by Mike Telin

Bookended by music of Bach, Swanson opens his 70-minute recital with the composer’s first Cello Suite played on baritone sax. Swanson immediately grabs your attention with his smooth, even tone, and agile technique in the opening Prelude. The Courante is especially beautiful and Swanson’s take on the concluding Gigue is pure fun. The saxophonist is in his element when playing soprano sax, and his affection for that instrument, and the music of Bach, is in full evidence during the Partita for Solo Flute. Throughout, Swanson’s crystalline sound is mesmerizing, and his stylish playing — especially in the Bourrée angloise — leaves you wanting more.
If you prefer music from more recent times, the recital includes superb performances of Alois Hába’s engaging Partita (alto), Marc Mellits whimsical Frost (tenor), and Tristan Keuris’ beguiling Canzone (alto). Swanson’s program also features music by Gowanda native Nathan Hall. “The Balcony” (soprano) — part of the composer’s larger installation work Elevator Music — is a musical and technical tightrope walk which Swanson thoroughly enjoys.
Throughout the video, Swanson offers his insights into the lives of the composers and their music — not too much, just enough. However, what makes these performances more than a sonic experience is the accompanying videography by Jill Swanson, Sarah Marchitelli, and Jacob Swanson himself. The spectacular visual journey beautifully captures the architectural grandeur of the Historic Hollywood Theater.
Published on ClevelandClassical.com December 10, 2020.
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