This article was originally published on Cleveland.com
by Daniel Hathaway

The show, now making the rounds of summer festivals, can either be performed with just two artists on a pair of grand pianos or with a full symphony orchestra. In this case it was The Cleveland Orchestra, conducted by Keith Lockhart. Who could ask for anything more?
Better weather, maybe. The concert started 20 minutes late because of a severe storm warning which required everyone on the lawn to move into the pavilion or take shelter before the concert could begin. This gave everyone in attendance the rare opportunity to see how vast a crowd turned out and how many souls the pavilion can absorb when it must.
When the lights came up, Lockhart and the Orchestra launched the evening with an overture. Then Thibaudet and Feinstein appeared in matching attire — white dinner jackets that might have been made from Jackson Pollock drop cloths during his blue period—and Feinsten set the topic for the evening with Irving Berlin’s “I love a Piano” in an arrangement that wove in quotes from Gershwin’s “Rhapsody in Blue.”
The two pianists joined the Orchestra for a set of Richard Rogers waltzes that ended with “Oh, What A Beautiful Mornin’” and segued into the great vocals of “Pure Imagination.”
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Published on ClevelandClassical.com July 26, 2023
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