by Mike Telin
For
In the words of David Harrington, “I’ve always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass and be absolutely beautiful and ugly if it has to be. But it has to be expressive of life. To tell the story with grace and humor and depth. And to tell the whole story, if possible.” Now, with over 750 works written for Kronos Quartet by an impressive list of composers, how does a quartet with so many repertoire possibilities go about programming a concert? [Read more…]


