by Daniel Hathaway
Guest conductor Marc Albrecht brought an interesting musical portfolio with him to Severance Hall last weekend. First came two Mahler works, one an orphaned movement spun out from an early version of his first symphony, the other his short but dramatic song-cycle, Songs of a Wayfarer. Then to end the program, Arnold Schoenberg’s drastic transformation of Brahms’s Piano Quartet in g into an exuberant piece for large orchestra.
It was a weekend of replacements. Albrecht agreed some weeks ago to step in for Pierre Boulez, necessitating a complete change in repertoire, and mezzo-soprano Sasha Cooke filled in on much shorter notice for Alice Coote, who had to cancel due to a family illness. I heard the Thursday concert.
Mahler’s Blumine is an unassuming, sentimental little piece that seems to have wandered in from a cabaret — or maybe from the pit of a theater orchestra, judging by its instrumentation. [Read more…]