by Daniel Hathaway

The source was the ten-volume collection, Tudor Church Music, inaugurated by the Carnegie United Kingdom Trust, one of over twenty foundations established by the Scottish-born industrialist, whom we also have to thank for the restoration of The Book of Kells, and a lot of public libraries and church organs.
Before “TCM,” the repertory of Tudor polyphony languished in cathedral and university libraries, pretty much forgotten because the music was written in one-for-each-voice part-books, rather than in score form where it could be seen as a whole and studied. [Read more…]


