Alex Fortes Archives - Cleveland Classical

Boston’s A Far Cry chamber orchestra in concert at Baldwin Wallace (Jan. 24)

January 31, 2017 by Daniel Hathaway

by Daniel Hathaway

Now ten years old, Boston’s conductorless string orchestra A Far Cry made a long-distance runout performance in Gamble Auditorium at Baldwin Wallace Conservatory on Tuesday, January 24, part of a three-day residency at BW. The orchestra’s wide-ranging program reached back to the 12th-century Codex Calixtinus in arrangements of some very early polyphony, then leapfrogged into more modern times for double violin concertos by J.S. Bach and Arvo Pärt and a commissioned work by Lembit Beecher.

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Boston’s A Far Cry chamber orchestra to perform at Baldwin Wallace on January 24

January 23, 2017 by Mike Telin

by Daniel Hathaway

Now celebrating its tenth anniversary, the Boston-based chamber orchestra A Far Cry will journey to Berea this week to conduct a residency and play a concert at Baldwin Wallace University.

The ensemble of string players, who perform without conductor, share all aspects of decision-making among the membership, a process the orchestra will discuss with BW students and faculty during its sojourn later this week.

The musical results of their approach to self-governance will be on display in a 7:00 pm concert on Tuesday, January 24 in Gamble Auditorium. The program will include J.S. Bach’s Double Violin Concerto, Lembit Beecher’s The Conference of the Birds, Arvo Pärt’s Tabula Rasa, and selections from the medieval Codex Calixtinus. [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

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