nelson’s sympathetic and sonorous performance. A plaintive six-note melody begins its journey, first in double stopped dialogue with itself, then as isolated accents over furious arpeggiation, before ending largely as it began.

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