by Mike Telin

“This nomination is always such a huge honor with all the amazing talent out there. To be in this small group is humbling and I’m thrilled beyond belief,” Kondonassis said in an email. “Enormous thanks go to Jennifer Higdon, Ward Stare, The Rochester Philharmonic Orchestra, Alan Bise, Bruce Egre, and Azica Records. These projects are never easy, but what an amazing team to make it all happen!”
In an interview this past July, Kondonassis told ClevelandClassical.com that the concerto is “a wonderful collection of short stories that fit together even though they’re all completely different. I think that’s one reason why people seem to like the piece so much.” Of the recording, which was made live, the harpist said, “A live orchestral concerto recording is in some ways scary business: you never know what’s going to happen. Strings can break, strange noises come out of nowhere. Azica did such an amazing job — honestly, with the sound they got, you almost wouldn’t know it was live — they managed to focus in on so much of the richness happening on stage.” Click here to read the in-depth article about the piece.

The Grammy Awards will be presented on January 26, 2020. Click here for a complete list of nominees.
In addition to a busy performing career, Yolanda Kondonassis teaches at the Oberlin Conservatory and the Cleveland Institute of Music. Her new book, The Composer’s Guide to Writing Well for the Modern Harp, is now available from Carl Fischer Music.
In 2015 Azica Records release of guitarist Jason Vieaux’s solo album, Play, won a Grammy Award in the category of Best Classical Instrumental Solo. Bruce Egre and Alan Bise also serve on the faculty at CIM.
Published on ClevelandClassical.com November 21, 2019.
Click here for a printable copy of this article


