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Blossom Festival Band spotlights new and old favorites in “Salute to America” (July 3)

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by Stephanie Manning

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — For an outdoor concert on July 3, you could hardly have asked for a nicer summer evening — or a more expert conductor.

“How about this weather!” Michelle Rakers cheerfully boomed from the podium, greeting the audience who had packed the lawn and pavilion at Blossom Music Center.

Under Rakers’ direction, the Blossom Festival Band presented “Salute to America,” a memorable take on the annual Fourth of July program that favored some lesser-known selections without ignoring the classics.

[Read more…]

Errollyn Wallen braves the storm to share her Songbook at ChamberFest (June 18)

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by Stephanie Manning

Errollyn Wallen is many things — composer, vocalist, and published author, just to name a few. But you could also say she’s a little bit of a psychic.

As the sky outside the floor-to-ceiling windows in Mixon Hall rapidly darkened with storm clouds on June 18, she launched into her song “Tree.” “I’m perplexed by rooted trees,” she crooned over pizzicattos from her accompanying string quartet, as lightning flashed and the real-life trees bent and twisted in the fierce wind.

Shortly after, ChamberFest co-artistic director Diana Cohen stopped the concert to make a rare request: that everyone in the room make their way down to the Cleveland Institute of Music basement to shelter from the storm. This unusual little detour was just one way the Wednesday evening program lived up to its name, “Mood Swings.”

[Read more…]

The cast of Blind Injustice discuss portraying real people and the power of hope (2nd of 4 articles)

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by Stephanie Manning

 While the team at Chagrin Arts was in talks to bring Blind Injustice to Northeast Ohio, the question of location became increasingly important. “We talked about doing it in different cities, but it became clear that this needs to happen in Cleveland,” tenor Tim Culver said.

Composed by Scott Davenport Richards with a libretto by David Cote, the 90-minute opera follows the stories of six people who had their convictions overturned with help from the Ohio Innocence Project. Four of them lived in Cleveland or East Cleveland, while the other two lived in neighboring Lorain and Summit counties.

[Read more…]

ENCORE celebrates its first decade with “The Golden Waltz” (June 17)

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by Stephanie Manning

Ten years have gone by in a blink for the ENCORE Chamber Music Institute. So it’s only fitting that its official anniversary concert began with a healthy dose of nostalgia.

Artistic director Jinjoo Cho introduced the June 17 performance at the Maltz Performing Arts Center with a slideshow documenting  the evolution of the Music & Ideas Festival and Summer Academy. “Cleveland is home to me,” she said, clicking through photos of old programs, early notebook brainstorming sessions, and past students — many of whom are now professional musicians in their own right.

That trip down memory lane was a prelude to the musical portion of the concert, titled “The Golden Waltz.” [Read more…]

Ohio Light Opera: three key players discuss this season’s repertoire and some bittersweet changes ahead

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by Stephanie Manning

This summer, Ohio Light Opera artistic director Steven Daigle is crossing not one, but two shows off his bucket list.

“ I would’ve loved to direct all six of the shows this summer,” he said. But after dividing up assignments between him and his three fellow directors, eventually he had to choose.

So what drew him to Rodgers & Hammerstein’s Carousel and Noël Coward’s Bitter Sweet?  These shows aren’t just visual and musical spectacles — they also grapple with some complicated emotions. [Read more…]

ENCORE in CLE connects string quartets with young kids in Garfield Heights (June 12)

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by Stephanie Manning

School’s out for the summer, but that doesn’t mean all learning has to be put on pause. Enter programs like “Summer Fun For Everyone” at the Garfield Heights Branch of the Cuyahoga County Public Library.

On most weekday mornings during the summer, kids from grades one through six are welcome to drop in to the campus on Turney Road for exploratory educational activities. On Thursday, June 12, what was in store included a concert of string quartets, performed by the young artists of the ENCORE Chamber Music Institute.

