Ari Streisfeld Archives - Cleveland Classical

Cleveland Museum of Art: JACK Quartet (March 2)

March 8, 2016 by Daniel Hathaway

by Timothy Robson

On the WOW! spectrum, the JACK Quartet’s concert on Wednesday, March 2 in Gartner Auditorium at the Cleveland Museum of Art was high on the rating scale. It was a program of new music, and although several of the works were arrangements of old or even very old music, they were given new garb for these performances. We were reminded that the distance between ancient and modern is often not far. The program featured two world premieres, both by the Turkish-born, New York-based composer and improviser Cenk Ergün. [Read more…]

CMA: JACK Quartet — a conversation with violinist Ari Streisfeld

February 23, 2016 by Daniel Hathaway

by Mike Telin

If you ask people to name the string quartets who have the ability embedded in their DNA to perform experimental music comprised of polyrhythms, extended techniques, and microtonality, the JACK Quartet is sure to be at the top of everyone’s list. Next week, violinists Christopher Otto and Ari Streisfeld, violist John Pickford Richards, and cellist Kevin McFarland will present a mini-residency in Cleveland as part of the Cleveland Museum of Art’s Performing Arts Series.

On Tuesday, March 1 at 7:30 pm in Transformer Station the JACK will perform Georg Friedrich Haas’s pioneering String Quartet No. 3. Then on Wednesday, March 2 at 7:30 pm, the quartet will take the stage in the Museum’s Gartner Auditorium for a concert featuring works by Guillaume de Machaut, John Zorn, Claudio Monteverdi, and Caroline Shaw. The evening will also include two world premieres by Cenk Ergün. “We’re very excited about these concerts,” violinist Ari Streisfeld said during a telephone interview. “We hope everyone will come with open ears and open minds.” [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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