by Joshua Rosner

After a lengthy stage change, pianists Zoltán Fejérvári and Rabinovich began the four selections from György Kurtág’s Játékok (“Games”). Three were clear hommages — one for J.S. Bach, one for Stravinsky, and one for Jószef Soproni. The duo performed with an array of colors, and their choreography of arm crossings was a feat to behold.
Kenney, Lee, violinist Itamar Zorman, and cellist Oliver Herbert were already onstage for Sofia Gubaidulina’s Reflections on the Theme B-A-C-H for String Quartet, which followed immediately after Játékok. Filled with glissandi, harmonics, and the use of the iconic theme in the most bizarre ways, the piece is mesmerizing. As Reflections ended, the two pianists returned, showcasing the truly special harmonies in Kurtág’s arrangement of Bach’s Sonatina from Actus Tragicus, Cantata No. 106, to end the first half.
The second half of the concert belonged to Tchaikovsky’s Trio in a, Op. 50. Composed in 1881-82, the lengthy, two-movement work is an hommage to the composer’s mentor, Nikolai Rubinstein, who had recently passed away. Cohen, Albers, and Rabinovich showed glimpses of amazing ensemble playing, even if some moments could have been tighter during this is taxing work.
Published on ClevelandClassical.com June 26, 2017.
Click here for a printable copy of this article



