by Nicholas Stevens

Spare a thought for Fretwork: a recent tour of North America hit a snag when an airline cracked one of their violas da gamba. Instruments of this family constitute the entire toolbox of the group, a viol consort that presents the fraternal twin to the violin as though it had never lost its cachet. For many Northeast Ohioans, warm feelings for the group remain fresh after a late-October concert, part of a tour that pitted them against all too modern perils. In a careless, rushing world, their meticulous musicianship and willingness to let music unfold feel less like dusty artifacts than like emblems of a future worth fighting for. [Read more…]