by Daniel Hathaway
John, son of Louis from the town of Palestrina, essentially became the official composer of the Church of Rome when he was appointed as master of the papal choir (Cappella Giulia) at St. Peter’s Basilica in 1551 and had come to represent the culmination and perfection of Renaissance polyphony by the time he died in 1594. He wrote as many masses as Haydn wrote symphonies, as well as hundreds of motets, offertories and hymns for use in the Roman Rite.
Quire Cleveland gave a large audience just a taste of Giovanni Pierluigi da Palestrina’s vast trove of liturgical music on Saturday evening, May 25 at Historic St. Peter’s Church in downtown Cleveland when guest conductor Jameson Marvin conducted the 22 professional singers in what is probably Palestrina’s most famous mass setting, its movements interspersed with six motets, five of them on Marian texts. [Read more…]