While the musicians were warming up, a few kids and caregivers waited in the adjoining room. There, the tables were already lined with crafting supplies — cardboard boxes, rubber bands, and the like — to build makeshift instruments. [Read more…]

Ohio Light Opera embraces the nuances of Rodgers & Hammerstein’s Carousel (June 14)

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by Stephanie Manning

If you’ve never seen Rodgers and Hammerstein’s Carousel, don’t let the title fool you. Although the carousel in question is literal, it’s also a metaphor — for cycles of unhealthy relationships, social ostracization, and abuse.

Eighty years on from its Broadway debut, Carousel finds itself in a tricky position in the musical theater canon. Featuring some of Rodgers and Hammerstein’s most beautiful songs, the work is so beloved that TIME Magazine named it the best musical of the 20th century. But it’s also faced criticism for its portrayal of domestic violence.

Deftly directed by Steven Daigle and unafraid to face some thorny topics head on, Ohio Light Opera’s Carousel made for a compelling start to the company’s 46th season at The College of Wooster’s Freedlander Theatre on June 14. [Read more…]

Margi Griebling-Haigh’s The Higgler gets a curious, yet charming, world premiere (June 8)

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by Stephanie Manning

The Higgler is an opera about missed opportunities, mixed signals, and difficult decisions. So what awaits its regretful characters once the story ends? Well, your guess is as good as mine.

The ambiguous ending of Margi Griebling-Haigh’s opera is perhaps its biggest paradox. On one hand, when the lights went up not long after a key plot reveal, it left plenty of unanswered questions. On the other, it was hard not to be charmed by the world premiere production at Disciples Christian Church in Cleveland Heights, which I saw on June 8.

The quandary about the ending originates not from Griebling-Haigh’s libretto, but from the original text — A.E. Coppard’s short story “The Higgler,” which the composer follows almost to the letter. Narrator Joseph Hollings occasionally read out verbatim passages, describing certain scenes that wouldn’t have otherwise been possible with the limited set. But director Marla Berg ensured that all transitions were clear, and the rotating backdrops allowed up to three distinct locations to be represented onstage at one time. [Read more…]

Hao Yang and Helen Zhibing Huang celebrate Chinese culture at the Cleveland International Classical Guitar Festival (June 5)

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by Stephanie Manning

The opportunity to hear rare repertoire is exciting enough. But hearing it performed so beautifully made the evening of June 5 truly special.

As part of the Cleveland International Classical Guitar Festival, guitarist Hao Yang and soprano Helen Zhibing Huang presented a lovingly curated program that blended their Chinese heritage and Western musical training. At the centerpiece was a collection of songs set to Chinese poetry — providing a look into this gorgeous repertoire.

Both performers grew up in China before coming to study in the U.S., and each spoke about their personal connection to this program. “We’re so grateful we get to connect to our culture through this beautiful music,” Huang told the audience in the Cleveland Institute of Music’s Mixon Hall. [Read more…]

Oberlin’s Baroque Performance Institute gears up to celebrate the music of England

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by Stephanie Manning

When Oberlin’s Baroque Performance Institute (BPI) began more than half a century ago, dedicated programs for studying and performing early music were almost nonexistent.

“ In the early seventies, it was really the only place where you could study that repertoire in the States,” artistic director Kenneth Slowik said in a recent interview. Thankfully, “nowadays, there are several different options.”

Throughout the decades, the renowned summer workshop has continued its annual meetings, with only a brief pause for the pandemic. From June 15–29, BPI will mark its 53rd year when it welcomes a group of both professional and avocational musicians to Oberlin Conservatory. Performers ages 15 and up will participate in workshops, master classes, and large ensembles under the theme “Music in England from Purcell to Handel.”

Where does BPI fit into today’s early music landscape? “ It still has its place, I think,” Slowik said. “Certainly, the people who come take away a two-week experience that’s unlike anything else they’ve done.”

[Read more…]

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