by Mike Telin
TODAY’S EVENTS:
At 6:30 pm, the Canton Symphony Woodwind Quintet will present “Summer Serenade” at Tam O’Shanter Park, Hills & Dales Rd. NW, Canton. The event is free but reservations are required. Click here to RSVP.
At 7:00 pm Semifinal rounds of the Cleveland International Piano Competition get underway in Gartner Auditorium at the Cleveland Museum of Art. Ling Ye (23, China) performs Mozart’s Sonata No. 13 in B-flat, K. 333, Richard Strauss’ “Ramble on Love” from Der Rosenkavalier (arr. Grainger), and Bartók’s Sonata, Sz. 80, and Themes from Mission Impossible (arr. Kurbatov). Honggi Kim (29, South Korea) Plays Schifrin’s Themes from Mission Impossible (arr. Kurbatov) and Chopin’s Twelve Etudes, Op. 25. Ye and Kim (pictured) will join forces for Schubert’s Fantasie in f. Tickets available online. You can attend in person, or watch remotely.
IN THE NEWS:
Tuesday Musical has announced its 2021-22 season which will feature VOCES8 (Oct. 19), Naughton Piano Duo (Nov. 16), The Rodney Marsalis Philadelphia Big Brass (Dec. 7), Violinist Joshua Bell and soprano Larisa Martinez (Feb. 8), Harlem Quartet with pianist Aldo López-Gavilán (March 1), and Nu Deco Ensemble (May 4). Click here for details.
Following the successful debut of its early music variety show, SalonEra, Les Délices has announced details for the twelve episode 2021-22 season line-up. Read the press release here.
TODAY’S ALMANAC:
July 29 saw the passing of composer Robert Schumann in 1856, but we’ll begin by remembering British conductor Sir John Barbirolli, who died on this day in 1970.
Born into a musical family in London, Barbirolli began his professional life as a cellist. As a young freelancer, he played in the Queen’s Hall Orchestra and in the pit of the Beecham and Carl Rosa opera companies. Never turning down a gig, Barbirolli played with orchestras in theatres, cinemas, hotels, and dance-halls.
His first conducting experience occurred during WWI while he was serving as a lance-corporal in the Suffolk Regiment. In a 1969 Gramophone interview Barbirolli told Alan Blyth:
…. In our battalion of the Suffolks we had a number of professional musicians. So we formed an orchestra and played in the equivalent of the NAAFI [Navy, Army, and Air Force Institutes] during our spare time. I was the principal cello and we were conducted by the bandmaster, one Lieutenant Bonham. The other boys knew that I was longing to conduct and one day when Bonham fell ill with flu, they thought “old Barby” – as I was known – should have a go. It was really rather romantic — I was scrubbing the floor in the Officers’ Mess when they came and invited me to take over. We did the Light Cavalry overture and Coleridge-Taylor’s Petite Suite de Concert but I can’t say I recall the rest of the programme.
His early conduing gigs included the Guild of Singers and Players Chamber Orchestra which he helped establish in 1924, and was soon invited to lead performances of the British National Opera Company, and made his debut at the Royal Opera House, Covent Garden in 1928. He would go on to be named Arturo Toscanini’s successor as music director of the New York Philharmonic, serving from 1936 to 1943, when he was asked by the Hallé Orchestra in Manchester — which was in danger of becoming extinct — to become its conductor. Barbirolli jumped at the opportunity to help revive the orchestra. He remained there for the rest of his life.
Click here to listen to a 9144 recording of Vaughan Williams’ Symphony No. 5 with the Hallé Orchestra conducted by John Barbirolli.
Another recording Barbirolli is remembered for is the Elgar Cello Concerto with Jacqueline Du Pre and the London Symphony Orchestra. The album also includes the composer’s Sea Pictures with mezzo-soprano Janet Baker. Click here to listen.
We visit our Daily Diary archives to remember Robert Schumann, who died on this day in 1856 at the age of 46 after spending two years in an asylum in Bonn, having been taken there at his own request after he attempted suicide by throwing himself off a bridge into the Rhine River.
Daniel Hathaway wrote that among his legacies were wonderful cycles of songs and piano works, four symphonies, and a quantity of chamber music.
Listen here to a 2014 recording of Dichterliebe by German baritone Benjamin Appl and pianist James Baillieu (the two performed the cycle on the Cleveland Art Song Festival series at the Cleveland Institute of Music in January, 2019).
Schumann’s symphonies have frequently come under fire for what conductors have considered the composer’s inept orchestration. George Szell, who made significant changes to the scores, recorded them between 1958 and 1960. Click here to listen to all four works. A Gramophone review of the cycle’s later release on CDs noted:
Szell loved the Schumann symphonies (his eloquent booklet annotation makes that abundantly clear), but readers in search of Urtext reportage should be warned that he attempts to correct – and here I quote the Maestro himself – “minor lapses [in orchestration] due to inexperience” with “remedies” that range from “subtle adjustments of dynamic marks to the radical surgery of re-orchestrating whole stretches.
