by Nicholas Stevens

Musicians love a good metaphor: take, for instance, that of summiting a mountain. When a violinist speaks this way after playing all of Bach’s partitas, or a soprano recalls preparations for a Wagner opera, the image of the artist mounting some hostile peak offers implications of persistence, struggle, and of course triumph. Pianists might describe Beethoven’s sonatas this way. But how many have actually played at the top of a mountain? Archival video confirms that French pianist Pierre Réach literalized this image of the soloist at the summit over twenty years ago. A recent concert in Cleveland confirmed that the figurative Everest of Beethoven’s piano music still bears his banner as well. [Read more…]