By Mike Telin
When Debra Nagy asked Nicholas Phan to think about a non-Western, specifically non-European, myth that could be a fit for Les Délices’ The Mythology Project, he knew exactly where to turn.
“I had been spending a lot of time in Ann Arbor at my parents’ place because their health was starting to decline. And in my childhood bedroom was this very tattered book of Chinese myths that I had as a child,” the Grammy-winning tenor said on a recent Zoom call from Lisbon, Portugal.
“So I thumbed through the book and “The Loss of Memory Myth” jumped out at me. Probably because of what I had been experiencing with my parents’ decline in health and my needing to step up to take care of them. That role reversal really spoke to me.”
This weekend Les Délices will present A Moment’s Oblivion, the first instalment of “The Mythology Project,” a three-year initiative that will bring new life to the secular cantata that was popular in 17th and 18th-century France.
On Saturday at 4:00 pm at Heights Theater and Sunday at 4:00 pm at West Shore Unitarian Universalist Church, tenor Nicholas Phan, oboist Debra Nagy, violinist Shelby Yamin, violist da gamba Rebecca Landell, and harpsichordist Mark Edwards will perform Michel de Montéclair’s La Bergère & Le Dépit généreux, Marin Marais’ “Le Labyrinthe” from Livre 4ème, and François Couperin’s “Barricades mistérieuses” and “Les Langueurs tendres” from Sixième Ordre. Tickets are available online.