Quatuor ébène Archives - Cleveland Classical

Review: Cleveland Chamber Music Society — Quatuor ébène at Plymouth Church (April 16)

April 23, 2013 by Special to ClevelandClassical.com

by Daniel Hathaway

Anybody who thinks that string quartet concerts can be uneventful — or downright ennui-producing — should have heard the French bad boys who make up Quatuor ébène on the Cleveland Chamber Music Society series at Plymouth Church on April 16. Pierre Colombet, Gabriel Le Magadure, Mathieu Herzog and Raphaël Merlin took mostly well-mannered quartets by Mozart and Mendelssohn out and gave them a hard ride. Either you hated their interpretations for their sheer wilfulness and distortion or you adored them for their sang-froid and cockiness. And then les garçons flipped a switch during intermission and turned into an astonishingly sophisticated pop/jazz group (chouette alors! — turn down the lights and break out the cabernet!)

You know it’s going to be an odd evening when the “dissonant” introduction to Mozart’s K. 465 quartet goes by without much of a ripple but the happy-sunny musical events that follow raise multiple eyebrows. [Read more…]

Preview: Cleveland Chamber Music Society: Quatuor ébène — not your usual string quartet

April 12, 2013 by Special to ClevelandClassical.com

by Daniel Hathaway
If you’re a regular Cleveland Chamber Music Society patron, you already know that the French ensemble Quatuor ébène is scheduled to cross the genre borders between Mozart & Mendelssohn and Jazz & Pop next Tuesday evening, April 16 at Plymouth Church, but don’t be surprised if the four young Frenchmen also break into song — as they charmingly do in this video of “Un jour mon prince viendra” from “Banche-neige et les sept nains” (somehow the brief Tide commercial fits right in with the Snow White theme).

The members of “The Ebony Quartet,” violinists Pierre Colombet and Gabriel Magadure, violist Mathieu Herzog and cellist Raphaël Merlin, got together as an ensemble in 1999, when they were students at the Conservatory in Boulogne-Billancourt on the west side of Paris. In the next decade and a half, the quartet won important awards and acquired a reputation for moving seamlessly between different musical genres. [Read more…]

Apollo’s Fire delights in second decade of Praetorius’ Christmas Vespers (Dec. 18)

by Peter Feher

The German composer Michael Praetorius never had a Christmas hit on the level of, say, O Tannenbaum — an early version of which, circa 1600, is attributed to his contemporary Melchior Franck.

But in the 21st century, Praetorius has found seasonal success thanks to a team of savvy producers. Apollo’s Fire and artistic director Jeannette Sorrell have championed the composer for two decades now, fashioning his music into an enduring, historically informed holiday program. Christmas Vespers isn’t a single piece from the Praetorius catalog but rather a unique “best of” compilation that Cleveland’s Baroque orchestra unveiled in 2005 and last presented in 2015.

Who says a liturgical service can’t be popular? Apollo’s Fire once again drew sold-out crowds to church venues across Northeast Ohio with these concerts, including a packed Trinity Cathedral on Thursday evening, December 18. And for anyone who still can’t get enough Praetorius, the ensemble plans to release a video recording of the 2025 Trinity performances — not instead of, but in addition to, the group’s 2007 CD. [Read on…]

Burning River Brass opens Arts Renaissance Tremont season (Dec. 19)

by Kevin McLaughlin

Presented by Arts Renaissance Tremont, Burning River Brass’s annual Holiday Spectacular filled Pilgrim Congregational Church on Friday evening, December 19.

The handsome late 19th-century sanctuary rang with brass, and the season arrived. Many in the audience were regulars, a familiarity that showed in the musicians’ ease onstage — the kind of exchange that gives these concerts an enduring appeal.

Trumpeter Heather Zweifel helped set the tone with spoken introductions that were relaxed, conversational, and disarming. More than an emcee, she shaped the evening’s pace and sense of welcome, guiding listeners through the program with an ease that mirrored the ensemble’s assured playing.

Introductions revealed the players’ far-flung origins — New York, Chicago, New Orleans, Michigan, anchored by a strong Cleveland core — but the playing suggested long acquaintance. [Read on…]

Christmas with Cantus at Tuesday Musical (Nov. 30)

by Peter Feher

Tuesday Musical gave Akron audiences a generous Christmas gift this year. The presenter tied three holiday classics together in one sumptuous concert on Sunday afternoon, November 30, at E.J. Thomas Hall. First up was the story of The Velveteen Rabbit, followed by a quick waltz through The Nutcracker and a ride on The Polar Express.

Delightfully, this trio of tales was recounted with drama and poise — not by any actors or dancers but by the eight members of the all-male a cappella ensemble Cantus. The group, based in Minnesota and now in its fourth decade, is once again touring the country with a polished, compact production of carols, pop tunes, and of course Tchaikovsky.

[Read on…]

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