Metropolis Archives - Cleveland Classical

Preview: Stambaugh Organ Series — Peter Richard Conte to improvise score to restored 1925 film, Metropolis

February 4, 2014 by Special to ClevelandClassical.com

by Daniel Hathaway

Historical film buffs, Sci-Fi fans and organ enthusiasts: listen up. You’re all going to find this event exciting. On Sunday, February 9 at 4:00 pm, Philadelphia organist Peter Richard Conte will improvise a musical score to Fritz Lang’s 1927 German silent film classic, Metropolis, using the eloquent resources of the E.M. Skinner symphonic organ in Stambaugh Auditorium in Youngstown.

Filmed during the turbulent years of the Weimar Republic, Metropolis is set in a futuristic urban dystopia plagued by class warfare. The first full-length Science Fiction film, Metropolis cost about 5 million Reichmarks, making it the most expensive film made to date. The original film was accompanied by a full orchestra score composed by Gottfried Huppertz in the style of Wagner and Strauss. Metropolis was reconstructed and restored to its nearly-original length of 148 minutes in 2010 using recently-discovered footage from as far away as Argentina.

Peter Richard Conte divides his busy life among three posts. He presides at the famous Wanamaker organ at Macy’s in center city for twice-daily recitals and regular broadcasts, he serves as organist and choirmaster at St. Clement’s, an Anglo-Catholic Episcopal church, and he plays and oversees the organ series at Pierre DuPont’s Longwood Gardens in Kennett Square, PA. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us